{"id":105712,"date":"2022-01-13T18:23:45","date_gmt":"2022-01-13T17:23:45","guid":{"rendered":"https:\/\/centmagazine.co.uk\/?p=105712"},"modified":"2022-02-10T19:07:49","modified_gmt":"2022-02-10T18:07:49","slug":"movie-moments","status":"publish","type":"post","link":"https:\/\/staging.centmagazine.co.uk\/?p=105712","title":{"rendered":"Mini Movie Moments"},"content":{"rendered":"\n<p class=\"has-text-align-right has-secondary-color has-text-color wp-block-paragraph\">Short movies are a simple way to explore a new subject matter, and if that excites then short film festivals are a great option.  From global perspectives to contemporary subject matters enjoy and open yourself up to something new for January with the 19th edition of the London Short film festival. Find out more in <em>Mini Movie Moments Here<\/em><\/p>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\">Screened over nine days in January, and supplemented with live performances, DJ sets and Q&amp;As with many featured filmmakers, the London Short Film Festival (LSFF) returns with 18 packed programmes of new shorts from the UK and beyond. &nbsp;<\/p>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\"><br \/>The festival features unconventional, radical and resolutely independent work by a tremendous variety of filmmakers, visual artists and creatives \u2013 and places the spotlight on stories, perspectives and voices that too often sit in the shadows.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05147.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"434\" src=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05147.jpg?resize=580%2C434&#038;ssl=1\" alt=\"\" class=\"wp-image-105719\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05147.jpg?w=593&amp;ssl=1 593w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05147.jpg?resize=300%2C225&amp;ssl=1 300w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\">Friday 14 January 2022, 6:30pm<a href=\"https:\/\/www.ica.art\/seasons\/london-short-film-festival-2022\/touched-qanda\" target=\"_blank\" rel=\"noreferrer noopener\">TOUCHED + Q&amp;A<\/a>From archive films to contemporary works, this programme of eight shorts \u2013 followed by a filmmakers\u2019 Q&amp;A \u2013 subverts and examines ideas around self-love, asexuality, lust and longing.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05149.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"435\" src=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05149.jpg?resize=580%2C435&#038;ssl=1\" alt=\"\" class=\"wp-image-105720\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05149.jpg?w=640&amp;ssl=1 640w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05149.jpg?resize=300%2C225&amp;ssl=1 300w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\">Friday 14 January 2022, 9pm&nbsp;<br \/><a href=\"https:\/\/www.ica.art\/films\/funny-shit-2022\" target=\"_blank\" rel=\"noreferrer noopener\">New Shorts: Funny Shit<\/a><br \/>The LSFF\u2019s opening night once again features some of the year\u2019s finest comedy shorts.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05167.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"435\" src=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05167.jpg?resize=580%2C435&#038;ssl=1\" alt=\"\" class=\"wp-image-105721\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05167.jpg?w=1000&amp;ssl=1 1000w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05167.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05167.jpg?resize=768%2C576&amp;ssl=1 768w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\">Saturday 15 January 2022, 3pm<br \/>Tuesday 18 January 2022, 4pm<br \/><a href=\"https:\/\/www.ica.art\/films\/we-seize-only-a-bit-of-the-curtain-that-hides-the-infinite-from-us\" target=\"_blank\" rel=\"noreferrer noopener\">International Competition: We seize only a bit of the curtain that hides the infinite from us<br \/><\/a>Colonial histories, superstitions, global financial crises, personal testimonies \u2013 these new films from Singapore, Greece, the Philippines, Tanzania and French Guiana offer myriad perspectives.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05212.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"435\" src=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05212.jpg?resize=580%2C435&#038;ssl=1\" alt=\"\" class=\"wp-image-105722\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05212.jpg?w=1000&amp;ssl=1 1000w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05212.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05212.jpg?resize=768%2C576&amp;ssl=1 768w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\">Saturday 15 January 2022, 5pm<br \/><a href=\"https:\/\/www.ica.art\/films\/dwoskino\">DWOSKINO<\/a>The world premieres of three newly commissioned artists\u2019 films inspired by boundary-pushing experimental filmmaker Stephen Dwoskin (1939\u20132012).<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05293.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"435\" src=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05293.jpg?resize=580%2C435&#038;ssl=1\" alt=\"\" class=\"wp-image-105723\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05293.jpg?w=1000&amp;ssl=1 1000w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05293.