{"id":11629,"date":"2014-03-23T09:00:51","date_gmt":"2014-03-23T08:00:51","guid":{"rendered":"http:\/\/centmagazine.co.uk\/?p=11629"},"modified":"2014-03-23T14:43:27","modified_gmt":"2014-03-23T13:43:27","slug":"move-from-0d-to-2d-to-3d","status":"publish","type":"post","link":"https:\/\/staging.centmagazine.co.uk\/?p=11629","title":{"rendered":"Move: From 0D To 2D To 3D"},"content":{"rendered":"<p><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2014\/03\/Schirn_Presse_Rehberger_Ausstellungsansicht_Foto_Miguletz_15.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2014\/03\/Schirn_Presse_Rehberger_Ausstellungsansicht_Foto_Miguletz_15.jpg?resize=580%2C308\" alt=\"Tobias Rehberger\" width=\"580\" height=\"308\" class=\"alignnone size-full wp-image-11632\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2014\/03\/Schirn_Presse_Rehberger_Ausstellungsansicht_Foto_Miguletz_15.jpg?w=700&amp;ssl=1 700w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2014\/03\/Schirn_Presse_Rehberger_Ausstellungsansicht_Foto_Miguletz_15.jpg?resize=300%2C159&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2014\/03\/Schirn_Presse_Rehberger_Ausstellungsansicht_Foto_Miguletz_15.jpg?resize=600%2C318&amp;ssl=1 600w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2014\/03\/Schirn_Presse_Rehberger_Ausstellungsansicht_Foto_Miguletz_15.jpg?resize=680%2C361&amp;ssl=1 680w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><br \/>\n<em>Tobias Rehberger. Home and Away and Outside. Exhibition view. \u00a9 Schirn Kunsthalle Frankfurt, 2014 Photo: Norbert Miguletz<\/em><\/p>\n<p>\u2018I never think in 2D,\u2019 states <a href=\"http:\/\/www.pilarcorrias.com\/artists\/tobias-rehberger\/\" target=\"_blank\">Tobias Rehberger<\/a>, who is one of the most influential German artists of his generation creating objects, sculptures and environments, which spans across a range of subject, media and context. \u2018As a sculptor, all my art is always about 3D. The process always starts in my head, which you may call 0D. Then I do scribbles in 2D which sometimes are translated directly to 3D objects. For more complicated projects I have 3D renderings created during the design process in order to fully visualise the final object that I have in mind before it is built.\u2019<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2014\/03\/Schirn_Presse_Rehberger_Ausstellungsansicht_Foto_Miguletz_13.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2014\/03\/Schirn_Presse_Rehberger_Ausstellungsansicht_Foto_Miguletz_13.jpg?resize=580%2C674\" alt=\"Tobias Rehberger\" width=\"580\" height=\"674\" class=\"alignnone size-full wp-image-11631\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2014\/03\/Schirn_Presse_Rehberger_Ausstellungsansicht_Foto_Miguletz_13.jpg?w=700&amp;ssl=1 700w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2014\/03\/Schirn_Presse_Rehberger_Ausstellungsansicht_Foto_Miguletz_13.jpg?resize=257%2C300&amp;ssl=1 257w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2014\/03\/Schirn_Presse_Rehberger_Ausstellungsansicht_Foto_Miguletz_13.jpg?resize=600%2C697&amp;ssl=1 600w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2014\/03\/Schirn_Presse_Rehberger_Ausstellungsansicht_Foto_Miguletz_13.jpg?resize=680%2C790&amp;ssl=1 680w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2014\/03\/Schirn_Presse_Rehberger_Ausstellungsansicht_Foto_Miguletz_13.jpg?resize=300%2C348&amp;ssl=1 300w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><br \/>\n<em>Tobias Rehberger. Home and Away and Outside. Exhibition view. \u00a9 Schirn Kunsthalle Frankfurt, 2014 Photo: Norbert Miguletz<\/em><\/p>\n<p>Refused to be categorised, the 47 year old German is inspired by an optical technique originally used during World War I. He translates, alters and expands on ordinary objects and situations. One method is the juxtaposition of flawed sculptures. Through his work, the viewers not only see the striking prints move, but also question their understanding and interpretation of art, in particular its aesthetic perfection, functionality and production. \u2018My work is not about the optical effect\u2019, says Tobias, \u2018but about the relationship between the viewer and the artwork. So the optical illusion is just a tool that I use\u00a0to get my point across.\u2019<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2014\/03\/Schirn_Presse_Rehberger_Portrait_Foto_Gerster_4.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2014\/03\/Schirn_Presse_Rehberger_Portrait_Foto_Gerster_4.jpg?resize=580%2C435\" alt=\"Tobias Rehberger\" width=\"580\" height=\"435\" class=\"alignnone size-full wp-image-11630\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2014\/03\/Schirn_Presse_Rehberger_Portrait_Foto_Gerster_4.jpg?w=700&amp;ssl=1 700w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2014\/03\/Schirn_Presse_Rehberger_Portrait_Foto_Gerster_4.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2014\/03\/Schirn_Presse_Rehberger_Portrait_Foto_Gerster_4.jpg?resize=600%2C450&amp;ssl=1 600w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2014\/03\/Schirn_Presse_Rehberger_Portrait_Foto_Gerster_4.jpg?resize=680%2C510&amp;ssl=1 680w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><br \/>\n<em>Tobias Rehberger. Portrait of the artist. \u00a9 Schirn Kunsthalle Frankfurt, 2014 Photo: Gaby Gerster<\/em><\/p>\n<p>Funded by the Kulturstiftung des Bundes, Tobias\u2019 work can now be seen at the \u2018<a href=\"http:\/\/www.schirn.de\/en\/TOBIAS_REHBERGER.html\" target=\"_blank\">Home and Away and Outside<\/a>\u2019 exhibition at <a href=\"http:\/\/www.schirn.de\/\" target=\"_blank\">Schirn Kunsthalle Frankfurt<\/a> till 11 May 2014.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tobias Rehberger. Home and Away and Outside. Exhibition view. \u00a9 Schirn Kunsthalle Frankfurt, 2014 Photo: Norbert Miguletz \u2018I never think&#8230;<\/p>\n","protected":false},"author":4,"featured_media":11633,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[11],"tags":[28,387,4439,4839,4838,4837],"features_issues":[],"featured_themes":[],"ppma_author":[16670],"class_list":["post-11629","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","tag-art-2","tag-exhibition","tag-move","tag-op-art","tag-schirn-kunsthalle-frankfurt","tag-tobias-rehberger"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Move: From 0D To 2D To 3D | Cent Magazine<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Move: From 0D To 2D To 3D | Cent Magazine\" \/>\n<meta property=\"og:description\" content=\"Tobias Rehberger. 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