{"id":10753,"date":"2014-02-05T18:53:00","date_gmt":"2014-02-05T17:53:00","guid":{"rendered":"http:\/\/centmagazine.co.uk\/?p=10753"},"modified":"2014-02-05T21:03:54","modified_gmt":"2014-02-05T20:03:54","slug":"digital-the-architecture-review","status":"publish","type":"post","link":"https:\/\/staging.centmagazine.co.uk\/?p=10753","title":{"rendered":"Digital: The Architectural Review"},"content":{"rendered":"<p><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2014\/02\/the_architecture_review.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2014\/02\/the_architecture_review.jpg?resize=580%2C280\" alt=\"30 under 30\" width=\"580\" height=\"280\" class=\"alignnone size-full wp-image-10756\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2014\/02\/the_architecture_review.jpg?w=700&amp;ssl=1 700w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2014\/02\/the_architecture_review.jpg?resize=300%2C144&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2014\/02\/the_architecture_review.jpg?resize=600%2C289&amp;ssl=1 600w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2014\/02\/the_architecture_review.jpg?resize=680%2C328&amp;ssl=1 680w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/p>\n<p>.Cent\u2019s architecture editor, <a href=\"http:\/\/centmagazine.co.uk\/author\/jon-astbury\" target=\"_blank\">Jon Astbury<\/a>, also writes for <a href=\"http:\/\/www.architectural-review.com\/\" target=\"_blank\">The Architectural Review<\/a> &#8211; the only global architecture magazine for the 21st century. Jon\u2019s latest offering for the online platform is an interesting article entitled <a href=\"http:\/\/www.architectural-review.com\/home\/30-under-30\/\" target=\"_blank\">30 Architects under 30<\/a>. Let the incisive critiques and thinking inspire and provoke you. The article presents a wide spectrum of masterpieces in architecture by creatives below the age of 30, hence, questioning the age-old way of thinking that only the old and wise could produce work of a remarkable level. See how these talented individuals make a difference to living spaces in places from Africa to Asia to Australia to Canada to Europe. Whether it is a school in the desert in Zambia, an alpine cabin in Italy, a tin-shed in Sydney, a boathouse in Norway, a chapel in Chile, or a mobile home in Tasmania, these architects combine innovative ideas with practicality, changing the way we live and see architecture.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>.Cent\u2019s architecture editor, Jon Astbury, also writes for The Architectural Review &#8211; the only global architecture magazine for the 21st&#8230;<\/p>\n","protected":false},"author":4,"featured_media":10755,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[9],"tags":[4448,4447],"features_issues":[],"featured_themes":[],"ppma_author":[16670],"class_list":["post-10753","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-architecture","tag-jon-astbury","tag-the-architecture-review"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Digital: The Architectural Review | Cent Magazine<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Digital: The Architectural Review | Cent Magazine\" \/>\n<meta property=\"og:description\" content=\".Cent\u2019s architecture editor, Jon Astbury, also writes for The Architectural Review &#8211; the only global architecture magazine for the 21st...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/staging.centmagazine.co.uk\/?p=10753\" \/>\n<meta property=\"og:site_name\" content=\"Cent Magazine\" \/>\n<meta property=\"article:published_time\" content=\"2014-02-05T17:53:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-02-05T20:03:54+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2014\/02\/architecture_review_dot.jpg?fit=238%2C238&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"238\" \/>\n\t<meta property=\"og:image:height\" content=\"238\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jo Phillips\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jo Phillips\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=10753#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=10753\"},\"author\":{\"name\":\"Jo Phillips\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#\\\/schema\\\/person\\\/b9b1a555ae07192a76deb6e21401e7a3\"},\"headline\":\"Digital: The Architectural Review\",\"datePublished\":\"2014-02-05T17:53:00+00:00\",\"dateModified\":\"2014-02-05T20:03:54+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=10753\"},\"wordCount\":158,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=10753#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/i0.wp.com\\\/staging.centmagazine.co.uk\\\/wp-content\\\/uploads\\\/2014\\\/02\\\/architecture_review_dot.jpg?fit=238%2C238&ssl=1\",\"keywords\":[\"Jon Astbury\",\"The Architecture Review\"],\"articleSection\":[\"Architecture\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=10753#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=10753\",\"url\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=10753\",\"name\":\"Digital: The Architectural Review | Cent