{"id":114395,"date":"2022-07-18T15:11:18","date_gmt":"2022-07-18T14:11:18","guid":{"rendered":"https:\/\/centmagazine.co.uk\/?p=114395"},"modified":"2022-07-18T15:11:21","modified_gmt":"2022-07-18T14:11:21","slug":"view-the-crimes","status":"publish","type":"post","link":"https:\/\/staging.centmagazine.co.uk\/?p=114395","title":{"rendered":"View the Crimes"},"content":{"rendered":"\n<p class=\"has-text-align-right has-secondary-color has-text-color wp-block-paragraph\"><br \/>We know it goes on, we hear about it all the time, and we think about it when we separate our rubbish and recycle. But how often do we actually see the environmental damage caused, often, illegally in our rain forests? our ecological war zones? Not really close-up and personal, therefore creating a void between what we know and see. Award-winning artist Richard Mosse will unveil a major new installation, presented by 180 Studios at 180 The Strand, opening\u00a0on <u>12 October 2022.<\/u>  Find out more in View The Crimes<\/p>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\">All images and stills from broken Spectre, 2022, five-channel 4K video with 20.4 surround sound courtesy of the artist, Jack Shainman Gallery, New York and carlier | gebauer, Berlin\/Madrid.\u00a9 Richard Mosse Co-commissioned by the National Gallery of Victoria, VIA ArtFund, the Westridge Foundation and Serpentine Gallerie.<br \/><br \/>Filmed in remote parts of the Brazilian Amazon, the immersive video installation\u00a0<strong><em>Broken Spectre<\/em><\/strong><em>\u00a0<\/em>is the result of three years of careful documentation of environmental crimes using a range of scientific imaging technologies. Seeking to overcome the inherent challenges of representing climate change in order to make visible the world\u2019s most crucial yet ignored ecological warzone,\u00a0<em>Broken Spectre<\/em>\u00a0is Mosse\u2019s most ambitious project to date.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/07\/Still-from-Broken-Spectre-2022-12.jpeg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"326\" src=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/07\/Still-from-Broken-Spectre-2022-12.jpeg?resize=580%2C326&#038;ssl=1\" alt=\"\" class=\"wp-image-114399\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/07\/Still-from-Broken-Spectre-2022-12.jpeg?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/07\/Still-from-Broken-Spectre-2022-12.jpeg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/07\/Still-from-Broken-Spectre-2022-12.jpeg?resize=768%2C432&amp;ssl=1 768w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\">Mosse has documented some of the most significant humanitarian and environmental\u00a0crises of our time. He has mapped the journeys of refugees and their camps across Europe, the Middle East, and North Africa, and documented an ongoing cycle of conflict in the eastern Democratic Republic of Congo. Combining reportage and contemporary art photography, he creates images of striking and unsettling beauty that push the boundaries of his craft to try and convey the scale and tragedy of events that are complex and opaque, often working critically with military-grade imaging technology and using camera, film, and sound in unconventional ways.<\/p>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\">A selection of the artist\u2019s photographs from the project will be displayed alongside the installation,\u00a0including large-scale photographs that have not been exhibited in the UK before.\u00a0<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/07\/Still-from-Broken-Spectre-2022-8.jpeg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"430\" src=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/07\/Still-from-Broken-Spectre-2022-8.jpeg?resize=580%2C430&#038;ssl=1\" alt=\"\" class=\"wp-image-114402\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/07\/Still-from-Broken-Spectre-2022-8.jpeg?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/07\/Still-from-Broken-Spectre-2022-8.jpeg?resize=300%2C222&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/07\/Still-from-Broken-Spectre-2022-8.jpeg?resize=768%2C569&amp;ssl=1 768w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\">In 2017 Mosse was awarded the Prix Pictet for series&nbsp;<em>Heat Maps<\/em>, panoramas of refugee camps made using a military-grade thermographic camera, designed to detect body heat and classified as a weapon under international law. In 2013 he represented Ireland at the Venice Biennale with&nbsp;<em>The Enclave<\/em>, an immersive six-channel video installation capturing war zones in Eastern Congo that utilised 16mm infrared film, shooting a discontinued military surveillance film developed to detect camouflage, producing a landscape that glowed a disquieting pink.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/07\/Still-from-Broken-Spectre-2022-1.jpeg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"315\" src=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/07\/Still-from-Broken-Spectre-2022-1.jpeg?resize=580%2C315&#038;ssl=1\" alt=\"\" class=\"wp-image-114400\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/07\/Still-from-Broken-Spectre-2022-1.jpeg?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/07\/Still-from-Broken-Spectre-2022-1.jpeg?resize=300%2C163&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/07\/Still-from-Broken-Spectre-2022-1.jpeg?resize=768%2C418&amp;ssl=1 768w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\">An artist\u2019s book of Broken Spectre, published by Loose Joints, will accompany the exhibition, with essays by Txai Suru\u00ed, Christian Viveros-Faun\u00e9, Gabriel Bogossian, and Jon Lee Anderson.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/07\/Still-from-Broken-Spectre-2022-11.jpeg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"383\" src=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/07\/Still-from-Broken-Spectre-2022-11.jpeg?resize=580%2C383&#038;ssl=1\" alt=\"\" class=\"wp-image-114401\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/07\/Still-from-Broken-Spectre-2022-11.jpeg?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/07\/Still-from-Broken-Spectre-2022-11.jpeg?resize=300%2C198&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/07\/Still-from-Broken-Spectre-2022-11.jpeg?resize=768%2C508&amp;ssl=1 768w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\">Broken Spectre was made in collaboration with cinematographer Trevor Tweeten and composer Ben Frost.<\/p>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\">These works are important not just to record what is happening to our world, but also to bring the reality of it directly to our eyes, this way we don&#8217;t live with the void between knowing and seeing.<\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color wp-block-paragraph\"><strong>Richard Mosse:\u00a0<em>Broken Spectre<\/em><\/strong><br \/><a href=\"https:\/\/www.180thestrand.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">180 The Strand, London,<\/a> WC2R 1EA<br \/>12 October \u2013 18 December 2022<br \/>11am \u2013 7pm, Wednesday\u2013 Sunday<\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color wp-block-paragraph\">If you enjoyed reading <em>View the Crimes<\/em> why not read <a href=\"https:\/\/staging.centmagazine.co.uk\/fly-higher-2\/\" target=\"_blank\" rel=\"noreferrer noopener\">Fly Higher Here<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>We know it goes on, we hear about it all the time, and we think about it when we separate&#8230;<\/p>\n","protected":false},"author":1,"featured_media":114407,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[1],"tags":[5208,16009,898,16010,6791],"features_issues":[],"featured_themes":[15986],"ppma_author":[16671],"class_list":["post-114395","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-100-percent-design","tag-amazon-forest","tag-crimes-in-the-amazon","tag-photography-2","tag-refugees-and-their-camps-across-europe","tag-richard-mosse","featured_themes-void"],"yoast_head":"<!-- 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