{"id":24836,"date":"2015-08-03T13:26:40","date_gmt":"2015-08-03T12:26:40","guid":{"rendered":"http:\/\/centmagazine.co.uk\/?p=24836"},"modified":"2015-08-03T13:28:05","modified_gmt":"2015-08-03T12:28:05","slug":"water-water-works","status":"publish","type":"post","link":"https:\/\/staging.centmagazine.co.uk\/?p=24836","title":{"rendered":"WATER: Water Works"},"content":{"rendered":"

The\u00a0visual construction of water is very difficult to capture, and\u00a0its\u00a0representation is\u00a0executed by a\u00a0few. The flowing dimensions, opens up a world of purification and regeneration allowing us to be washed away by its sensation. What happens when water\u00a0is a response to\u00a0waste?\u00a0Jean- Francois Bocle’s\u00a0<\/a>installation entitled\u00a0‘Everything must go’ is\u00a0a\u00a0reconstruction of a wasteland,\u00a0to symbolise the ruins of a long lost civilisation that is shored, against its discontents.<\/p>\n

\"saatchi Jean-Fran\u00e7ois Bocl\u00e9 Everything Must Go 2014 97,000 Blue plastic bags (HD polythlene, thickness 18\/20 microns) 54 x 30 x 14 cm each Image courtesy of the Saatchi Gallery, London (c)<\/p>\n

Showcased in Saatchi <\/a>gallery – the collection is\u00a0entitled, Pangaea II: New Art From Africa and Latin America,\u00a0a revolutionary\u00a0platform to show cases\u00a0empowering artists from many\u00a0different corners of the world, evolving Eurocentric ideologies on art.<\/p>\n

\"saatchi\"<\/a><\/p>\n

Jean-Fran\u00e7ois Bocl\u00e9 Everything Must Go 2014 97,000 Blue plastic bags (HD polythlene, thickness 18\/20 microns) 54 x 30 x 14 cm each Image courtesy of the Saatchi Gallery, London (c)<\/p>\n

Bocle’s\u00a0<\/a>creative\u00a0process involves bringing everyday objects into\u00a0a relationship that\u00a0is interested in\u00a0highlighting dialectics\u00a0like capitalism and consumerism, privilege and injustice, and so forth.<\/p>\n

Meaghan Oglivie’s <\/a>‘Requiem of Water’ is about the art of remembrance of the ‘spirit of water’ whose memory has been repressed. Water is our life- sustaining gift from the world, connecting us to living beings together – without it, there is no life. Today’s technological obsessed society has become so indifferent to this important life source, forgetting it’s worth and it’s importance. Meaghan<\/a> put humans face to face with this enchanting element, in her artwork as a response to human\u00a0interaction with nature.<\/p>\n

\"resized<\/a><\/p>\n

The world’s natural inheritance of river, seas and oceans have been exploited, abused and contaminated. These narrative images embody our relationship and journey back towards honouring the waters.<\/p>\n

\"resized<\/a><\/p>\n

The exploration of indigenous culture and bodies of water around the world, Requiem of Water reveals the simple and profound truth that, “Water is Life”. The title signifies that we are going into a journey of mourning, a mass repose for the souls of the dead.<\/p>\n

\"resized<\/a><\/p>\n

The goal of Requiem of Water exhibit a heighten public awareness and encourage thoughtful responsibility towards our precious water sources and the role we all play In caring for them.\u00a0\u00a0<\/span><\/p>\n

Emma Critchley’s <\/a>art installation\u00a0entitled ‘You’<\/a>\u00a0take us into a\u00a0whole new water\u00a0world. A sinister and eerie\u00a0atmosphere is\u00a0distilled from her projection piece by delving us into the world of the unknown.<\/p>\n

\"sam<\/a><\/p>\n

A film of a swimmer\u00a0is projected onto the walls, illuminated in shrouds of water. This video is on loop continuously, showing us\u00a0the ongoing cycle of water giving us life in a dark, unknown world.<\/div>\n
\"sam<\/a><\/div>\n
Despite it’s mysterious vibe, Critchley <\/a>capture’s a perfect visual interpretation of water that is very difficult to capture. She demonstrates an art of fluidity and interpretation that is presented in ‘You’.<\/a><\/div>\n
<\/div>\n
\"sam<\/a><\/div>\n
Despite water being a\u00a0natural\u00a0topic for artists, it’s a topic that allows many\u00a0different interpretations to be made which then protects the natural discourse of this life saving source. <\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

The\u00a0visual construction of water is very difficult to capture, and\u00a0its\u00a0representation is\u00a0executed by a\u00a0few. The flowing dimensions, opens up a world…<\/p>\n","protected":false},"author":1,"featured_media":25172,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[11],"tags":[28,1255,387,8380,8381,8382,8463,8176,5190,8379],"features_issues":[],"featured_themes":[],"ppma_author":[16671],"class_list":["post-24836","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","tag-art-2","tag-design-2","tag-exhibition","tag-jeanfrancoisbocle","tag-lizzystewart","tag-meaghanogilvie","tag-pure","tag-sea","tag-water","tag-waves"],"yoast_head":"\nWATER: Water Works | Cent Magazine<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"WATER: Water Works | Cent Magazine\" \/>\n<meta property=\"og:description\" content=\"The\u00a0visual construction of water is very difficult to capture, and\u00a0its\u00a0representation is\u00a0executed by a\u00a0few. 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