Magazine\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=10753#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=10753#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/i0.wp.com\\\/staging.centmagazine.co.uk\\\/wp-content\\\/uploads\\\/2014\\\/02\\\/architecture_review_dot.jpg?fit=238%2C238&ssl=1\",\"datePublished\":\"2014-02-05T17:53:00+00:00\",\"dateModified\":\"2014-02-05T20:03:54+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=10753#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=10753\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=10753#primaryimage\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/staging.centmagazine.co.uk\\\/wp-content\\\/uploads\\\/2014\\\/02\\\/architecture_review_dot.jpg?fit=238%2C238&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/staging.centmagazine.co.uk\\\/wp-content\\\/uploads\\\/2014\\\/02\\\/architecture_review_dot.jpg?fit=238%2C238&ssl=1\",\"width\":238,\"height\":238},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=10753#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Digital: The Architectural Review\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#website\",\"url\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/\",\"name\":\"Cent Magazine\",\"description\":\"Be Inspired, Get Involved\",\"publisher\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-GB\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#organization\",\"name\":\"Cent Magazine\",\"url\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/centmagazine.co.uk\\\/wp-content\\\/uploads\\\/2020\\\/02\\\/logo_cent-01.jpg?fit=501%2C503&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/centmagazine.co.uk\\\/wp-content\\\/uploads\\\/2020\\\/02\\\/logo_cent-01.jpg?fit=501%2C503&ssl=1\",\"width\":501,\"height\":503,\"caption\":\"Cent Magazine\"},\"image\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#\\\/schema\\\/logo\\\/image\\\/\"}},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#\\\/schema\\\/person\\\/b9b1a555ae07192a76deb6e21401e7a3\",\"name\":\"Jo Phillips\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/959904e69d1df5e56e0f46a6295c70df4f08b96db0b8e19ae78635851e1a91cb?s=96&d=mm&r=g24ed3b3e7dbd3d0a63ee0c564eca320b\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/959904e69d1df5e56e0f46a6295c70df4f08b96db0b8e19ae78635851e1a91cb?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/959904e69d1df5e56e0f46a6295c70df4f08b96db0b8e19ae78635851e1a91cb?s=96&d=mm&r=g\",\"caption\":\"Jo Phillips\"},\"description\":\"Jo is a fashion stylist, and is creative director and .Cent Magazine's publisher. It was because of her love of creativity that she started .Cent magazine in order to have a platform that celebrated the creative arts. She has over 35 years of industry knowledge. As a pioneer, she was one of the first to ever realise and then go on the harness digital publishing\",\"url\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?author=4\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Digital: The Architectural Review | Cent Magazine","robots":{"index":"noindex","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"og_locale":"en_GB","og_type":"article","og_title":"Digital: The Architectural Review | Cent Magazine","og_description":".Cent\u2019s architecture editor, Jon Astbury, also writes for The Architectural Review &#8211; the only global architecture magazine for the 21st...","og_url":"https:\/\/staging.centmagazine.co.uk\/?p=10753","og_site_name":"Cent Magazine","article_published_time":"2014-02-05T17:53:00+00:00","article_modified_time":"2014-02-05T20:03:54+00:00","og_image":[{"width":238,"height":238,"url":"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2014\/02\/architecture_review_dot.jpg?fit=238%2C238&ssl=1","type":"image\/jpeg"}],"author":"Jo Phillips","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Jo Phillips","Estimated reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/staging.centmagazine.co.uk\/?p=10753#article","isPartOf":{"@id":"https:\/\/staging.centmagazine.co.uk\/?p=10753"},"author":{"name":"Jo Phillips","@id":"https:\/\/staging.centmagazine.co.uk\/#\/schema\/person\/b9b1a555ae07192a76deb6e21401e7a3"},"headline":"Digital: The Architectural Review","datePublished":"2014-02-05T17:53:00+00:00","dateModified":"2014-02-05T20:03:54+00:00","mainEntityOfPage":{"@id":"https:\/\/staging.centmagazine.co.uk\/?p=10753"},"wordCount":158,"commentCount":0,"publisher":{"@id":"https:\/\/staging.centmagazine.co.uk\/#organization"},"image":{"@id":"https:\/\/staging.centmagazine.co.uk\/?p=10753#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2014\/02\/architecture_review_dot.jpg?fit=238%2C238&ssl=1","keywords":["Jon Astbury","The Architecture Review"],"articleSection":["Architecture"],"inLanguage":"en-GB","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/staging.centmagazine.co.uk\/?p=10753#respond"]}]},{"@type":"WebPage","@id":"https:\/\/staging.centmagazine.co.uk\/?p=10753","url":"https:\/\/staging.centmagazine.co.uk\/?p=10753","name":"Digital: The Architectural Review | Cent