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05293.jpg?resize=768%2C576&amp;ssl=1 768w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\"><br \/>Tuesday 18 January 2022, 7pm<br \/><a href=\"https:\/\/www.ica.art\/films\/the-rise-of-digital-art\">The Rise of Digital Art + NFTs (featuring Beeple)<\/a><br \/>Digital installations, screenings and panel discussions on NFTs and digital art, followed by a DJ set from Emile and Electricity.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05214.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"435\" src=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05214.jpg?resize=580%2C435&#038;ssl=1\" alt=\"\" class=\"wp-image-105725\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05214.jpg?w=1000&amp;ssl=1 1000w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05214.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05214.jpg?resize=768%2C576&amp;ssl=1 768w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\">Saturday 15 January 2022, 7pm<br \/>Wednesday 19 January 2022, 4pm<br \/><a href=\"https:\/\/www.ica.art\/films\/i-hear-you-i-see-you-i-speak-of-you\">International Competition: I hear you, I see you, I speak of you<\/a>&nbsp;<br \/>From a New Orleans salon to a refugee camp in Kabul, these shorts speak to familial bonds, ties to home and the displacement of people.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05216.png?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"435\" src=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05216.png?resize=580%2C435&#038;ssl=1\" alt=\"\" class=\"wp-image-105726\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05216.png?w=990&amp;ssl=1 990w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05216.png?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05216.png?resize=768%2C576&amp;ssl=1 768w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\">Saturday 15 January 2022, 7pm&nbsp;<br \/><a href=\"https:\/\/www.ica.art\/films\/up-yours-post-punk-feminism-revisited\">Up Yours! Post Punk &amp; Feminism Revisited &nbsp;<br \/><\/a>Focused on feminism and the experimental post-punk scene, this shorts programme is supplemented by live sets from Shade Ray and Es, plus a DJ set from Gabi.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05158.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"434\" src=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05158.jpg?resize=580%2C434&#038;ssl=1\" alt=\"\" class=\"wp-image-105727\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05158.jpg?w=1000&amp;ssl=1 1000w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05158.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05158.jpg?resize=768%2C575&amp;ssl=1 768w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\">Saturday 15 January 2022, 9pm&nbsp;<br \/><a href=\"https:\/\/www.ica.art\/films\/animation-variety-show\">New Shorts: Animation Variety Show<\/a><br \/>A heart murmur, a graffiti artist and an animator\u2019s experience of racism are among the subjects explored in this selection of international films.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05159.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"434\" src=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05159.jpg?resize=580%2C434&#038;ssl=1\" alt=\"\" class=\"wp-image-105728\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05159.jpg?w=1000&amp;ssl=1 1000w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05159.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05159.jpg?resize=768%2C575&amp;ssl=1 768w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\">Sunday 16 January 2022, 1pm&nbsp;<br \/><a href=\"https:\/\/www.ica.art\/films\/experiments-void-mirror\">Experiments: Void Mirror<\/a><br \/>Exploring the rules and paradoxes of the online wellness movement, these short films confront our interaction with and perception of new technologies.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05150.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"435\" src=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05150.jpg?resize=580%2C435&#038;ssl=1\" alt=\"\" class=\"wp-image-105730\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05150.jpg?w=1000&amp;ssl=1 1000w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05150.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05150.jpg?resize=768%2C576&amp;ssl=1 768w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\">Sunday 16 January 2022, 3pm<br \/>Thursday 20 January 2022, 3pm&nbsp;<br \/><a href=\"https:\/\/www.ica.art\/films\/international-competition-on-the-pulse-of-hope\">International Competition: On the Pulse of Hope<\/a><br \/>This international selection explores the effects of natural disasters and our environments on the human psyche.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05151.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"435\" src=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05151.jpg?resize=580%2C435&#038;ssl=1\" alt=\"\" class=\"wp-image-105731\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05151.jpg?w=1000&amp;ssl=1 1000w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05151.