{"id":30932,"date":"2016-02-25T09:40:59","date_gmt":"2016-02-25T08:40:59","guid":{"rendered":"http:\/\/centmagazine.co.uk\/?p=30932"},"modified":"2016-02-24T12:39:00","modified_gmt":"2016-02-24T11:39:00","slug":"modern-foreign-art","status":"publish","type":"post","link":"https:\/\/staging.centmagazine.co.uk\/?p=30932","title":{"rendered":"Modern: Foreign Art"},"content":{"rendered":"

We live in a modern world which is changing every single day and, as we all know, today\u2019s society constantly hungers for the new<\/em>; the never-seen-before<\/em>.
\nSpeaking of this, the art world is changing drastically and it is more diverse than ever before in 2016. To be precise, foreign art has a huge impact on the art scene’s development in general and, these days, we as Europeans get to see a glimpse of their ‘modern’ due to the fact that their art is way more exposed and accessible to public.<\/p>\n

Paris, 2016. \u201cThey (the Chinese) are living for the future \u2026 this is what is interesting. They are pushing, they are seeking, they are living now and living in the present.\u201c – Laurence Boss\u00e9 (Curator, Fondation Louis Vuitton)
\nTaking this into account, the Fondation Louis Vuitton<\/a>, founded in 2006 and well-known for promoting and supporting outstanding contemporary artistic talents, is currently hosting France\u2019s first major exhibition celebrating contemporary Chinese art to make its art work accessible to a broader audience.<\/p>\n