{"id":155939,"date":"2024-07-31T02:45:00","date_gmt":"2024-07-31T01:45:00","guid":{"rendered":"https:\/\/centmagazine.co.uk\/?p=155939"},"modified":"2024-07-31T09:52:26","modified_gmt":"2024-07-31T08:52:26","slug":"opening-up-the-soundscape-of-the-piano","status":"publish","type":"post","link":"https:\/\/staging.centmagazine.co.uk\/?p=155939","title":{"rendered":"Opening Up the Soundscape Of The Piano"},"content":{"rendered":"\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-1417d978c0d75daa2930e035bb8b39db wp-block-paragraph\">Opening Up the Soundscape: Translating Khruangbin&#8217;s &#8220;A Hymn&#8221; for Solo Piano.\u201cFor music to truly open up, there needs to be an implication of wideness and spaciousness within the performance, allowing the core elements to resonate with the listener while letting the decorative aspects fade into the background. This principle was vital in translating Khruangbin&#8217;s &#8220;A Hymn&#8221; for solo piano.\u201d  Arsha Kaviani exclusively explains his process with .Cent in his own words <\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-057881a88fba9d492211308713cff550 wp-block-paragraph\">Image Damon Baker<\/p>\n\n\n\n<p class=\"has-secondary-color has-text-color has-link-color wp-elements-8aaa15ae8b8fb6bf7dee2037a0df260a wp-block-paragraph\">The band Khruangbin is an American musical trio from\u00a0Houston, Texas. The band consists of\u00a0Laura Lee Ochoa\u00a0(bass guitar and vocals),\u00a0Mark Speer\u00a0(guitar and vocals), and\u00a0DJ Johnson\u00a0(drums, keyboards, and vocals).\u00a0The trio is known for blending global music influences, such as classic\u00a0soul,\u00a0dub,\u00a0rock\u00a0and\u00a0psychedelia. In fact, many feel their music goes beyond style and does not fit neatly into an existing genre. As the track does not include piano playing it is an unusual choice for a pianist to look to make their own.<\/p>\n\n\n\n<p class=\"has-secondary-color has-text-color has-link-color wp-elements-11c32569ba0f4cec8614e5820068c96d wp-block-paragraph\">Not unlike Khruangbin, Arsha Kaviani is a British musician known for his style of blending diverse styles including classical, pop, jazz, and traditional Persian music. Renowned for his improvisations, original compositions, and unconventional performances, he has garnered global recognition.<\/p>\n\n\n\n<p class=\"has-secondary-color has-text-color has-link-color wp-elements-dca796546192c2e1a2f83998c67dc671 wp-block-paragraph\">Below Arsha Kaviani explains his process to make this piece come alive with his own, unique interpretation.<\/p>\n\n\n\n<p class=\"has-secondary-color has-text-color has-link-color wp-elements-9ab710cf8c468622e0769e4dc7d6d8ac wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Khruangbin - A Hymn\" width=\"580\" height=\"326\" src=\"https:\/\/www.youtube.com\/embed\/MMq9cWq2UTo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"has-secondary-color has-text-color has-link-color wp-elements-4b985e8d88235e6afa93e32c9f874238 wp-block-paragraph\">To capture the openness of Khruangbin&#8217;s sound, I focused on the reverb-drenched guitar of Mark Speer, which sits atop a soothing chromatic ostinato from the rest of the band.<\/p>\n\n\n\n<p class=\"has-secondary-color has-text-color has-link-color wp-elements-c2fe189939f028695d6b11047f0beece wp-block-paragraph\">Mark Speer wrote this song whilst playing in a church choir. Whilst the preacher blessed the service, he played music while the blessings were given.<\/p>\n\n\n\n<p class=\"has-secondary-color has-text-color has-link-color wp-elements-5cca9a9a96e9d2e51cc21b800b4508de wp-block-paragraph\">Variations of this hauntingly simple theme evolve into a beautifully vulnerable middle section that climaxes into a flurry of fast notes before returning thematically home. This middle transition is crucial as it allows the piece to breathe and evolve organically before returning to the A theme.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2024\/07\/Arsha-Kaviani-c-Damon-Baker-2.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"428\" src=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2024\/07\/Arsha-Kaviani-c-Damon-Baker-2.jpg?resize=580%2C428&#038;ssl=1\" alt=\"\" class=\"wp-image-155949\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2024\/07\/Arsha-Kaviani-c-Damon-Baker-2.jpg?