{"id":22142,"date":"2015-06-01T18:51:19","date_gmt":"2015-06-01T17:51:19","guid":{"rendered":"http:\/\/centmagazine.co.uk\/?p=22142"},"modified":"2015-06-22T12:00:00","modified_gmt":"2015-06-22T11:00:00","slug":"vienna-ditto-circle-album","status":"publish","type":"post","link":"https:\/\/staging.centmagazine.co.uk\/?p=22142","title":{"rendered":"Vienna Ditto &#8211; Circle; the Album"},"content":{"rendered":"<p><strong>\u00a0<a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2015\/06\/vienna-ditto-3.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-22251\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2015\/06\/vienna-ditto-3-1024x682.jpg?resize=580%2C386\" alt=\"vienna ditto 3\" width=\"580\" height=\"386\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2015\/06\/vienna-ditto-3.jpg?resize=1024%2C682&amp;ssl=1 1024w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2015\/06\/vienna-ditto-3.jpg?resize=300%2C199&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2015\/06\/vienna-ditto-3.jpg?resize=600%2C399&amp;ssl=1 600w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2015\/06\/vienna-ditto-3.jpg?resize=680%2C453&amp;ssl=1 680w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2015\/06\/vienna-ditto-3.jpg?resize=770%2C513&amp;ssl=1 770w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2015\/06\/vienna-ditto-3.jpg?w=1313&amp;ssl=1 1313w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2015\/06\/vienna-ditto-3.jpg?w=1160&amp;ssl=1 1160w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/strong><\/p>\n<p>\u201cCocktails of my own concoction\u201d and \u201cpoisons of divine prescription\u201d are voodoo-like descriptions flirtatiously sung by vocalist Hatty Taylor from English duo Vienna Ditto on the\u00a0<em>Peter-Gunn<\/em>-surf-meets alternative rock of\u00a0<em>Feeling Good<\/em>. It\u2019s perhaps an accurate synopsis of the exhilarating and exigent yet sensory, spine tingling and hallucinogenic adventures beholding the listener on their majestic debut album\u00a0<em>Circle.<\/em>\u00a0The bottled brew of rockabilly cosmic electronica with the aura of trip hop, sophistication of mellow blues and bite of gothic rock is the best way to describe the adventurous surrealism. It\u2019s as if we were tempted into swallowing a glowing potion and the entire time Hatty Taylor casts us under her spell. She mischievously suggests her intent on\u00a0<em>This is Normal<\/em>: \u201cI\u2019m the predator and the prey rolled into one.\u201d On\u00a0<em>Feeling Good<\/em>\u00a0her voice is trippy and tough like Shirley Manson, and like on many occasions it echoes around grunge-edged suffocating psychedelic rock but it also manages to breeze spiritually like a mirage in a hot desert. The fact that the lyrics border on sadistic: \u201cfinger-licking, pistol-whipping good\u201d, only heighten the other-worldly experience, and the way the additional marching drums remind us of Marilyn Manson\u2019s\u00a0<em>Personal\u00a0<\/em>Jesus keeps in the shades of black.<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2015\/06\/Vienna-Ditto-album.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-22252\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2015\/06\/Vienna-Ditto-album-300x286.jpg?resize=300%2C286\" alt=\"Vienna Ditto album\" width=\"300\" height=\"286\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2015\/06\/Vienna-Ditto-album.jpg?resize=300%2C286&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2015\/06\/Vienna-Ditto-album.jpg?resize=1024%2C978&amp;ssl=1 1024w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2015\/06\/Vienna-Ditto-album.jpg?resize=600%2C573&amp;ssl=1 600w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2015\/06\/Vienna-Ditto-album.jpg?resize=680%2C649&amp;ssl=1 680w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2015\/06\/Vienna-Ditto-album.jpg?resize=770%2C735&amp;ssl=1 770w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2015\/06\/Vienna-Ditto-album.jpg?w=1200&amp;ssl=1 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>The aforementioned Portishead-like trip hop aura is felt most effectively on\u00a0<em>Wintertime<\/em>\u00a0through the melancholic minimalism of slow steady drums, vibrating keyboard and relaxing gracefulness of Taylor, who\u2019s somewhere between\u00a0Geike Arnaert\u00a0of early-Hooverphonic, Emily Haines and Nancy Sinatra. There\u2019s also enough room for unexpected subtle space swirls and slow blues vibrato. On said song, she sings: \u201cYou must choose what we keep and what you disguise.\u201d Essentially, that\u2019s the way they selectively build songs like paintings inside a frame, yet with the inventiveness to explore the canvas\u2019s entire space in unorthodox manners. Sometimes painting in the top corners rather than obviously targeting the centre. The production of\u00a0<em>Liar Liar Quietly<\/em>\u00a0and\u00a0<em>Oh Josephine<\/em>\u00a0exploits this principle. On the subdued former, the strums of rhythm guitar echo in opposite peripherals of the soundscape, until a melodic companion takes over and give it a slow Bond theme scent.<\/p>\n<p>On the latter, an ambitious phasing effect (one of many astonishing low-frequency oscillations that enlighten their canvases) soars from below the right side of the speaker into the top left hand axis like an airplane. Radiohead-style rhythm guitar riff keeps it at a driving pace, as the scenery it passing by is made up of stuttering and disorientated spacecrafts, wine bar marimba and a magic box. If\u00a0<em>Oh\u00a0Josephine<\/em>\u00a0imagines a journey down a motorway in the afternoon heat then\u00a0<em>A Happy Car Is A Stolen Car\u00a0<\/em>is it\u2019s nocturnal equivalent. The dark blues is mostly a kin to the noir environment of Heroin And Your Veins but it\u2019s gets spookier in the intimidating keyboard bridge and it\u2019s circus of wayward bleeps and over-layered ghostly moans.