{"id":43718,"date":"2017-06-02T12:35:03","date_gmt":"2017-06-02T11:35:03","guid":{"rendered":"http:\/\/centmagazine.co.uk\/?p=43718"},"modified":"2017-06-02T15:32:19","modified_gmt":"2017-06-02T14:32:19","slug":"flowing-gridlock-a-stream-of-fear-and-nervousness","status":"publish","type":"post","link":"https:\/\/staging.centmagazine.co.uk\/?p=43718","title":{"rendered":"Flowing; Gridlock: a Stream of Fear and Nervousness"},"content":{"rendered":"
\n
<\/div>\n
\"unnamed_opt\"<\/a><\/div>\n<\/blockquote>\n
<\/div>\n
A scene from “Gridlock” with Moe Dunford (right),\u00a0Amy de Bhrun (background) and\u00a0Ronan Leahy (left)<\/div>\n

 <\/p>\n

\n

An isolated countryside street is the setting. The loss of a little girl breaks the tranquillity of a normal car travel and catapults the characters into a nightmare of panic and fear. All the perfect ingredients for an appealing thriller.<\/span><\/p>\n

Gridlock is a short film\u00a0that shocks the viewer for the simplicity and realism of its theme. The loss of a little girl during a usual car travel is something that could happen to everybody. It is a daily life tragedy that the director manages to translate into a fictional thriller.<\/span><\/p>\n

Produced by Simon Doyle and directed by Ian Hunt Duffy, the film is going to be shown the 7th of June at the Japan Short Shorts film festival, the biggest short film festival in Asia. The winning of Gridlock at this festival could assure a straight flight to Los Angeles Oscars.<\/span><\/p>\n

 <\/p>\n

\"Gridlock<\/a><\/p>\n

A scene from “Gridlock” with\u00a0Peter Coonan (left) and Moe Dunford (right)<\/p>\n

 <\/p>\n

Gridlock shows that there is no need for too many special effects or complex plots in order to make a tempting thriller.\u00a0Incomprehension and lack of communication\u00a0between the characters lead to a climax that increases the beholder\u2019s apprehension. Nobody seems to have seen the little girl, fact that increases\u00a0the anxiety of the desperate father.<\/span><\/p>\n

The film is mainly imbued with the psychology of the characters and their instinctive feelings and reactions. The suspect passes from one character to another and tension spreads as long as the solution seems ungraspable, leading to a nervous witch-hunt.<\/span><\/p>\n

However, a sudden revelation elicits doubts and subverts everything, \u00a0elucidating unanswered questions at the same time. A twist ending worthy of a thriller.<\/span><\/p>\n

Starring: Moe Dunford\u00a0(Vikings), Peter Coonan\u00a0(Love\/Hate), Steve Wall\u00a0(Dominion Creek) and\u00a0Amy de Bhrun (Jason Bourne).<\/span><\/p>\n

Gridlock\u00a0has already won a number of high-profile awards, including Academy Qualifying Awards Best Irish Short at the Foyle Film Festival and the Grand Prix Irish Short at Cork Film Festival. It has also won five prestigious awards and has been selected for almost 20 film festivals.<\/span><\/p>\n

We have asked the director some questions that can be found below.<\/span><\/p>\n

 <\/p>\n

\"Ian<\/a><\/p>\n

\u00a0Ian Hunt Duffy<\/p>\n

director of Gridlock<\/p>\n

How predetermined are your shots? Do you improvise much while shooting?<\/strong><\/span><\/p>\n

I always do a shot-list for a film and work closely with my cinematographer to develop the style we<\/span><\/p>\n

want to achieve. However, you have to be open to improvisation on the day and willing to change<\/span><\/p>\n

things up if a better shot presents itself. Invariably you will be up against the clock, so certain shots<\/span><\/p>\n

often need to be combined into one or simplified to save time. Elsewhere an actor\u2019s performance on<\/span><\/p>\n

set might change how you initially pictured covering a scene. On \u2018Gridlock\u2019, we had to change our<\/span><\/p>\n

road location at the very last minute, so a number of shots I had planned had to either be adapted or<\/span><\/p>\n

lost. So working within this new location, my cinematographer- Narayan Van Maele- and I decided to<\/span><\/p>\n

opt for a\u00a0more handheld\u00a0approach to give scenes more energy and immediacy. We also had an<\/span><\/p>\n

ensemble cast of actors so we would film long master shots for each scene, and often found that<\/span><\/p>\n

these takes had the most urgency and tension. As a result, I decided to block scenes into longer<\/span><\/p>\n

continuous shots where possible, without cutting away. So you\u2019re using the shot-list as a blueprint, but<\/span><\/p>\n

it\u2019s not set in stone.<\/span><\/p>\n

 <\/p>\n

What is your opinion of Short Film as a medium? Do you aim to move into feature length?\u00a0<\/strong><\/span><\/p>\n