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2024\/07\/Arsha-Kaviani-c-Damon-Baker-2.jpg?resize=300%2C221&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2024\/07\/Arsha-Kaviani-c-Damon-Baker-2.jpg?resize=768%2C566&amp;ssl=1 768w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-secondary-color has-text-color has-link-color wp-elements-63309123dcff2fca9462eefe06cb772a wp-block-paragraph\">This perfect little prelude of a work could be loosely interpreted as a mini-sonata in structure if one really wished to make the case!&nbsp;<\/p>\n\n\n\n<p class=\"has-secondary-color has-text-color has-link-color wp-elements-16fe14c36a54a8639d6f6b17f4a35eac wp-block-paragraph\">The challenge in transcribing the work was to resist the temptation to overcomplicate given how much space there should be whilst keeping the chromatic ostinato unobstructed. It reminded me of how I once sat with an Ikebana (the art of arranging stems, leaves, and flowers in Japan over seven centuries) master in Kyoto, where this incredible florist spent most of the time talking about negative space rather than the&nbsp;flower arranging itself.&nbsp;<\/p>\n\n\n\n<p class=\"has-secondary-color has-text-color has-link-color wp-elements-5b0d65b0a633ee42f3e4cb06f87f139b wp-block-paragraph\">You can hear the influence of Persian music and its exotic scales in \u201cA Hymn\u201d as well as my own Piano Sonata which sits alongside this track on my album. My parents are Iranian and, although I wasn\u2019t brought up in Iran, Persian music has always played a crucial role in my musical world.&nbsp;<br \/><br \/>Performing and recording both this and my Sonata on the same piano on the same day meant I was employing similar techniques to capture the microtonal harmony that isn&#8217;t naturally present on a well-tempered piano but which is very prevalent in the ancient musical modes.&nbsp;<\/p>\n\n\n\n<p class=\"has-secondary-color has-text-color has-link-color wp-elements-97ef95513a58aeea3977f29e376f217d wp-block-paragraph\">By using sliding neighbouring tones, arranging harmonic hierarchies in a more egalitarian &#8216;non-pianistic&#8217; way (where the top and bottom of chords and voicings tend to traditionally reign supreme), and playing with pedaling techniques (like half-pedaling the flurry of semi-quavers towards the end), I aimed to create the illusion of these microtonal harmonies and a more ensemble-like sound.<\/p>\n\n\n\n<p class=\"has-secondary-color has-text-color has-link-color wp-elements-19ae0ce8cac250cb249305d4343fd567 wp-block-paragraph\">Literal transcriptions often fall short of the recorded effects of non-classical music on the piano, so I adjusted the positioning of bass lines and chords, spacings, and even notes, and replicated the slight swing in rhythm to mimic the beautiful slightly syncopated delays between the guitar and bass on occasion.<\/p>\n\n\n\n<p class=\"has-secondary-color has-text-color has-link-color wp-elements-b42f15169aa1d2a7b5658c91c5a04db7 wp-block-paragraph\">&#8220;A Hymn&#8221; is part of my album&nbsp;<em>Accents &amp; Echoes<\/em>, serving as a spacious yet simple interlude amidst tracks characterized by virtuosic complexity and dense textures. Mozart&#8217;s adage,&nbsp;\u201cThe music is not in the notes, but in the silence between,\u201d resonates deeply with this piece, enhanced by the beautiful Steinway &nbsp;Model-D\u2019s pedal and the natural reverb of the church where I recorded it.<\/p>\n\n\n\n<p class=\"has-secondary-color has-text-color has-link-color wp-elements-9ab710cf8c468622e0769e4dc7d6d8ac wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-139c7334ba6f887d3d428c219d18b3fe wp-block-paragraph\">The version by <a href=\"https:\/\/open.spotify.com\/track\/3GlNlD8XhngvllVGaESAC0?si=a7da07eddb094079&amp;nd=1&amp;dlsi=cbb54da6bd804361\" target=\"_blank\" rel=\"noreferrer noopener\">Arsha Kaviani here on Spotify<\/a><\/p>\n\n\n\n<p class=\"has-text-align-right has-secondary-color has-text-color has-link-color wp-elements-2fd719c4abb918df1088080a6df4c5aa wp-block-paragraph\">Stream the album here<a href=\"https:\/\/lnk.to\/arshakaviani\" target=\"_blank\" rel=\"noreferrer noopener\"> lnk.to\/arshakaviani<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Opening Up the Soundscape: Translating Khruangbin&#8217;s &#8220;A Hymn&#8221; for Solo Piano.