<\/p>\n<p><strong><a href=\"https:\/\/www.youtube.com\/watch?v=posRLnHd-04\">Hammer and Nail<\/a><\/strong><\/p>\n<p><em>Pale Horse Rider<\/em>\u00a0tricks the listener into thinking it\u2019s going to be straight blues folk tale, as Hatty Taylor narrates her character like a suffering wife of cowboy, with the fragility of Emiliana Torrini: \u201cI\u2019ve got too many hungry mouths to feed and another not long due.\u201d However, it becomes even more evocative with it\u2019s middle-eastern wind, sinister cellos, child-like xylophones and the fire-burning production of AK Momo. If that\u2019s at it\u2019s most organic than\u00a0<em>Hold On<\/em>\u00a0and\u00a0<em>A Wheel Within A Wheel\u00a0<\/em>is it\u2019s most electronic, as they both experiment and focus on the robotic synthesizer style of 1970s german label\u00a0Kosmische Musik.<\/p>\n<p><strong><a href=\"https:\/\/www.youtube.com\/watch?v=ZbIQPFIl-pU\">Feeling Good<\/a><\/strong><\/p>\n<p>The nostalgia of surf rock plays an important role in making\u00a0<em>Circle<\/em>\u00a0timeless. It features most prominently in\u00a0<em>This Is Normal, Feeling Good\u00a0<\/em>and<em>\u00a0<\/em><em>Long Way Down<\/em>. The latter begins like Blur\u2019s\u00a0<em>Country House<\/em>\u00a0before colourfully celebrating like the B52s and sporting the lap-steeled leather jacket of Dick Dale. Yet Hatty Taylor has the quivering voice-holding of psychedelic singer Grace Slick and the laidback-ness of Warpaint. There\u2019s also an anticipated moment when the song suddenly stops like a western cliff-hanger before reintroducing itself in it\u2019s most psychotic form.\u00a0<em>This is Normal<\/em>\u00a0hints at the surf genre with it\u2019s drums and contains the attitude of Hole, Veruca Salt, Manna and The Cardigans with neat touches of shoegaze static and bubbled distortion.<\/p>\n<p>On their SoundCloud page they describe themselves as \u201ccosmic gospel\u201d and the best example of this in the charming\u00a0<em>Hammer And Nail<\/em>. Performed in a chord structure similar to Animals&#8217;<em>House<\/em><i>\u00a0of Rising Sun<\/i>, their electric organ is placed on the pulpit but it\u2019s supportive frame is metallic hammering (to fit with the construction title),\u00a0 baroque brass and buzzing electronics. At the head of the chorus is the memorable line: \u201cAll you have is a hammer and the whole world is a nail\u201d, which is successfully idiom-like. What\u2019s also fascinating is how the production in one bridge fades down the pace to such subtle levels of intricate percussion and rapid yet quiet tapping, that it shows the thought and detail the duo consider with every second they compose. Demonstrating that they do maximalism and minimalism with equal brilliance. The oddball video accompaniments\u00a0<em>of Hammer and Nail<\/em>\u00a0and\u00a0<em>Feeling Good<\/em>\u00a0 &#8211; singer Hatty Taylor stuck in a nightmarish cult party and dressed as mime respectively &#8211; increases their likeability factor, displays their quirky personality and most importantly keeps their irresistible mystique intact.<\/p>\n<p><strong>Vienna<\/strong><strong> Ditto&#8217;s Circle is released on 12th June. Find out more at their official <a href=\"%20\u00a0http:\/\/www.viennaditto.com\/\">website<\/a><\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0 \u201cCocktails of my own concoction\u201d and \u201cpoisons of divine prescription\u201d are voodoo-like descriptions flirtatiously sung by vocalist Hatty Taylor&#8230;<\/p>\n","protected":false},"author":4,"featured_media":22250,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[7],"tags":[7979,2623,7980,7981,7969,7967,894,2002,7974,7976,2900,7978,7977,7970,7975,7973,7966,7968,7042,7971,2003,2887,7972],"features_issues":[],"featured_themes":[],"ppma_author":[16670],"class_list":["post-22142","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","tag-ak-momo","tag-album","tag-bond-theme","tag-cinematic","tag-circle","tag-cosmic-electronica","tag-debut","tag-england","tag-gothic-rock","tag-hammer-and-nail","tag-hatty-taylor","tag-hooverphonic","tag-josephine","tag-june-2015","tag-kosmische","tag-mellow-blues","tag-rockabiilly","tag-this-is-normal","tag-trip-hop","tag-triphop","tag-uk","tag-vienna-ditto","tag-wintertime"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Vienna Ditto - Circle; the Album | Cent Magazine<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Vienna Ditto - Circle; the Album | Cent Magazine\" \/>\n<meta property=\"og:description\" content=\"\u00a0 \u201cCocktails of my own concoction\u201d and \u201cpoisons of divine prescription\u201d are voodoo-like descriptions flirtatiously sung by vocalist Hatty Taylor...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/staging.centmagazine.co.uk\/?p=22142\" \/>\n<meta property=\"og:site_name\" content=\"Cent Magazine\" \/>\n<meta property=\"article:published_time\" content=\"2015-06-01T17:51:19+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2015-06-22T11:00:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2015\/06\/Vienna-Ditto-singer.jpg?fit=1500%2C1000&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"1500\" \/>\n\t<meta property=\"og:image:height\" content=\"1000\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jo Phillips\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jo Phillips\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=22142#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=22142\"},\"author\":{\"name\":\"Jo Phillips\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#\\\/schema\\\/person\\\/b9b1a555ae07192a76deb6e21401e7a3\"},\"headline\":\"Vienna Ditto &#8211; 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