{"id":44286,"date":"2017-06-15T10:23:47","date_gmt":"2017-06-15T09:23:47","guid":{"rendered":"http:\/\/centmagazine.co.uk\/?p=44286"},"modified":"2017-06-15T10:23:47","modified_gmt":"2017-06-15T09:23:47","slug":"flowing-light-the-fluid-energy-of-life","status":"publish","type":"post","link":"https:\/\/staging.centmagazine.co.uk\/?p=44286","title":{"rendered":"Flowing; Light: the Fluid Energy of Life."},"content":{"rendered":"<p><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2017\/06\/display_image-3_opt.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-44429\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2017\/06\/display_image-3_opt.jpg?resize=580%2C589\" alt=\"display_image (3)_opt\" width=\"580\" height=\"589\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/06\/display_image-3_opt.jpg?w=700&amp;ssl=1 700w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/06\/display_image-3_opt.jpg?resize=295%2C300&amp;ssl=1 295w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/06\/display_image-3_opt.jpg?resize=600%2C609&amp;ssl=1 600w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/06\/display_image-3_opt.jpg?resize=680%2C690&amp;ssl=1 680w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/06\/display_image-3_opt.jpg?resize=300%2C304&amp;ssl=1 300w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/p>\n<p style=\"text-align: right;\">Giuseppe Pellizza da Volpedo<br \/>\n<em>Il sole o Il sole nascente<\/em> (The sun or Rising Sun)<br \/>\n1904<br \/>\nolio su tela (Oil on Canvas)<br \/>\n155 \u00d7 155 cm<br \/>\nRoma, Galleria Nazionale d\u2019Arte Moderna<\/p>\n<p><span style=\"color: #000000;\">Light. A word that immediately evokes something connected with brightness and peacefulness. Light is the miracle of life, what makes trees and plants grow and produce oxygen, what makes our being possible. It is a warm caress on our skin, a clear halo that embraces everything.<\/span><\/p>\n<p><span style=\"color: #000000;\">It is symbol and purveyor of life, representative of god, divinity and celestial elements. It\u2019s the perfect conciliation between solid and airy, material and celestial; light is perceivable in its essence but unearthly and ethereal in its bright, unsubstantial appearance.<\/span><\/p>\n<p><span style=\"color: #000000;\">For these many reasons, light has always been one of the main elements of\u00a0art. Its presence passes through more or less all the history of art.<\/span><\/p>\n<p><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2017\/06\/N-0524-00-000018-pr_opt.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-44303\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2017\/06\/N-0524-00-000018-pr_opt.jpg?resize=580%2C444\" alt=\"N-0524-00-000018-pr_opt\" width=\"580\" height=\"444\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/06\/N-0524-00-000018-pr_opt.jpg?w=700&amp;ssl=1 700w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/06\/N-0524-00-000018-pr_opt.jpg?resize=300%2C229&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/06\/N-0524-00-000018-pr_opt.jpg?resize=600%2C459&amp;ssl=1 600w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/06\/N-0524-00-000018-pr_opt.jpg?resize=680%2C520&amp;ssl=1 680w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/p>\n<p style=\"text-align: right;\">Joseph Mallord William Turner<br \/>\n<em>The Fighting Temeraire tugged to her last berth to be broken up<\/em><br \/>\n1839<br \/>\n(c) National Gallery, London<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2017\/06\/display_image-1_opt.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-44430\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2017\/06\/display_image-1_opt.jpg?resize=580%2C577\" alt=\"Light and Colour (Goethe's Theory)  - the Morning after the Deluge - Moses Writing the Book of Genesis exhibited 1843 by Joseph Mallord William Turner 1775-1851\" width=\"580\" height=\"577\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/06\/display_image-1_opt.jpg?w=700&amp;ssl=1 700w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/06\/display_image-1_opt.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/06\/display_image-1_opt.jpg?resize=300%2C298&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/06\/display_image-1_opt.jpg?resize=100%2C100&amp;ssl=1 100w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/06\/display_image-1_opt.jpg?resize=600%2C596&amp;ssl=1 600w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/06\/display_image-1_opt.jpg?resize=680%2C676&amp;ssl=1 680w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/p>\n<p style=\"text-align: right;\">Joseph Mallord William Turner<br \/>\n<em>Light and Colour (Goethe&#8217;s Theory)<\/em><br \/>\n1843<br \/>\nOil on Canvas<br \/>\n78.5 cm \u00d7 78.5 cm<br \/>\nTate Britain, London<\/p>\n<blockquote>\n<p style=\"text-align: left;\">&#8220;The Sun is God&#8221;<br \/>\nTurner<\/p>\n<\/blockquote>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #000000;\">Turner is one of the artists that mostly known for his lightful depictions. His \u201cTurneresque\u201d light is like a flood that inundates his compositions; his suns (and sometimes moons) emanate a brilliant light that creates a very strong illumination. Turner makes the viewer experience the power of light through atmospheric effects, mists, fogs or water reflections. For some historians he affirmed before dying that \u2018The sun is god\u2019, and even if this statement is doubtful, it yet symbolizes the artist\u2019s view towards light.