{"id":36256,"date":"2016-10-05T12:06:57","date_gmt":"2016-10-05T11:06:57","guid":{"rendered":"http:\/\/centmagazine.co.uk\/?p=36256"},"modified":"2016-11-04T13:32:26","modified_gmt":"2016-11-04T12:32:26","slug":"frieze-london-2016-what-to-look-out-for","status":"publish","type":"post","link":"https:\/\/staging.centmagazine.co.uk\/?p=36256","title":{"rendered":"Frieze London 2016: What to look out for"},"content":{"rendered":"<p><span style=\"color: #000000;\">For .Cent Magazine, the October theme is irregular. And as the international art fair Frieze London approaches, why not take a quick preview of\u00a0some of the unusual exhibits \u00a0that will be showing across some galleries. Below is a small curated list looking at a selection of the \u00a0themes the artists explore. \u00a0A simple way to ease you into an artist&#8217;s work alongside some explanations.<\/span><\/p>\n<p>One of the underlying themes\u00a0that may be shown at Frieze is that of gender. With society\u2019s increasing fascination with gender identity, it&#8217;s of no surprise that artists would consider what masculinity or femininity mean to them. During the fair\u2019s Film Festival, Singapore-born Ming Wong will unveil his work through video media. Wong is particular known for his adaptations of classic Hollywood films in which race and gender are switched or become interchangeable in order to examine the need for representation in popular culture.<\/p>\n<p><span style=\"color: #000000;\"> <iframe loading=\"lazy\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/LeLt21jVhzs\" width=\"560\"><\/iframe><\/span><br \/>\n<span style=\"color: #000000;\"> Wong is, incidentally, one of the few male artists at Frieze that explore gender through their work. The topic is otherwise dominated by women, who often use their art to explore gender and feminine sexuality simultaneously. Portia Munson\u2019s art is especially worth noting; her simple arrangements of pink plastic objects explore the meanings and stereotypes behind the colour itself. <\/span><\/p>\n<p><span style=\"color: #000000;\">Another artist with a\u00a0particular use of colour is Penny Siopis, whose aggressive use of red offers perhaps a more violent take to femininity in contrast\u00a0to Munson. Carolee Schneeman and Betty Tompkins, both representing a wave of feminism dating back forty years, have made their mark upon the art world through their graphic depiction of sexuality. Their work, famous for its use of the human body, provide unapologetic discourse on female genitalia and sexuality specifically. Tompkins\u2019 paintings that teeter on the lines of pornography are especially striking in their encouragement to view them from different distances and angles. <\/span><\/p>\n<p><span style=\"color: #000000;\">Frieze will also show works from a younger generation who explore similar topics: Celia Hempton and Erin Riley approach sexuality and the human body in equally honest manners. Hampton has gained recognition for going on online chat-forums and painting the occasional naked man who appears on the other end of the webcam. Riley also incorporates the digital age; her tapestries depict the moment of climax in lesbian pornography found online.<\/span><\/p>\n<figure id=\"attachment_36268\" aria-describedby=\"caption-attachment-36268\" style=\"width: 549px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-36268 size-full\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2016\/10\/338.jpg?resize=549%2C275\" alt=\"courtesy of portiamunson.com\" width=\"549\" height=\"275\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2016\/10\/338.jpg?w=549&amp;ssl=1 549w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2016\/10\/338.jpg?resize=300%2C150&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2016\/10\/338.jpg?resize=400%2C200&amp;ssl=1 400w\" sizes=\"auto, (max-width: 549px) 100vw, 549px\" \/><figcaption id=\"caption-attachment-36268\" class=\"wp-caption-text\"><span style=\"color: #000000;\">courtesy of portiamunson.com<\/span><\/figcaption><\/figure>\n<p><span style=\"color: #000000;\">When not exploring feminism, nudity or sexuality, colour is of course vital in other pieces of artwork. James