{"id":22630,"date":"2015-06-14T01:22:48","date_gmt":"2015-06-14T00:22:48","guid":{"rendered":"http:\/\/centmagazine.co.uk\/?p=22630"},"modified":"2015-06-22T11:59:06","modified_gmt":"2015-06-22T10:59:06","slug":"bloom-ffs-part-3-out-of-3-ffs","status":"publish","type":"post","link":"https:\/\/staging.centmagazine.co.uk\/?p=22630","title":{"rendered":"BLOOM: FFS (Part 3 out of 3): FFS"},"content":{"rendered":"<p><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2015\/06\/ffs-1.png\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-23037\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2015\/06\/ffs-1-1024x536.png?resize=580%2C303\" alt=\"ffs 1\" width=\"580\" height=\"303\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2015\/06\/ffs-1.png?resize=1024%2C536&amp;ssl=1 1024w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2015\/06\/ffs-1.png?resize=300%2C157&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2015\/06\/ffs-1.png?resize=600%2C314&amp;ssl=1 600w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2015\/06\/ffs-1.png?resize=680%2C356&amp;ssl=1 680w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2015\/06\/ffs-1.png?resize=770%2C403&amp;ssl=1 770w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2015\/06\/ffs-1.png?w=1500&amp;ssl=1 1500w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2015\/06\/ffs-1.png?w=1160&amp;ssl=1 1160w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/p>\n<p>Having studied both Franz Ferdinand and Sparks independently, the question remains: \u00a0is one album big enough for the both of them? In this example, it was the right thoughts, right words and right action, partly because for the most part their debut self title release (out June 10th) doesn&#8217;t sound like either of their earlier work and reputation. Apart from Russell Mae&#8217;s theatrical falsetto (which isn&#8217;t always evident), slightly creepy piano butchering\u00a0from his brother Ron and Franz Ferdinand indie drumming, so many new ideas swim around their multi-coloured spectrum, it sounds like a new band altogether. Re-invention is an attribute that both bands share and they have successful projected this mentality on their latest dual reincarnation.<\/p>\n<p><strong>The Seed Stage:<\/strong><\/p>\n<p>Even though they collaboration has come as a slight shock to the music world, Franz Ferdinand and Sparks have actually known each other since almost the beginning of Franz Ferdinand&#8217;s career. To be more precise, just after the Scottish indie outfit released their unforgettable 2004 hit <em>Take Me Out<\/em>. Like most of the hipster scene, the Mael brothers were impressed by the track. Having also heard that Franz Ferdinand were fans of Sparks, they organized a meeting at Hollywood coffee shop. The chemistry between them was so compatible that they wrote the track <em>Piss Off<\/em> that very day. A song that has survived and made it&#8217;s way on top their collaborative record\u00a011 years later. Yet the timing of that first meeting was off. Right place wrong time. Franz Ferdinand were trying to focus on their eponymous debut album. They decided to go their separate ways but keep track on their life progressions, like a Facebook stalker.<\/p>\n<p><em><span style=\"color: #000000;\">It&#8217;s always inexplicable<\/span><\/em><br style=\"color: #cccccc;\" \/><em><span style=\"color: #000000;\">It&#8217;s inexplicable<\/span><\/em><br style=\"color: #cccccc;\" \/><em><span style=\"color: #000000;\">But still they&#8217;re eager to explain<\/span><\/em><br style=\"color: #cccccc;\" \/><em><span style=\"color: #000000;\">It&#8217;s always inapplicable<\/span><\/em><br style=\"color: #cccccc;\" \/><em><span style=\"color: #000000;\">It&#8217;s inapplicable<\/span><\/em><br style=\"color: #cccccc;\" \/><em><span style=\"color: #000000;\">But they&#8217;ll apply it all the same<\/span><\/em><br style=\"color: #cccccc;\" \/><em><span style=\"color: #000000;\">It&#8217;s always irrefutable<\/span><\/em><br style=\"color: #cccccc;\" \/><em><span style=\"color: #000000;\">It&#8217;s irrefutable<\/span><\/em><br style=\"color: #cccccc;\" \/><em><span style=\"color: #000000;\">But still their arguments remain<\/span><\/em><\/p>\n<p><strong>Germination<\/strong><\/p>\n<p>Franz Ferdinand were embarking on a tour in Uruguay to promote their latest album <em>Right Thoughts, Right Words, Right Action<\/em> when frontman Alex Kapranos broke a tooth. Fortunately, their band manager knew a celebrity dentist in San Francisco that could fix his dental problem, so they journeyed to the &#8220;The City That Knows How&#8221;. \u00a0In a chance encounter, Kapranos accidentally bumped into Ron and Russell and through some artistic telepathy, they both realized that fate was giving them another opportunity to work together but properly this time. In some kind of creative test, Sparks sent Franz Ferdinand a draft of a song they wrote to celebrate the amalgamation called <em>Collaborations Don&#8217;t Work,<\/em> to see if they both possessed the same dinstinctive sense of humour and self awareness that collaborations often do not work. This decision was pinnacle in ensuring that they didn&#8217;t create an album that was &#8220;half-arsed&#8221; , &#8220;rotten&#8221; or &#8220;so-so-so&#8221;, in the words of FF&#8217;s Alex Kapranos in an interview with the NME. The project was still top secret because FFS didn&#8217;t want there to be any pressurizing hype or counterproductive expectations from the media. They only told the world once they had recorded a solid amount of work \u00a0together. A rejection of the tag &#8220;supergroup&#8221; was also something they were considering, because they wanted it to be a brand new band; which is slightly bizarre due to the fact that their band is unambiguously labelled FFS (Franz Ferdinand Sparks.) In the end this demonstrates both bands&#8217; credible obsession with control and detail.