{"id":123205,"date":"2022-11-29T18:29:50","date_gmt":"2022-11-29T17:29:50","guid":{"rendered":"https:\/\/centmagazine.co.uk\/?p=123205"},"modified":"2022-11-30T12:23:15","modified_gmt":"2022-11-30T11:23:15","slug":"poetry-games","status":"publish","type":"post","link":"https:\/\/staging.centmagazine.co.uk\/?p=123205","title":{"rendered":"Poetry Games"},"content":{"rendered":"\n<p class=\"has-text-align-right has-secondary-color has-text-color wp-block-paragraph\">If you never thought poetry was fun, interactive, and emotive think again,  Nick Murray, Curator of Poetry Games at the National Poetry Library at The Southbank Centre explains all.  The new modernist approach tied into technology turns the world of poetry upside down and brings fresh new approaches.  It ties poetry to fun unifying the experience and opening it up to more people. find out more here from Nick in his own words in <em>Poetry Games<\/em><\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color wp-block-paragraph\">Left, Geohedrons Matt Martin Image courtesy of Playing Poetry.<\/p>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\">I keep telling everyone about the time I saw a guy walk up to a stranger and ask if he could recite some <em>Hamlet<\/em> to them. They listened for a bit, and then after a while, they wandered off, coming back on a quad bike. They beckoned him onto the back and together they rode off into the wilderness. All this happened inside a game &#8211; specifically <em>Grand Theft Auto Online<\/em> &#8211; and the man in question was a performer called Sam Crane. For months Sam attempted to perform sections of <em>Hamlet<\/em>, eventually leading up to a full performance in the digital world, but the moment I got fascinated with was this one I mentioned with the stranger and the quad bike.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/11\/If-we-were-to-visit.-Image-courtesy-of-Playing-Poetry..png?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"325\" src=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/11\/If-we-were-to-visit.-Image-courtesy-of-Playing-Poetry..png?resize=580%2C325&#038;ssl=1\" alt=\"\" class=\"wp-image-123219\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/11\/If-we-were-to-visit.-Image-courtesy-of-Playing-Poetry..png?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/11\/If-we-were-to-visit.-Image-courtesy-of-Playing-Poetry..png?resize=300%2C168&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/11\/If-we-were-to-visit.-Image-courtesy-of-Playing-Poetry..png?resize=768%2C430&amp;ssl=1 768w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color wp-block-paragraph\">If we were to visit. Image courtesy of Playing Poetry<\/p>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\">For the majority of his attempts in this screening, Sam would approach other players in the game, and much like approaching strangers in real life, they\u2019d say \u201cNo. no, thank you. No.\u201d Except that in a game like GTA, a no is typically accompanied by an explosion. This made the one moment where someone joined in all the more poignant. Once on the quad bike, the player drove them both up to the top of a mountain and gestured to Sam to continue his soliloquy. They became the director and set designer for this impromptu digital performance for an audience of two.<\/p>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\">This form of emergent gameplay is on the rise as digital spaces become more mainstream, and more deeply scrutinised. Creating new games within games, or finding joy in existing systems in ways that they weren\u2019t originally designed for. <\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/11\/Pyramid-Thomas-Pearson.-Image-credit-Astra-Papachristodoulo.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"387\" src=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/11\/Pyramid-Thomas-Pearson.-Image-credit-Astra-Papachristodoulo.jpg?resize=580%2C387&#038;ssl=1\" alt=\"\" class=\"wp-image-123215\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/11\/Pyramid-Thomas-Pearson.-Image-credit-Astra-Papachristodoulo.jpg?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/11\/Pyramid-Thomas-Pearson.-Image-credit-Astra-Papachristodoulo.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/11\/Pyramid-Thomas-Pearson.-Image-credit-Astra-Papachristodoulo.jpg?resize=768%2C512&amp;ssl=1 768w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color wp-block-paragraph\">Pyramid Thomas Pearson. Image credit Astra Papachristodoulo.<\/p>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\">This is the foundation for so much of the work in <em>Poetry Games<\/em>, an exhibition at the National Poetry Library (Southbank Centre, London, until 15th January 2023). The exhibition displays a range of interactive, game-based work that celebrates poetry at play. <\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/11\/Poetry-Jenga.-Image-credit-Astra-Papachristodoulo.