\u201cFor music to truly open up, there needs to be&#8230;<\/p>\n","protected":false},"author":1,"featured_media":156049,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[7],"tags":[],"features_issues":[],"featured_themes":[16384],"ppma_author":[16671],"class_list":["post-155939","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","featured_themes-open"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Opening Up the Soundscape Of The Piano | Cent Magazine<\/title>\n<meta name=\"description\" content=\"Opening Up the Soundscape Of The Piano, explores the hymn by Khruangbin with a new interpretation by Arsha Kaviani in his own unique words\" \/>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Opening Up the Soundscape Of The Piano | Cent Magazine\" \/>\n<meta property=\"og:description\" content=\"Opening Up the Soundscape Of The Piano, explores the hymn by Khruangbin with a new interpretation by Arsha Kaviani in his own unique words\" \/>\n<meta property=\"og:url\" content=\"https:\/\/staging.centmagazine.co.uk\/?p=155939\" \/>\n<meta property=\"og:site_name\" content=\"Cent Magazine\" \/>\n<meta property=\"article:published_time\" content=\"2024-07-31T01:45:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-07-31T08:52:26+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2024\/07\/Screenshot-2024-07-31-at-09.50.44.png?fit=344%2C344&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"344\" \/>\n\t<meta property=\"og:image:height\" content=\"344\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Jo Phillips\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jo Phillips\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=155939#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=155939\"},\"author\":{\"name\":\"Jo Phillips\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#\\\/schema\\\/person\\\/9b56d16b50b53f84b367add207eeec08\"},\"headline\":\"Opening Up the Soundscape Of The Piano\",\"datePublished\":\"2024-07-31T01:45:00+00:00\",\"dateModified\":\"2024-07-31T08:52:26+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=155939\"},\"wordCount\":732,\"publisher\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=155939#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/i0.wp.com\\\/staging.centmagazine.co.uk\\\/wp-content\\\/uploads\\\/2024\\\/07\\\/Screenshot-2024-07-31-at-09.50.44.png?fit=344%2C344&ssl=1\",\"articleSection\":[\"Music\"],\"inLanguage\":\"en-GB\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=155939\",\"url\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=155939\",\"name\":\"Opening Up the Soundscape Of The Piano | Cent Magazine\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=155939#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=155939#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/i0.wp.com\\\/staging.centmagazine.co.uk\\\/wp-content\\\/uploads\\\/2024\\\/07\\\/Screenshot-2024-07-31-at-09.50.44.png?fit=344%2C344&ssl=1\",\"datePublished\":\"2024-07-31T01:45:00+00:00\",\"dateModified\":\"2024-07-31T08:52:26+00:00\",\"description\":\"Opening Up the Soundscape Of The Piano, explores the hymn by Khruangbin with a new interpretation by Arsha Kaviani in his own unique words\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=155939#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=155939\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=155939#primaryimage\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/staging.centmagazine.co.uk\\\/wp-content\\\/uploads\\\/2024\\\/07\\\/Screenshot-2024-07-31-at-09.50.44.png?fit=344%2C344&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/staging.centmagazine.co.uk\\\/wp-content\\\/uploads\\\/2024\\\/07\\\/Screenshot-2024-07-31-at-09.50.44.png?fit=344%2C344&ssl=1\",\"width\":344,\"height\":344},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=155939#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Opening Up the Soundscape