<\/p>\n<p><span style=\"color: #000000;\"><em>Collaborations don&#8217;t work<\/em><\/span><br style=\"color: #cccccc;\" \/><span style=\"color: #000000;\"><em>You start off deferential<\/em><\/span><br style=\"color: #cccccc;\" \/><span style=\"color: #000000;\"><em>And strangely reverential<\/em><\/span><br style=\"color: #cccccc;\" \/><span style=\"color: #000000;\"><em>You both feel it&#8217;s essential<\/em><\/span><br style=\"color: #cccccc;\" \/><span style=\"color: #000000;\"><em>Collaborations don&#8217;t work<\/em><\/span><br style=\"color: #cccccc;\" \/><span style=\"color: #000000;\"><em>He&#8217;s eyeing your new lover<\/em><\/span><br style=\"color: #cccccc;\" \/><span style=\"color: #000000;\"><em>Then one night you discover<\/em><\/span><br style=\"color: #cccccc;\" \/><span style=\"color: #000000;\"><em>Them underneath your covers<\/em><\/span><\/p>\n<p><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2015\/06\/FFS-2.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-23049\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2015\/06\/FFS-2.jpg?resize=580%2C496\" alt=\"FFS 2\" width=\"580\" height=\"496\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2015\/06\/FFS-2.jpg?w=618&amp;ssl=1 618w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2015\/06\/FFS-2.jpg?resize=300%2C256&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2015\/06\/FFS-2.jpg?resize=400%2C342&amp;ssl=1 400w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2015\/06\/FFS-2.jpg?resize=600%2C513&amp;ssl=1 600w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>(This promotion photo is similar in positioning to Franz Ferdinand&#8217;s crime scene\u00a0album\u00a0cover for <em>Tonight: Franz Ferdinand<\/em>)<\/p>\n<p><strong>Growth<\/strong><\/p>\n<p>They didn&#8217;t purposely set out to make a complete album, that is something that almost formed conveniently. You can tell that based on the large quantity of tracks, they compiled everything that thought was of merit and released it together just in case a follow-up wasn&#8217;t feasible or they had to go their separate ways again. Their debut self titled album was recorded over three weeks at RAK studios, a studio in Regents Street created by record producer Mickie Most and previously guested Muse, Radiohead, Paul McCartney at The Smiths. Production credits go to John\u00a0Congleton, who has worked with many contemporary indie acts including Wye Oak, Anna Calvi, Chairlift and Unknown Mortal Orchestra. A quote from the usually quiet Ron Mael from the same NME article, sums up their approach to the album: &#8220;<span style=\"color: #000000;\">We share a love of pop music but we\u2019ve never tried to do it in the predictable way other people around us do it.\u00a0You run the risk of it flying over people\u2019s heads, but when it does connect, my God, it\u2019s great.&#8221;. They go further to talk how there are so many possibilities in pop music but the majority of today&#8217;s musicians stick with the same tried-and-tested formula.<\/span><span style=\"color: #000000;\"><br \/>\n<\/span><\/p>\n<p><strong>Spreading Seeds<\/strong><\/p>\n<p>Released on June 10th through the record label Domino, FFS have no longer kept the project so secretive and are embracing the moment. Before setting off on tour &#8211; Glasgow (June 16th), London (June 29th), Netherlands (21st August) and Manchester (25th August) &#8211; they have promoted their new songs on TV and the internet. On 9th March, they uploaded a teaser trailer entitled <em>The Domino Effect<\/em>, which is comical for portraying Ron Mael&#8217;s famously stern facial expression. They performed on Jools Holland&#8217;s Later with.. in May, which was entertaining and courteous as FFS showcased a medley containing <em>Take Me Out<\/em> and T<em>his Town Ain&#8217;t Big Enough For The Both Of Us, <\/em>on request from the presenter. Whilst they recently released a dizzy music video for Johnny Delusional. Playing on the lyrics about\u00a0falling in love with different women on a bus daily, the band members all dressed up in identically geeky costumes, sit in a circle and find themselves seduced by clones of the same female. If we ever forgot, this reminds us that Sparks and Franz Ferdinand weren&#8217;t just unpredictable musically both their whole image followed suit.<\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=rCxLpte5loY\">Johnny Delusional<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Having studied both Franz Ferdinand and Sparks independently, the question remains: \u00a0is one album big enough for the both of&#8230;<\/p>\n","protected":false},"author":4,"featured_media":23049,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[7],"tags":[],"features_issues":[],"featured_themes":[],"ppma_author":[16670],"class_list":["post-22630","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>BLOOM: FFS (Part 3 out of 3): FFS | 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