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05151.jpg?resize=768%2C576&amp;ssl=1 768w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\">Sunday 16 January 2022, 5pm<br \/>Friday 21 January, 3pm&nbsp;<br \/><a href=\"https:\/\/www.ica.art\/films\/international-competition-and-what-remains-is-the-maze\">International Competition: And What Remains is the Maze<\/a><br \/>One young girl ponders her sexuality, another faces an arranged marriage, a woman is drawn to religion and a garden comes alive in this beguiling international selection.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05152.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"435\" src=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05152.jpg?resize=580%2C435&#038;ssl=1\" alt=\"\" class=\"wp-image-105732\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05152.jpg?w=1000&amp;ssl=1 1000w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05152.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05152.jpg?resize=768%2C576&amp;ssl=1 768w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\">Tuesday 18 January 2022, 7pm&nbsp;<br \/><a href=\"https:\/\/www.ica.art\/films\/presumed-guilty-awaiting-innocence\">Documentary: Presumed Guilty, Awaiting Innocence&nbsp;<\/a>&nbsp;<br \/>This programme explores unjust incarceration and abuses of power in Egypt, Germany, Turkey, the UK and the USA.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05154.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"435\" src=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05154.jpg?resize=580%2C435&#038;ssl=1\" alt=\"\" class=\"wp-image-105733\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05154.jpg?w=1000&amp;ssl=1 1000w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05154.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05154.jpg?resize=768%2C576&amp;ssl=1 768w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\">Wednesday 19 January 2022, 7pm&nbsp;<br \/><a href=\"https:\/\/www.ica.art\/films\/documentary-hostile-environments\">Documentary: Hostile Environments<\/a>&nbsp;<br \/>Building context from testimony, these films consider expanded notions of a hostile environment, starting with but going far beyond the context of Theresa May\u2019s policy.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05155.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"435\" src=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05155.jpg?resize=580%2C435&#038;ssl=1\" alt=\"\" class=\"wp-image-105734\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05155.jpg?w=1000&amp;ssl=1 1000w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05155.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05155.jpg?resize=768%2C576&amp;ssl=1 768w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\">Thursday 20 January 2022, 7pm<br \/><a href=\"https:\/\/www.ica.art\/films\/documentary-kinship\">Documentary: Kinship<\/a><br \/>Focusing on direct and mediated interactions between families and friends, these films reflect on lost and recovered relationships, honesty and dreams of immortality.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05156.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"435\" src=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05156.jpg?resize=580%2C435&#038;ssl=1\" alt=\"\" class=\"wp-image-105735\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05156.jpg?w=1000&amp;ssl=1 1000w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05156.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05156.jpg?resize=768%2C576&amp;ssl=1 768w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\"><br \/>Friday 21 January 2022, 7pm&nbsp;<br \/><a href=\"https:\/\/www.ica.art\/films\/the-promise-of-happiness\">Documentary: The Promise Of Happiness?<\/a><br \/>From queer clubs to bingo halls via psychic readings and the ecstatic outcomes of divorce, these seven films reveal the instability of happiness.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05160.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"435\" src=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05160.jpg?resize=580%2C435&#038;ssl=1\" alt=\"\" class=\"wp-image-105736\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05160.jpg?w=1000&amp;ssl=1 1000w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05160.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05160.jpg?resize=768%2C576&amp;ssl=1 768w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\">Saturday 22 January 2022, 3pm&nbsp;<br \/><a href=\"https:\/\/www.ica.art\/films\/the-work-of-farah-nabulsi-qanda\">The Work of Farah Nabulsi + Q&amp;A<\/a><br \/>A retrospective of three short films by Palestinian-British filmmaker and human rights advocate Farah Nabulsi, who will also be in conversation with Elhum Shakerifar.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05168.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"435\" src=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05168.jpg?resize=580%2C435&#038;ssl=1\" alt=\"\" class=\"wp-image-105737\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05168.jpg?w=1000&amp;ssl=1 1000w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05168.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/05168.jpg?resize=768%2C576&amp;ssl=1 768w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\">Saturday 22 January 2022, 5pm&nbsp;<a href=\"https:\/\/www.ica.art\/films\/anthropocenes-deities\">New Shorts: Anthropocene&#8217;s Deities<\/a><br \/>Exploring spiritual practices and self-reflection by acknowledging other beings, these films are an invitation to contemplate the richness and fragility of ecosystems.