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"387\" src=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/11\/Poetry-Jenga.-Image-credit-Astra-Papachristodoulo.jpg?resize=580%2C387&#038;ssl=1\" alt=\"\" class=\"wp-image-123209\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/11\/Poetry-Jenga.-Image-credit-Astra-Papachristodoulo.jpg?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/11\/Poetry-Jenga.-Image-credit-Astra-Papachristodoulo.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/11\/Poetry-Jenga.-Image-credit-Astra-Papachristodoulo.jpg?resize=768%2C512&amp;ssl=1 768w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color wp-block-paragraph\"> Poetry Jenga Image Astra Papachristodoulo.<\/p>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\">In each piece, the artist crafts the unexpected within the familiar. Such as in Astra Papachristodoulou\u2019s <em>Poetry Jenga<\/em> in which she invites the player\/reader to form their own reading of an ever-growing poem that becomes ever more tense as it goes on, or Philippe Grenon\u2019s <em>\u00c9mile et Moi<\/em>, a poetry platformer reworking the words of classic poets into new configurations.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/11\/Emile-et-Moi-Philippe-Grenon.-Image-courtesy-of-Playing-Poetry..png?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"430\" src=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/11\/Emile-et-Moi-Philippe-Grenon.-Image-courtesy-of-Playing-Poetry..png?resize=580%2C430&#038;ssl=1\" alt=\"\" class=\"wp-image-123210\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/11\/Emile-et-Moi-Philippe-Grenon.-Image-courtesy-of-Playing-Poetry..png?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/11\/Emile-et-Moi-Philippe-Grenon.-Image-courtesy-of-Playing-Poetry..png?resize=300%2C223&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/11\/Emile-et-Moi-Philippe-Grenon.-Image-courtesy-of-Playing-Poetry..png?resize=768%2C570&amp;ssl=1 768w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color wp-block-paragraph\">Emile et Moi Philippe Grenon. Image courtesy of Playing Poetry.<\/p>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\">People have been writing playfully for years, creating rules and boundaries within which to write &#8211; What is poetry, but imposing a set of rules to make writing and reading more fun &#8211; but so many of these rules are put in place to make the <em>writing<\/em> more fun. <\/p>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\">Think of any rule that came out of the Oulipian movement, (a movement of mainly French-speaking writers and&nbsp;mathematicians&nbsp;who seek to create works using&nbsp;constrained writing&nbsp;techniques ) like only using one vowel, or replacing every noun with another one found seven down in the dictionary. These create interesting pieces to read, but the playful nature of them ends with the writer. <\/p>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\">The pieces in <em>Poetry Games<\/em> aim to make reading itself into a playful act. Like in <em>Erratum<\/em> a poem videogame by Jon Stone, where you have to take on the character of an interloper to a party to read the sequence of poems written within and about it. The act of becoming part of the poem adds an immediacy to the text that can\u2019t be accessed through plain print. <\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/11\/erratum-Jon-Stone.-Image-courtesy-of-Playing-Poetry.-1.jpeg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"317\" src=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/11\/erratum-Jon-Stone.-Image-courtesy-of-Playing-Poetry.-1.jpeg?resize=580%2C317&#038;ssl=1\" alt=\"\" class=\"wp-image-123212\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/11\/erratum-Jon-Stone.-Image-courtesy-of-Playing-Poetry.-1.jpeg?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/11\/erratum-Jon-Stone.-Image-courtesy-of-Playing-Poetry.-1.jpeg?resize=300%2C164&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/11\/erratum-Jon-Stone.-Image-courtesy-of-Playing-Poetry.-1.jpeg?resize=768%2C419&amp;ssl=1 768w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color wp-block-paragraph\">erratum Jon Stone. Image courtesy of Playing Poetry<\/p>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\">This isn\u2019t to say that poem games have to be complex objects or digital creations. <em>WORD\/PLAY <\/em>by Helen Bowie is a collection of print poems that take the form of word games like crosswords and word- searches. <\/p>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\">Each is presented with a version to be read and \u2018solved\u2019 by the reader, and a \u2018finished\u2019 version in which the poet\u2019s intent is written into the work. The different forms of games provide different emotional responses, from calm to frustration, which illustrates and emphasise the poetic text within. <\/p>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\">Something that poetry and games do so well, and what connects them, is the ability to present, and invite readers into, an experience with all of its emotional weight and allow them to experience it too. Combining the two art-forms creates something altogether new.