I think short film is the perfect medium to hone your craft as a filmmaker and storyteller. You need to<\/span><\/p>\n

be able to tell an engaging and interesting story in a short space of time, so short films really help<\/span><\/p>\n

develop that skill. Budgets on short films are usually tight as well, so it forces you to find creative<\/span><\/p>\n

solutions to problems, and that\u2019s an approach I hope to carry over when directing my first feature film.<\/span><\/p>\n

\u2018Gridlock\u2019 is the kind of genre film I want to make as a feature, so I saw it as an opportunity to show<\/span><\/p>\n

that I could craft an exciting thriller. I\u2019m currently developing my first feature working again with writer<\/span><\/p>\n

Darach McGarrigle. It\u2019s another thriller set in a single location, with a group of characters fighting to<\/span><\/p>\n

survive. I\u2019m very excited about it.<\/span><\/p>\n

 <\/p>\n

What, for you, is the most important element of a Short Film?<\/strong><\/span><\/p>\n

The most important element of a short film, or any film, is always the story. What\u2019s it about? That\u2019s the<\/p>\n

first question anyone will ever ask, so you need to have a compelling answer. Short films are unique<\/p>\n

because they are typically only ever viewed amongst a programme of other short films, so you have<\/p>\n

to grab the audience\u2019s attention with a good story or hook that will make your short film stand out from<\/p>\n

all the others. \u2018Gridlock\u2019 is a \u2018whodunnit\u2019 thriller, and so that mystery gets the audience to engage with<\/p>\n

the film, guessing what will happen next or who they think is responsible.<\/p>\n

 <\/p>\n

How did the idea of this plot come to your mind?<\/strong><\/span><\/p>\n

I love high-concept thrillers that are set in a single location and I always wanted to do my own version.<\/span><\/p>\n

One day I was stuck in traffic and I thought it would be interesting to set a thriller entirely during a<\/span><\/p>\n

traffic jam and see what kind of suspense you could create in that restricted environment. From there<\/span><\/p>\n

I had the idea of a father whose daughter goes missing from their car, and that was the jumping off<\/span><\/p>\n

point for \u2018Gridlock\u2019. I pitched the concept to writer Darach McGarrigle and he liked how it touched on<\/span><\/p>\n

some very primal fears, like losing a child, paranoia, and not being able to trust the people around<\/span><\/p>\n

you. We\u2019re both fans of old television shows like \u2018The Twilight Zone\u2019 or \u2018Alfred Hitchcock Presents\u2019,<\/span><\/p>\n

shows that managed to fit a huge amount of tension and suspense into a 20-minute episode, so we<\/span><\/p>\n

wanted to see if we could achieve that with a short film and create an exciting mystery for an<\/span><\/p>\n

audience to solve.<\/span><\/p>\n

<\/div>\n
<\/div>\n

 <\/p>\n

Link to the trailer<\/a><\/p>\n

 <\/p>\n

Facebook:\u00a0https:\/\/www.facebook.com\/gridlockfilm\/<\/a><\/b><\/p>\n

Twitter:\u00a0<\/b>@Gridlockmovie\u00a0<\/span><\/b><\/p>\n

Instagram:\u00a0<\/b>@gridlockmovie<\/span><\/div>\n
\u00a0<\/span><\/div>\n

 <\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

A scene from “Gridlock” with Moe Dunford (right),\u00a0Amy de Bhrun (background) and\u00a0Ronan Leahy (left)   An isolated countryside street is…<\/p>\n","protected":false},"author":1,"featured_media":44032,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[16],"tags":[9735,1604,1931,1574,10951,10953,10952,10955,10954,8114],"features_issues":[],"featured_themes":[],"ppma_author":[16671],"class_list":["post-43718","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-event","tag-9735","tag-cinema","tag-events","tag-film","tag-gridlock","tag-ianhuntduffy","tag-japanshortshortsfilmfestival","tag-shortfilm","tag-simondoyle","tag-thriller"],"yoast_head":"\nFlowing; 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