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/04597-1.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"435\" src=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/04597-1.jpg?resize=580%2C435&#038;ssl=1\" alt=\"\" class=\"wp-image-105738\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/04597-1.jpg?w=1000&amp;ssl=1 1000w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/04597-1.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/04597-1.jpg?resize=768%2C576&amp;ssl=1 768w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\">Sunday 23 January 2022, 3pm&nbsp;<a href=\"https:\/\/www.ica.art\/films\/deracination\">New Shorts: Deracination&nbsp;<\/a><br \/>These character-led shorts investigate the embodied experience of displacement in relation to migration and queer identities.<\/p>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\">But if you can&#8217;t wait until the weekend for a good full-length film then &nbsp;Klassiki, the film website to enjoy the magic of cinema from Russia, the Caucasus, Central Asia and beyond have an exclusive interview with renowned Russian filmmaker Gleb Panfilov.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/80a177ab-c27f-13e4-4664-0f0acde6342f.jpeg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"387\" src=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/80a177ab-c27f-13e4-4664-0f0acde6342f.jpeg?resize=580%2C387&#038;ssl=1\" alt=\"\" class=\"wp-image-105718\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/80a177ab-c27f-13e4-4664-0f0acde6342f.jpeg?w=900&amp;ssl=1 900w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/80a177ab-c27f-13e4-4664-0f0acde6342f.jpeg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/80a177ab-c27f-13e4-4664-0f0acde6342f.jpeg?resize=768%2C512&amp;ssl=1 768w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\">To celebrate the arrival of his debut feature&nbsp;<strong><a href=\"https:\/\/online.us2.list-manage.com\/track\/click?u=2430834b2dbc068c40dd8363d&amp;id=e8322ae4a0&amp;e=b1c66882fa\" target=\"_blank\" rel=\"noreferrer noopener\">No Path Through Fire<\/a><\/strong>&nbsp;(1967) on Klassiki, tomorrow evening we&#8217;ll be sitting down with acclaimed director and screenwriter Gleb Panfilov.<\/p>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\">One of the most celebrated directors in Russian cinema history, Panfilov is best known for a series of historical dramas starring his wife, the inimitable Inna Churikova.<\/p>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\">Klassiki Editorial Director Sam Goff is joined by Panfilov to discuss the making of his debut film, a phenomenal tale of art and revolution set during the Russian Civil War.<\/p>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\">Not only was this the first collaboration with his future wife, but the supporting cast glittered with the cream of Soviet acting talent, including Anatoly Solonitsyn and Maya Bulgakova.<\/p>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\">They will be discussing his experiences as a young director in the 1960s and his encounters with the stars of Soviet cinema, as well as exploring key themes from the film.<\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color wp-block-paragraph\">Thursday 13 January at 7pm GMT for an exclusive interview with renowned Russian filmmaker Gleb Panfilov.<\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color wp-block-paragraph\">To join  sign up for a <a href=\"https:\/\/klassiki.online\/become-a-member\/\" target=\"_blank\" rel=\"noreferrer noopener\">Klassiki subscription Here<\/a><\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color wp-block-paragraph\">Find out more about the <a href=\"https:\/\/www.ica.art\/\" target=\"_blank\" rel=\"noreferrer noopener\">ICA.art here<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span class=\"has-inline-color has-secondary-color\">.Cent Magazine <\/span><strong><span class=\"has-inline-color has-secondary-color\">London Be Inspired; <em>Get Involved<\/em><\/span> <\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Short movies are a simple way to explore a new subject matter, and if that excites then short film festivals&#8230;<\/p>\n","protected":false},"author":1,"featured_media":105769,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[16],"tags":[],"features_issues":[],"featured_themes":[15804],"ppma_author":[16671],"class_list":["post-105712","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-event","featured_themes-trim"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ 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content=\"2022-01-13T17:23:45+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-02-10T18:07:49+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/01\/Projector-feature.png?fit=300%2C300&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"300\" \/>\n\t<meta property=\"og:image:height\" content=\"300\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Jo Phillips\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jo Phillips\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"9 minutes\" \/>\n<script type=\"application\/ld+json\" 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