{"id":28314,"date":"2015-11-12T14:22:54","date_gmt":"2015-11-12T13:22:54","guid":{"rendered":"http:\/\/centmagazine.co.uk\/?p=28314"},"modified":"2015-11-13T22:09:43","modified_gmt":"2015-11-13T21:09:43","slug":"clash-tangible-links","status":"publish","type":"post","link":"https:\/\/staging.centmagazine.co.uk\/?p=28314","title":{"rendered":"CLASH: Tangible Links"},"content":{"rendered":"<p>Berthe Morisot, who Gustave Geffroy described\u00a0as one of &#8220;les trois grandes dames&#8221; of impressionism, said that &#8220;It is important to express oneself&#8230;provided the feelings are real and are taken from your own experience.&#8221;<\/p>\n<p><a href=\"http:\/\/www.cnyor.mrecic.gov.ar\/en\" target=\"_blank\">The Consulate General of Argentina <\/a>in New York presents Argentinean artist<a href=\"http:\/\/www.ernestomorales.it\/\" target=\"_blank\"> Ernesto Morales\u00a0<\/a>and his exploration of\u00a0the importance humans place on their unconscious and conscious memories\u00a0in his latest exhibition; <em>Traces of Memory<\/em>, which\u00a0discusses the links between identity, memory and the environment. His work displays the physical realm as soul and memory landscapes that serve as a beginning\u00a0for deep reflection of our overall journey.<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2015\/11\/Traces-of-Memory_2015_mixed-media-on-paper_50x70cm.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-28413\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2015\/11\/Traces-of-Memory_2015_mixed-media-on-paper_50x70cm.jpg?resize=580%2C406\" alt=\"Traces of Memory_2015_mixed media on paper_50x70cm\" width=\"580\" height=\"406\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2015\/11\/Traces-of-Memory_2015_mixed-media-on-paper_50x70cm.jpg?w=960&amp;ssl=1 960w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2015\/11\/Traces-of-Memory_2015_mixed-media-on-paper_50x70cm.jpg?resize=300%2C210&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2015\/11\/Traces-of-Memory_2015_mixed-media-on-paper_50x70cm.jpg?resize=600%2C420&amp;ssl=1 600w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2015\/11\/Traces-of-Memory_2015_mixed-media-on-paper_50x70cm.jpg?resize=680%2C476&amp;ssl=1 680w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2015\/11\/Traces-of-Memory_2015_mixed-media-on-paper_50x70cm.jpg?resize=770%2C539&amp;ssl=1 770w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><em>Ernesto Morales, Traces of Memory, 2015, mixed media on paper<\/em><\/p>\n<p align=\"LEFT\">&#8220;These same themes are also emphasized in his writings about personal memories that appear in some of his works and that become pictorial signs. The past is not, however, seen in a nostalgic emotive way, but rather as a series of memories projected into the future, which is almost mysterious, but yet coveted: the ultimate goal of human peregrinations&#8221;, says Virginia Ciccone, curator.<\/p>\n<p align=\"LEFT\"><em><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2015\/11\/Ciudades-Migrantes_2015_oil-on-canvas-27x39-inches.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-28428\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2015\/11\/Ciudades-Migrantes_2015_oil-on-canvas-27x39-inches-1024x690.jpg?resize=580%2C390\" alt=\"Ciudades Migrantes_2015_oil on canvas- 27x39 inches\" width=\"580\" height=\"390\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2015\/11\/Ciudades-Migrantes_2015_oil-on-canvas-27x39-inches.jpg?resize=1024%2C690&amp;ssl=1 1024w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2015\/11\/Ciudades-Migrantes_2015_oil-on-canvas-27x39-inches.jpg?resize=300%2C202&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2015\/11\/Ciudades-Migrantes_2015_oil-on-canvas-27x39-inches.jpg?resize=600%2C404&amp;ssl=1 600w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2015\/11\/Ciudades-Migrantes_2015_oil-on-canvas-27x39-inches.jpg?resize=680%2C458&amp;ssl=1 680w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2015\/11\/Ciudades-Migrantes_2015_oil-on-canvas-27x39-inches.jpg?resize=770%2C519&amp;ssl=1 770w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2015\/11\/Ciudades-Migrantes_2015_oil-on-canvas-27x39-inches.jpg?w=1378&amp;ssl=1 1378w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2015\/11\/Ciudades-Migrantes_2015_oil-on-canvas-27x39-inches.jpg?w=1160&amp;ssl=1 1160w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a>Ernesto Morales, Ciudades Migrantes, 2015, oil on canvas<\/em><\/p>\n<p align=\"LEFT\">This show will feature new works on canvas and paper presented by Ciccone and will address the existensial questions that we all face time to time; Who are we? What are we doing? Where did we come from? These questions have saturated all forms of art and have provided the basis for most literary masterpieces.