<\/p>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\">Calum Rodger, following in the footsteps of Wordsworth and Bash\u014d, tries to pin down this connection in his virtual travelogue <em>Rock, Star, North.<\/em> Wandering the hills and rivers of <em>GTA 5<\/em>, he searches for the digital sublime. Immersing himself in the highly crafted world of AAA games, he uses the language of nature poetry to uncover what it is that holds these worlds together. <\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/11\/rockstarnorth.-Image-courtesy-of-Playing-Poetry..png?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"325\" src=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/11\/rockstarnorth.-Image-courtesy-of-Playing-Poetry..png?resize=580%2C325&#038;ssl=1\" alt=\"\" class=\"wp-image-123213\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/11\/rockstarnorth.-Image-courtesy-of-Playing-Poetry..png?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/11\/rockstarnorth.-Image-courtesy-of-Playing-Poetry..png?resize=300%2C168&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/11\/rockstarnorth.-Image-courtesy-of-Playing-Poetry..png?resize=768%2C431&amp;ssl=1 768w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color wp-block-paragraph\">rockstarnorth. Image courtesy of Playing Poetry.<\/p>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\">There is something that entices players into virtual space and writers into the natural landscape, and both of these overlap significantly. In the introduction to <em>A Slow Year<\/em> game designer Ian Bogost hints that the work people do while playing video games is the same work done by readers of poetry. A cognitive unravelling of new and unexplored concepts through a traditionally understood set of rules. <\/p>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\">Where Poetry has been doing this work for thousands of years, Game has had maybe sixty years to start that same journey. We\u2019ve reached a point, however, where it\u2019s become relatively easy for anyone to try their hand at game-making. The barrier to entry has been lowered in a similar way to audio production in the late noughties. <\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/11\/Nick-Murray-Poetry-Games-Photo-credit-Abiola-Renee.jpeg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"869\" src=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/11\/Nick-Murray-Poetry-Games-Photo-credit-Abiola-Renee.jpeg?resize=580%2C869&#038;ssl=1\" alt=\"\" class=\"wp-image-123216\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/11\/Nick-Murray-Poetry-Games-Photo-credit-Abiola-Renee.jpeg?w=682&amp;ssl=1 682w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2022\/11\/Nick-Murray-Poetry-Games-Photo-credit-Abiola-Renee.jpeg?resize=200%2C300&amp;ssl=1 200w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color wp-block-paragraph\">Nick Murray, Poetry Games, Photo credit Abiola Renee<\/p>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\">Engines like Twine and Bitsy allow people to use game-making to ask difficult questions, to make gifts, to write manifestos, to write poetry. Suddenly we are all given the opportunity to ride up to the top of that mountain and make our own unexpected worlds within this one.<\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color wp-block-paragraph\">Poetry Games runs at the National Poetry Library in the Southbank Centre&#8217;s Royal Festival Hall until 15 January 2023. Entrance is free and unticketed. For all ages.&nbsp;<a href=\"http:\/\/southbankcentre.co.uk\/\">SouthbankCentre.co.uk<\/a><\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color wp-block-paragraph\">If you enjoyed reading poetry games why not read <a href=\"https:\/\/staging.centmagazine.co.uk\/film-festival-of-horrors\/\" target=\"_blank\" rel=\"noreferrer noopener\">Film Festival of Horrors Here<\/a><\/p>\n\n\n\n<p class=\"has-secondary-color has-text-color wp-block-paragraph\">.Cent Magazine London <strong>Be inspired; <em>Get Involved<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>If you never thought poetry was fun, interactive, and emotive think again, Nick Murray, Curator of Poetry Games at the&#8230;<\/p>\n","protected":false},"author":1,"featured_media":123222,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[8],"tags":[],"features_issues":[],"featured_themes":[16089],"ppma_author":[16671],"class_list":["post-123205","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-literature","featured_themes-unite"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ 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