{"id":31734,"date":"2016-03-08T12:08:50","date_gmt":"2016-03-08T11:08:50","guid":{"rendered":"http:\/\/centmagazine.co.uk\/?p=31734"},"modified":"2016-03-08T16:07:39","modified_gmt":"2016-03-08T15:07:39","slug":"a-qa-with-richard-dreyfuss-by-marianne-haynes","status":"publish","type":"post","link":"https:\/\/staging.centmagazine.co.uk\/?p=31734","title":{"rendered":"A Q&A WITH RICHARD DREYFUSS by Marianne Haynes"},"content":{"rendered":"

From slicing open a shark\u2019s belly in Jaws, to chasing UFO\u2019s in Close Encounters of the Third Kind, actor Richard Dreyfuss, 68, made a big splash in the 70\u2019s and won an Oscar for his role in romantic comedy The Goodbye Girl. He appears in the award-winning film Rosencrantz & Guildenstern Are Dead, just released as a 25th anniversary edition DVD. Dreyfuss is married for the third time, lives in San Diego and has three children.<\/p>\n

\"2015<\/a> <\/p>\n

Q. It\u2019s the 25th anniversary of Rosencratz and Guildenstern are Dead, which is of course a film adaptation of a stage play. You\u2019ve acted across stage and screen, which do you prefer?
\nDREYFUSS: I never did Rosencratz on stage but I generally prefer stage over film. There\u2019s just a general level of better when you\u2019re doing something live and in front of people and the only advantage to doing something on film is that they pay you a lot, so the best thing would be to do a play and be paid as if you were doing a film. Sadly, like most of my dreams, it won\u2019t come true.<\/p>\n

Q. Recently it\u2019s been the anniversary of a lot of your big films like Jaws or even American Graffiti, do you have a favourite when you look back?
\nDREYFUSS: No, I have done whatever the amount of number of films I\u2019ve done and I liked almost all of them and the ones I didn\u2019t like I wouldn\u2019t tell you. I loved making those movies, I never fooled myself into thinking I preferred that to theatre. Theatre is much more fun.<\/p>\n

Q. So of all the roles you\u2019ve played, which is the most like you?
\nDREYFUSS: I used to say that the character I played in Goodbye Girl was most like me. I guess in one way or another that\u2019s probably still true, but no character is me they are aspects of me. I could say that Glenn Holland is like me, the composer in Mr Holland\u2019s Opus, and I also played Chaney and people over here said how could you play him? How could you play Chaney? And I said there\u2019s a little bit of Chaney in all of us and you just have to tap into it.<\/p>\n

Q. Finally, you\u2019ve worked with Spielberg a few times, how is your relationship? Did you enjoy working with him?
\nDREYFUSS: I left Hollywood society a long time ago and I\u2019m talking 25 years or more. So I don\u2019t really speak to most people there. I enjoyed working with him. He is
\n\ufffcCMYK
\nthe best of the whole generation, for a lot of people. It\u2019s mine. And it\u2019s also all the generations who learn from Spielberg, I learned from the generations that came before and I must say I feel sorry for the people who came after him.<\/p>\n

Q. They wouldn\u2019t take a risk on something like Jaws now.
\nDREYFUSS: No they wouldn\u2019t. As a matter of fact they only made Jaws because it started out as a four million dollar budget, it ballooned later because they didn\u2019t have a shark and they didn\u2019t have a cast and they had said it could be made in eight weeks. There are great, great films to be made that no one will take a risk for.<\/p>\n

\"f341fbe440d5daab\"<\/a><\/p>\n

The 25th Anniversary edition of Rosencrantz & Guildenstern Are Dead<\/a> is out now on DVD from RLJ Entertainment<\/a>.<\/p>\n

Credits: Interview by Marianne Haynes<\/p>\n","protected":false},"excerpt":{"rendered":"

From slicing open a shark\u2019s belly in Jaws, to chasing UFO\u2019s in Close Encounters of the Third Kind, actor 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