{"id":32162,"date":"2016-03-30T15:57:20","date_gmt":"2016-03-30T14:57:20","guid":{"rendered":"http:\/\/centmagazine.co.uk\/?p=32162"},"modified":"2016-03-30T15:57:20","modified_gmt":"2016-03-30T14:57:20","slug":"pure-authentic-experience","status":"publish","type":"post","link":"https:\/\/staging.centmagazine.co.uk\/?p=32162","title":{"rendered":"Pure: Authentic Experience"},"content":{"rendered":"

\u201cTo evoke in oneself a feeling one has once experienced, and having evoked it in oneself, then, by means of movements, lines, colors, sounds, or forms expressed in words, so to transmit that feeling that others may experience the same feeling \u2014 this is the activity of art.
\nArt is a human activity consisting in this, that one man consciously, by means of certain external signs, hands on to others feelings he has lived through, and that other people are infected by these feelings and also experience them.\u201d
\n<\/em><\/p>\n

In 1897 Leo Tolstoy wrote his What is Art?<\/em> And at that time he said: \u201cArt, in our society, has been so perverted that not only has bad art come to be considered good, but even the very perception of what art really is has been lost.\u201d<\/em> Safe to say, the same thing is happening in the art world nowadays. How can you even tell what\u2019s good and what\u2019s bad? Who decides that?<\/p>\n

Have you ever been in a situation when you went to a museum or an art gallery with a friend and you both had a completely different opinion on the same piece of art (and who knows, maybe these opinions were not the \u2018right\u2019 ones and the artist intended something else)? Perhaps, most of us have experienced that\u2026 Is it even possible to achieve authenticity of experience in art while we might see an object in a very different context? Moreover, we might be unable to understand important aspects of the work. Plus, all the modern exhibitions cannot present the work in its authentic condition. Artificial lightning and settings looks beautiful but there is a big chance its going to ruin the authenticity of experience.<\/p>\n

And it has always been like that. Even indisputable classics do cause the debates and people see and understand them differently.<\/p>\n

The Mona Lisa by Leonardo da Vinci<\/strong><\/p>\n

This painting is the most famous, most visited, and the most parodied in the world. It has never failed to captivate generations with its mystery, and the controversy around it is still ongoing. Some people love it, some people think it\u2019s hugely overrated. Mona Lisa\u2019s famous smile is the subject of many interpretations. It\u2019s a known fact that people see it differently. Lots and lots of professors from various colleges and universities have suggested the reasons why is it so and all of these reasons are different.<\/p>\n

\"mona-lisa\"<\/a><\/p>\n

Portrait of Lisa Gherardini, wife of Francesco del Giocondo, known as the Mona Lisa (the Joconde in French), 1503\u201319, oil, 77 cm \u00d7 53 cm, Muse\u00e8 du Louvre, Paris
\n<\/em>
\nThe Black Square by Kazimir Malevich
\n<\/strong>
\nThis painting is completely different to the classic Mona Lisa but it has caused just as many arguments. If you Google search \u201cblack square\u201d, you\u2019ll see dozens of articles about the ways to interpret the piece. Some critiques say it\u2019s not actually a square and it\u2019s not black, others see it as a revolutionary symbol. The artist himself said: \u201c[Black Square is meant to evoke] the experience of pure non-objectivity in the white emptiness of a liberated nothing.\u201d <\/em>Does this help to understand the painting better? Maybe it\u2019s really easier to ask for help from Google\u2026<\/p>\n

\"black\"<\/a><\/p>\n

The Black Square, 1915, oil on linen, 79.5 x 79.5 cm, Tretyakov Gallery, Moscow
\n<\/em><\/p>\n

So, maybe we should not chase authenticity of art experience? These two paintings can perfectly demonstrate how differently each person sees art. And it’s not bad, that is how it’s supposed to be. To quote Tolstoy once again: “But how are we to define good and bad art with reference to its subject matter?”<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cTo evoke in oneself a feeling one has once experienced, and having evoked it in oneself, then, by means 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