Turrell, Channa Horwitz, and Chris Bracey\u00a0are just a few names whose use of colour is prominent in their art. Turrell, whose acclaimed use of light, recently made headlines after rapper Drake paid an homage to his work in his viral video for <a href=\"https:\/\/www.youtube.com\/watch?v=uxpDa-c-4Mc\">Hotline Bling<\/a>. <\/span><\/p>\n<p><span style=\"color: #000000;\">Horwitz, though now dead, has earned a steady increase in attention for her combination of colour and minimalism. Bankroller Gallery will host the late\u00a0Chris Bracey, an\u00a0artist who created pieces\u00a0devoted to neon visuals. His installation,\u00a0<i>Neon Legacy,<\/i>\u00a0features iconic pieces from Bracey&#8217;s portfolio; fans of neon should visit the gallery to immerse themselves amongst the collection of signs and illuminations. The installations will reference late-nigh debauchery and extravagance and will surely be a treat for the eyes. <a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2016\/10\/img_00000033.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-36380\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2016\/10\/img_00000033.jpg?resize=580%2C435\" alt=\"img_00000033\" width=\"580\" height=\"435\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2016\/10\/img_00000033.jpg?w=875&amp;ssl=1 875w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2016\/10\/img_00000033.jpg?resize=300%2C224&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2016\/10\/img_00000033.jpg?resize=600%2C449&amp;ssl=1 600w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2016\/10\/img_00000033.jpg?resize=680%2C509&amp;ssl=1 680w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2016\/10\/img_00000033.jpg?resize=770%2C577&amp;ssl=1 770w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a>\u00a0 \u00a0<i>\u00a0<\/i><\/span><\/p>\n<p>Like Celia Hampton and Erin Riley, Jon Rafman is also an artist inspired by the internet age who will show at Frieze. His often humorous art is known for analysing the way in which modern society functions in a digital era. With a seemingly endless progression of modern technology when entertainment is concerned, it is of no surprise that such a theme will be explored at the art fair. Polish artist Goshka Macuga goes a step further; her recent work is noted for her incorporation of Artificial Intelligence and her references to post-humanism embody the zeitgeist concerned with humans\u2019 relationship with technology.<\/p>\n<figure id=\"attachment_36271\" aria-describedby=\"caption-attachment-36271\" style=\"width: 682px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-36271 size-large\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2016\/10\/1_2_3-682x1024.jpg?resize=580%2C871\" alt=\"via frieze.com\" width=\"580\" height=\"871\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2016\/10\/1_2_3.jpg?resize=682%2C1024&amp;ssl=1 682w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2016\/10\/1_2_3.jpg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2016\/10\/1_2_3.jpg?resize=600%2C900&amp;ssl=1 600w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2016\/10\/1_2_3.jpg?resize=680%2C1020&amp;ssl=1 680w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2016\/10\/1_2_3.jpg?resize=300%2C450&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2016\/10\/1_2_3.jpg?resize=770%2C1155&amp;ssl=1 770w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2016\/10\/1_2_3.jpg?w=1000&amp;ssl=1 1000w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><figcaption id=\"caption-attachment-36271\" class=\"wp-caption-text\"><span style=\"color: #000000;\">courtesy of frieze.com<\/span><\/figcaption><\/figure>\n<p><span style=\"color: #000000;\">The Moretti Fine Art Gallery will display a fascinating insight into the minds of children, who will have their artwork shown. The children represent Atelier dell&#8217;Errore, the child neuropsychiatric clinics developed by Reggio Emilia and Bergamo. The exhibition, titled\u00a0<em>The Guardian Animals + other invisible things<\/em>, depicts animals as ancestral figures, embodying the youngsters&#8217; fears and need for protection. Aside from the representation of animals, the gallery will