Magazine","isPartOf":{"@id":"https:\/\/staging.centmagazine.co.uk\/#website"},"primaryImageOfPage":{"@id":"https:\/\/staging.centmagazine.co.uk\/?p=10753#primaryimage"},"image":{"@id":"https:\/\/staging.centmagazine.co.uk\/?p=10753#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2014\/02\/architecture_review_dot.jpg?fit=238%2C238&ssl=1","datePublished":"2014-02-05T17:53:00+00:00","dateModified":"2014-02-05T20:03:54+00:00","breadcrumb":{"@id":"https:\/\/staging.centmagazine.co.uk\/?p=10753#breadcrumb"},"inLanguage":"en-GB","potentialAction":[{"@type":"ReadAction","target":["https:\/\/staging.centmagazine.co.uk\/?p=10753"]}]},{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/staging.centmagazine.co.uk\/?p=10753#primaryimage","url":"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2014\/02\/architecture_review_dot.jpg?fit=238%2C238&ssl=1","contentUrl":"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2014\/02\/architecture_review_dot.jpg?fit=238%2C238&ssl=1","width":238,"height":238},{"@type":"BreadcrumbList","@id":"https:\/\/staging.centmagazine.co.uk\/?p=10753#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/staging.centmagazine.co.uk\/"},{"@type":"ListItem","position":2,"name":"Digital: The Architectural Review"}]},{"@type":"WebSite","@id":"https:\/\/staging.centmagazine.co.uk\/#website","url":"https:\/\/staging.centmagazine.co.uk\/","name":"Cent Magazine","description":"Be Inspired, Get Involved","publisher":{"@id":"https:\/\/staging.centmagazine.co.uk\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/staging.centmagazine.co.uk\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-GB"},{"@type":"Organization","@id":"https:\/\/staging.centmagazine.co.uk\/#organization","name":"Cent Magazine","url":"https:\/\/staging.centmagazine.co.uk\/","logo":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/staging.centmagazine.co.uk\/#\/schema\/logo\/image\/","url":"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2020\/02\/logo_cent-01.jpg?fit=501%2C503&ssl=1","contentUrl":"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2020\/02\/logo_cent-01.jpg?fit=501%2C503&ssl=1","width":501,"height":503,"caption":"Cent Magazine"},"image":{"@id":"https:\/\/staging.centmagazine.co.uk\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"https:\/\/staging.centmagazine.co.uk\/#\/schema\/person\/b9b1a555ae07192a76deb6e21401e7a3","name":"Jo Phillips","image":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/secure.gravatar.com\/avatar\/959904e69d1df5e56e0f46a6295c70df4f08b96db0b8e19ae78635851e1a91cb?s=96&d=mm&r=g24ed3b3e7dbd3d0a63ee0c564eca320b","url":"https:\/\/secure.gravatar.com\/avatar\/959904e69d1df5e56e0f46a6295c70df4f08b96db0b8e19ae78635851e1a91cb?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/959904e69d1df5e56e0f46a6295c70df4f08b96db0b8e19ae78635851e1a91cb?s=96&d=mm&r=g","caption":"Jo Phillips"},"description":"Jo is a fashion stylist, and is creative director and .Cent Magazine's publisher. It was because of her love of creativity that she started .Cent magazine in order to have a platform that celebrated the creative arts. She has over 35 years of industry knowledge. As a pioneer, she was one of the first to ever realise and then go on the harness digital publishing","url":"https:\/\/staging.centmagazine.co.uk\/?author=4"}]}},"jetpack_sharing_enabled":true,"authors":[{"term_id":16670,"user_id":4,"is_guest":0,"slug":"jophillips","display_name":"Jo Phillips","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/959904e69d1df5e56e0f46a6295c70df4f08b96db0b8e19ae78635851e1a91cb?s=96&d=mm&r=g","author_category":"","first_name":"Jo","last_name":"Phillips","user_url":"","job_title":"","description":"Jo is a fashion stylist, and is creative director and .Cent Magazine's publisher. It was because of her love of creativity that she started .Cent magazine in order to have a platform that celebrated the creative arts.\r\nShe has over 35 years of industry knowledge.  As a pioneer, she was one of the first to ever realise and then go on the harness digital publishing"}],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2014\/02\/architecture_review_dot.jpg?fit=238%2C238&ssl=1","_links":{"self":[{"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/10753","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10753"}],"version-history":[{"count":8,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/10753\/revisions"}],"predecessor-version":[{"id":10769,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/10753\/revisions\/10769"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=\/wp\/v2\/media\/10755"}],"wp:attachment":[{"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10753"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10753"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10753"},{"taxonomy":"features_issues","embeddable":true,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ffeatures_issues&post=10753"},{"taxonomy":"featured_themes","embeddable":true,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ffeatured_themes&post=10753"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fppma_author&post=10753"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}