{"id":24153,"date":"2015-07-10T15:45:22","date_gmt":"2015-07-10T14:45:22","guid":{"rendered":"http:\/\/centmagazine.co.uk\/?p=24153"},"modified":"2015-07-10T15:45:22","modified_gmt":"2015-07-10T14:45:22","slug":"water-dripping-paint","status":"publish","type":"post","link":"https:\/\/staging.centmagazine.co.uk\/?p=24153","title":{"rendered":"WATER: Dripping Paint"},"content":{"rendered":"
\n

Notorious for being the destruction of public property, graffiti has now become\u00a0a celebrated art form.<\/p>\n

\n

GraffitiStreet<\/a> are supporting the street art industry by providing alternatives to cheap-mass produced art, offering limited edition pieces and encouraging new talent and supporting local charities. Their collection of street art soon turned into a passion\u00a0and\u00a0GraffitiStreet was established so that they\u00a0could become more involved with this growing popular movement.<\/p>\n

\n

\"hunto-graffitistreet-underground\"<\/a>Hunto, 2015<\/em><\/p>\n

\n
\n
<\/div>\n
\n

\"Pichiavo-Street-Capture-of-Polyxena\"<\/a>Pichiav, 2015, Street Capture of Polyxena<\/em><\/p>\n

\n
\n

Over four hundred people turned up to the GraffitiStreet event ‘Underground’<\/a>, showcasing the works of Bisser<\/a>, Pahnl<\/a>, My Dog Sighs<\/a>, PichiAvo<\/a>, 3Fountains<\/a>, JPS<\/a>, Hunto<\/a>, Joachim<\/a> and Art\u00a0is Tra$h<\/a>. Many of the artist gave a live spray painting demonstration, illuminating the crowd on the free-style art that is graffiti and installation artist, Bordalo II<\/a>,\u00a0unveiled his incredible four metre tall, ‘Big Trash Animal’. Many of the works displayed\u00a0are a commentary on society and issues, a\u00a0graffiti trend that has been popularised by artists such as Banksy.<\/p>\n

\n
\n

\"bisser-gr\"<\/a>Bisser, 2015<\/em><\/p>\n

\n
\n

\"Bordalo\"<\/a>Bordalo, 2015, Big Trash Animal<\/em><\/p>\n

\n

Photorealist artist Jason Brooks<\/a> is\u00a0renowned for his lifelike portraits of models like Kate Moss,\u00a0but his new exhibition at Marlborough Contemporary<\/a> sees his art go in a different, more colourful direction. ‘Origins’\u00a0<\/a>displays seven seemingly abstract paintings that are identical in size\u00a0and orientation.<\/p>\n

\n
\n

\"Jason<\/a>Origin II, 2015, Acrylic on canvas, 125.1 x 176.2 cm \u00a9 Jason Brooks and courtesy Marlborough Contemporary. Photograph credit: Francis Ware<\/em><\/p>\n

\n

But that is\u00a0where their similarities end.<\/p>\n

\n

His use of colour and rendering is unique as\u00a0the models are\u00a0transformed into blank canvases upon which he reinterprets and repaints them, creating an illusion of dripping paint that has created new visceral style where the art appears to be three dimensional.<\/p>\n

This series is inspired by Courbet’s ‘The Origin of the World’ (1866) in the sense that his work has reimagined pre-existing objects and in doing so has ensured that his art doesn’t present a single perspective but is open to interpretation.<\/p>\n

\n
<\/div>\n
\"Jason<\/a><\/div>\n
\n

Origin V,<\/em> 2015, Acrylic on canvas, 125.1 x 176.2 cm \u00a9 Jason Brooks and courtesy Marlborough Contemporary. Photograph credit: Francis Ware<\/em><\/p>\n

This exhibition\u00a0has created a dialogue as to whether a knowledge of the work should change its meaning and how you relate to it\u00a0or whether you can have a superficial relationship with it; you either like it or\u00a0you don’t.\u00a0 His work will be displayed at Marlborough Contemporary until July 31.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Notorious for being the destruction of public property, graffiti has now become\u00a0a celebrated art form. 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