Of The Piano\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#website\",\"url\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/\",\"name\":\"Cent Magazine\",\"description\":\"Be Inspired, Get Involved\",\"publisher\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-GB\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#organization\",\"name\":\"Cent Magazine\",\"url\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/centmagazine.co.uk\\\/wp-content\\\/uploads\\\/2020\\\/02\\\/logo_cent-01.jpg?fit=501%2C503&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/centmagazine.co.uk\\\/wp-content\\\/uploads\\\/2020\\\/02\\\/logo_cent-01.jpg?fit=501%2C503&ssl=1\",\"width\":501,\"height\":503,\"caption\":\"Cent Magazine\"},\"image\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#\\\/schema\\\/logo\\\/image\\\/\"}},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#\\\/schema\\\/person\\\/9b56d16b50b53f84b367add207eeec08\",\"name\":\"Jo Phillips\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/1d6c7fd0ccf52c0e184d542356f4fb5282577ca25e9de20408aba5c67afca4eb?s=96&d=mm&r=g61b8a432fec4616e37b325b299cffaad\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/1d6c7fd0ccf52c0e184d542356f4fb5282577ca25e9de20408aba5c67afca4eb?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/1d6c7fd0ccf52c0e184d542356f4fb5282577ca25e9de20408aba5c67afca4eb?s=96&d=mm&r=g\",\"caption\":\"Jo Phillips\"},\"sameAs\":[\"https:\\\/\\\/www.centmagazine.co.uk\"],\"url\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?author=1\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Opening Up the Soundscape Of The Piano | Cent Magazine","description":"Opening Up the Soundscape Of The Piano, explores the hymn by Khruangbin with a new interpretation by Arsha Kaviani in his own unique words","robots":{"index":"noindex","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"og_locale":"en_GB","og_type":"article","og_title":"Opening Up the Soundscape Of The Piano | Cent Magazine","og_description":"Opening Up the Soundscape Of The Piano, explores the hymn by Khruangbin with a new interpretation by Arsha Kaviani in his own unique words","og_url":"https:\/\/staging.centmagazine.co.uk\/?p=155939","og_site_name":"Cent Magazine","article_published_time":"2024-07-31T01:45:00+00:00","article_modified_time":"2024-07-31T08:52:26+00:00","og_image":[{"width":344,"height":344,"url":"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2024\/07\/Screenshot-2024-07-31-at-09.50.44.png?fit=344%2C344&ssl=1","type":"image\/png"}],"author":"Jo Phillips","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Jo Phillips","Estimated reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/staging.centmagazine.co.uk\/?p=155939#article","isPartOf":{"@id":"https:\/\/staging.centmagazine.co.uk\/?p=155939"},"author":{"name":"Jo Phillips","@id":"https:\/\/staging.centmagazine.co.uk\/#\/schema\/person\/9b56d16b50b53f84b367add207eeec08"},"headline":"Opening Up the Soundscape Of The Piano","datePublished":"2024-07-31T01:45:00+00:00","dateModified":"2024-07-31T08:52:26+00:00","mainEntityOfPage":{"@id":"https:\/\/staging.centmagazine.co.uk\/?p=155939"},"wordCount":732,"publisher":{"@id":"https:\/\/staging.centmagazine.co.uk\/#organization"},"image":{"@id":"https:\/\/staging.centmagazine.co.uk\/?p=155939#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2024\/07\/Screenshot-2024-07-31-at-09.50.44.png?fit=344%2C344&ssl=1","articleSection":["Music"],"inLanguage":"en-GB"},{"@type":"WebPage","@id":"https:\/\/staging.centmagazine.co.uk\/?p=155939","url":"https:\/\/staging.centmagazine.co.uk\/?p=155939","name":"Opening Up the Soundscape Of The Piano | Cent Magazine","isPartOf":{"@id":"https:\/\/staging.centmagazine.co.uk\/#website"},"primaryImageOfPage":{"@id":"https:\/\/staging.centmagazine.co.uk\/?p=155939#primaryimage"},"image":{"@id":"https:\/\/staging.centmagazine.co.uk\/?p=155939#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2024\/07\/Screenshot-2024-07-31-at-09.50.44.png?fit=344%2C344&ssl=1","datePublished":"2024-07-31T01:45:00+00:00","dateModified":"2024-07-31T08:52:26+00:00","description":"Opening Up the Soundscape Of The Piano, explores the hymn by Khruangbin with a new