{"id":41948,"date":"2017-03-21T12:08:44","date_gmt":"2017-03-21T11:08:44","guid":{"rendered":"http:\/\/centmagazine.co.uk\/?p=41948"},"modified":"2017-03-21T12:08:44","modified_gmt":"2017-03-21T11:08:44","slug":"function-back-and-forth","status":"publish","type":"post","link":"https:\/\/staging.centmagazine.co.uk\/?p=41948","title":{"rendered":"Function: Back and Forth"},"content":{"rendered":"

Modern classical? Post-classical? Neo-classical? Nobody quite knows or agrees upon what to call it. But a wave of a contemporary music rooted in classical music tropes, sounds and traditions (whilst enmeshed with new technologies, sounds and sensibilities) is well and truly breaking. And somehow \u2013 partly through chance, part design \u2013 we\u2019ve found ourselves somewhere near its centre.<\/p>\n

Over the past 15 years the label Dave Howell has been curating, 130701<\/a>, has put out some of the biggest names and most important releases in the genre \u2013 working with pianist \/ composers Max Richter, Johann Johannsson, Dustin O\u2019Halloran and Hauschka. Whilst their own output has been far from prolific, they\u2019ve seen the area grow from just a handful of isolated artists, a small number of promoters and supporters at press and radio, to become \u2013 over the past four or five years \u2013 a burgeoning force of significant cultural impact.
\n 
\n\"Screen<\/a><\/p>\n

If you would like to read more about 130701 and its curator Dave Howell, check out the full article here<\/a>\u00a0on our online magazine.<\/p>\n","protected":false},"excerpt":{"rendered":"

Modern classical? Post-classical? Neo-classical? Nobody quite knows or agrees upon what to call it. 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