also host ten large drawings on a white background, mostly with irregular shapes, housed in wood cases, which share the first room with the <em>17th-century tondo L\u2019Angelo Custode<\/em> by Carlo Dolci; and the second room with a small wood painting by Luca Signorelli portraying Saint Anthony Abbot. This collection of artwork mirrors\u00a0the youngsters&#8217; ability to trust, and taking care of others, by presenting themselves as guides. The portrayal of the\u00a0Saint, protector of animals in the popular tradition, equally represents\u00a0the search for cleansing and liberation through simple life and constructive work.<a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2016\/10\/il-farchio-del-sudbs-140x200-2014-autori-vari-atelier-dell-errore.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-36375 size-large\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2016\/10\/il-farchio-del-sudbs-140x200-2014-autori-vari-atelier-dell-errore-1024x682.jpg?resize=580%2C386\" alt=\"il-farchio-del-sudbs-140x200-2014-autori-vari-atelier-dell-errore\" width=\"580\" height=\"386\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2016\/10\/il-farchio-del-sudbs-140x200-2014-autori-vari-atelier-dell-errore.jpg?resize=1024%2C682&amp;ssl=1 1024w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2016\/10\/il-farchio-del-sudbs-140x200-2014-autori-vari-atelier-dell-errore.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2016\/10\/il-farchio-del-sudbs-140x200-2014-autori-vari-atelier-dell-errore.jpg?resize=600%2C400&amp;ssl=1 600w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2016\/10\/il-farchio-del-sudbs-140x200-2014-autori-vari-atelier-dell-errore.jpg?resize=680%2C453&amp;ssl=1 680w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2016\/10\/il-farchio-del-sudbs-140x200-2014-autori-vari-atelier-dell-errore.jpg?resize=770%2C513&amp;ssl=1 770w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2016\/10\/il-farchio-del-sudbs-140x200-2014-autori-vari-atelier-dell-errore.jpg?w=1200&amp;ssl=1 1200w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/span><\/p>\n<p>We will be at Frieze and will keep our readers posted as new information arrives. Keep an eye on our Twitter (<a href=\"https:\/\/twitter.com\/Centmagazine\">@centmagazine<\/a>) and Instagram (<a href=\"https:\/\/www.instagram.com\/centmag\/\">@centmag<\/a>) for any updates.<\/p>\n<p style=\"text-align: right;\">For more information regarding Frieze, click<a href=\"https:\/\/frieze.com\/fairs\/frieze-london\"><span style=\"color: #000000;\"> here<\/span><\/a> to visit the art fair&#8217;s website. Feel free to check our other <a href=\"http:\/\/centmagazine.co.uk\/frieze-art-fair-2016\/\"><span style=\"color: #000000;\">article<\/span><\/a> on Frieze, which will give you a wider knowledge of the fair&#8217;s origins and evolution.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>For .Cent Magazine, the October theme is irregular. And as the international art fair Frieze London approaches, why not take&#8230;<\/p>\n","protected":false},"author":1,"featured_media":36268,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[11],"tags":[28,10021,4592,10022,10025,377,3107,4418,10043,10023,3055,4904,10028,10042,10024,10027,352,10018,380,10020,10019,10029,1436,3496],"features_issues":[],"featured_themes":[],"ppma_author":[16671],"class_list":["post-36256","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","tag-art-2","tag-betty-tompkins","tag-carolee-schneeman","tag-celia-hempton","tag-channa-horwitz","tag-chris-bracey","tag-colour","tag-digital","tag-drake","tag-erin-riley","tag-frieze","tag-gender","tag-goshka-macuga","tag-guardian-animals","tag-james-turrell","tag-jon-rafman","tag-london","tag-ming-wong","tag-neon","tag-penny-siopis","tag-portia-munson","tag-post-humanism","tag-sexuality","tag-trends"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Frieze London 2016: What to look out for | Cent Magazine<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Frieze London 2016: What to look out for | Cent Magazine\" \/>\n<meta property=\"og:description\" content=\"For .Cent Magazine, the October theme is irregular. 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