interpretation by Arsha Kaviani in his own unique words","breadcrumb":{"@id":"https:\/\/staging.centmagazine.co.uk\/?p=155939#breadcrumb"},"inLanguage":"en-GB","potentialAction":[{"@type":"ReadAction","target":["https:\/\/staging.centmagazine.co.uk\/?p=155939"]}]},{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/staging.centmagazine.co.uk\/?p=155939#primaryimage","url":"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2024\/07\/Screenshot-2024-07-31-at-09.50.44.png?fit=344%2C344&ssl=1","contentUrl":"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2024\/07\/Screenshot-2024-07-31-at-09.50.44.png?fit=344%2C344&ssl=1","width":344,"height":344},{"@type":"BreadcrumbList","@id":"https:\/\/staging.centmagazine.co.uk\/?p=155939#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/staging.centmagazine.co.uk\/"},{"@type":"ListItem","position":2,"name":"Opening Up the Soundscape Of The Piano"}]},{"@type":"WebSite","@id":"https:\/\/staging.centmagazine.co.uk\/#website","url":"https:\/\/staging.centmagazine.co.uk\/","name":"Cent Magazine","description":"Be Inspired, Get Involved","publisher":{"@id":"https:\/\/staging.centmagazine.co.uk\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/staging.centmagazine.co.uk\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-GB"},{"@type":"Organization","@id":"https:\/\/staging.centmagazine.co.uk\/#organization","name":"Cent Magazine","url":"https:\/\/staging.centmagazine.co.uk\/","logo":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/staging.centmagazine.co.uk\/#\/schema\/logo\/image\/","url":"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2020\/02\/logo_cent-01.jpg?fit=501%2C503&ssl=1","contentUrl":"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2020\/02\/logo_cent-01.jpg?fit=501%2C503&ssl=1","width":501,"height":503,"caption":"Cent Magazine"},"image":{"@id":"https:\/\/staging.centmagazine.co.uk\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"https:\/\/staging.centmagazine.co.uk\/#\/schema\/person\/9b56d16b50b53f84b367add207eeec08","name":"Jo Phillips","image":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/secure.gravatar.com\/avatar\/1d6c7fd0ccf52c0e184d542356f4fb5282577ca25e9de20408aba5c67afca4eb?s=96&d=mm&r=g61b8a432fec4616e37b325b299cffaad","url":"https:\/\/secure.gravatar.com\/avatar\/1d6c7fd0ccf52c0e184d542356f4fb5282577ca25e9de20408aba5c67afca4eb?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/1d6c7fd0ccf52c0e184d542356f4fb5282577ca25e9de20408aba5c67afca4eb?s=96&d=mm&r=g","caption":"Jo Phillips"},"sameAs":["https:\/\/www.centmagazine.co.uk"],"url":"https:\/\/staging.centmagazine.co.uk\/?author=1"}]}},"jetpack_sharing_enabled":true,"authors":[{"term_id":16671,"user_id":1,"is_guest":0,"slug":"cmag","display_name":"Jo Phillips","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/1d6c7fd0ccf52c0e184d542356f4fb5282577ca25e9de20408aba5c67afca4eb?s=96&d=mm&r=g","author_category":"","first_name":"Jo","last_name":"Phillips","user_url":"https:\/\/www.centmagazine.co.uk","job_title":"","description":""}],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2024\/07\/Screenshot-2024-07-31-at-09.50.44.png?fit=344%2C344&ssl=1","_links":{"self":[{"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/155939","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=155939"}],"version-history":[{"count":7,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/155939\/revisions"}],"predecessor-version":[{"id":156052,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/155939\/revisions\/156052"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=\/wp\/v2\/media\/156049"}],"wp:attachment":[{"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=155939"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=155939"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=155939"},{"taxonomy":"features_issues","embeddable":true,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ffeatures_issues&post=155939"},{"taxonomy":"featured_themes","embeddable":true,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ffeatured_themes&post=155939"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fppma_author&post=155939"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}