<br \/>\nWhilst writing the famed series, The Hobbit and the Lord of the Rings, J.R.R Tolkien frequented\u00a0the town of Burren in County Clare. It was here that he encountered a cave which is called &#8220;Pol na Gollum&#8221; in Gaelic, meaning Hole of Gollum,\u00a0 the inspiration for the character in the series who spent most of his existence in a cave.<\/p>\n<p>Michelle Mangan works on the digital marketing team for <a href=\"http:\/\/www.thedunloe.com\/\" target=\"_blank\">The Dunloe Hotel<\/a> in County Kerry, Ireland, and has put together an interactive map of Ireland celebrating their famed literary icons. <a href=\"https:\/\/s3.amazonaws.com\/uploads.knightlab.com\/storymapjs\/bf1363f5047e90f28bac0a64fc945cd0\/the-literary-landscapes-of-ireland\/index.html\" target=\"_blank\"><em>A Literary Landscape of Ireland<\/em><\/a> connects towns, schools and locations that inspired the works of these writers.<\/p>\n<p>Famous for Temple Bar, The Guiness Brewery and Trinity college, Dublin is also the birthplace of three of Ireland&#8217;s four Noel Laureates of Literature; Samuel Beckett, W.B Yeats and George Bernard Shaw and author of one of the best novels of all time, James Joyce. <em>Ulysses<\/em>\u00a0was\u00a0inspired by Homer&#8217;s famed poem, Odyssey,\u00a0and follows Leopold Bloom on his ordinary day through Dublin.<\/p>\n<p>With every click of this interactive map, you realise the extent to which our environment\u00a0influences our\u00a0creativity and knowing where these\u00a0writers came from brings\u00a0us a sense of clarity to their works.<\/p>\n<p>Brooklyn-based artist <a href=\"http:\/\/www.oliverjeffers.com\/\" target=\"_blank\">Oliver Jeffers<\/a> also explores the human link with the physical environment and feelings in his new exhibition <em>Measuring Land and Sea <\/em>at<a href=\"http:\/\/www.lazinc.com\/\" target=\"_blank\"><em>\u00a0<\/em>Lazarides Rathbone<\/a>\u00a0from November 20\u00a0until December 23 which will focus on the philosophical\u00a0deadlock that art and science are\u00a0met with, as one is naturally subjective and the other is defined by the pursuit of the opposite but both our bound by feeling and reasoning. In each landscape there are the technical measurements which present the viewer with the artistic and scientific representation of the same land or sea scape.<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-28415\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2015\/11\/LAZ-007-srgb-lowres-1024x706.jpg?resize=580%2C399\" alt=\"LAZ-007-srgb-lowres\" width=\"580\" height=\"399\" \/><\/p>\n<p>These works highlight two major obstacles humans face; the ability to fully comprehend and the tendency to overthink, and demonstrate how we always try to measure and understand our universe.<\/p>\n<p><strong><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2015\/11\/LAZ-008-srgb-lowres.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-28416\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2015\/11\/LAZ-008-srgb-lowres-1024x713.jpg?resize=580%2C404\" alt=\"LAZ-008-srgb-lowres\" width=\"580\" height=\"404\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2015\/11\/LAZ-008-srgb-lowres.jpg?resize=1024%2C713&amp;ssl=1 1024w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2015\/11\/LAZ-008-srgb-lowres.jpg?resize=300%2C209&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2015\/11\/LAZ-008-srgb-lowres.jpg?resize=600%2C418&amp;ssl=1 600w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2015\/11\/LAZ-008-srgb-lowres.jpg?resize=680%2C473&amp;ssl=1 680w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2015\/11\/LAZ-008-srgb-lowres.jpg?resize=770%2C536&amp;ssl=1 770w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2015\/11\/LAZ-008-srgb-lowres.jpg?w=1500&amp;ssl=1 1500w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2015\/11\/LAZ-008-srgb-lowres.jpg?w=1160&amp;ssl=1 1160w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/strong><\/p>\n<p><span style=\"color: #222222;\">Through expression it\u00a0becomes clear that\u00a0despite how we distance ourselves from our homes geographically, all\u00a0our memories, thoughts and feelings stem from our landscape.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Berthe Morisot, who Gustave Geffroy described\u00a0as one of &#8220;les trois grandes dames&#8221; 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