<\/span><\/p>\n<p><span style=\"color: #000000;\">His conception was based on the \u201csublime\u201d which can be interpreted as the contrasting sensations we feel in front of the majesty of Nature. A powerful storm, an immense landscape, or other things that hit and sometimes scare us but at the same time fascinate and intrigue. Turner imbued his compositions with this theme and in general with the power of feelings and impressions. Light plays an important role as it is the powerful energy of his depictions. Light for Turner is not simply a reflex on objects, but also an autonomous atmospheric entity that could permeate, but also shape or disintegrate the subjects of his paintings. It is an element that flows through his canvases and that evoke the flowing of feelings in ourselves.<\/span><\/p>\n<p><span style=\"color: #000000;\">\u00a0<\/span><\/p>\n<p><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2017\/06\/N-0035-00-000090-pr_opt.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-44287\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2017\/06\/N-0035-00-000090-pr_opt.jpg?resize=580%2C546\" alt=\"N-0035-00-000090-pr_opt\" width=\"580\" height=\"546\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/06\/N-0035-00-000090-pr_opt.jpg?w=700&amp;ssl=1 700w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/06\/N-0035-00-000090-pr_opt.jpg?resize=300%2C282&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/06\/N-0035-00-000090-pr_opt.jpg?resize=600%2C564&amp;ssl=1 600w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/06\/N-0035-00-000090-pr_opt.jpg?resize=680%2C640&amp;ssl=1 680w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/p>\n<p style=\"text-align: right;\">Titian<br \/>\n<em>Bacchus and Ariadne<\/em><br \/>\n1520-3<br \/>\n(c) National Gallery, London<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2017\/06\/display_image_opt.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-44432\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2017\/06\/display_image_opt.jpg?resize=580%2C345\" alt=\"display_image_opt\" width=\"580\" height=\"345\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/06\/display_image_opt.jpg?w=700&amp;ssl=1 700w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/06\/display_image_opt.jpg?resize=300%2C178&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/06\/display_image_opt.jpg?resize=600%2C356&amp;ssl=1 600w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/06\/display_image_opt.jpg?resize=680%2C404&amp;ssl=1 680w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/p>\n<p style=\"text-align: right;\">Titian<br \/>\n<em>The Three Ages of Man<\/em><br \/>\n1512\u201314<br \/>\nOil on canvas<br \/>\n90 cm \u00d7 150.7 cm<br \/>\nNational Gallery of Scotland, Edinburgh<\/p>\n<blockquote><p>&#8220;The sun amidst small stars&#8221;<br \/>\nunknown<\/p><\/blockquote>\n<p><span style=\"color: #000000;\">When contemporaries had to describe Titian, quoting the last lines of the Paradise of Dante, they called him &#8220;the sun amidst small stars.&#8221; This phrase refers to his incredible talent, that managed to emerge in the crowd of artists of his time. His art was very rooted in the Venetian tradition, that preferred the use of colour and oil painting in contrast with the Florentine drawing tradition based on the line. His paintings are a stream of luminous colours and shades that mould the figures grasped in their movements and psychology. The light of Titian is shaped with chiaroscuro and bright hues that cover all the composition. Warm halos and clear colours glimpse in landscapes and human figures, rendering luminous and mysterious natures, bright and lively characters.<\/span><\/p>\n<p><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2017\/06\/display_image-2_opt.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-44431\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2017\/06\/display_image-2_opt.jpg?resize=580%2C463\" alt=\"display_image (2)_opt\" width=\"580\" height=\"463\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/06\/display_image-2_opt.jpg?w=700&amp;ssl=1 700w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/06\/display_image-2_opt.jpg?resize=300%2C239&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/06\/display_image-2_opt.jpg?resize=600%2C479&amp;ssl=1 600w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/06\/display_image-2_opt.jpg?resize=680%2C543&amp;ssl=1 680w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/p>\n<p style=\"text-align: right;\">Vincent van Gogh<br \/>\n<em>Olive Trees with yellow sky and sun<\/em><br \/>\n1889<br \/>\nOil on Canvas<br \/>\n73.7 \u00d7 92.7 cm<br \/>\nMinneapolis Institute of Art<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2017\/06\/display_image_opt-1.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-44437\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2017\/06\/display_image_opt-1.jpg?resize=580%2C461\" alt=\"display_image_opt (1)\" width=\"580\" height=\"461\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/06\/display_image_opt-1.jpg?w=700&amp;ssl=1 700w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/06\/display_image_opt-1.jpg?resize=300%2C238&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/06\/display_image_opt-1.jpg?resize=600%2C476&amp;ssl=1 600w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/06\/display_image_opt-1.jpg?resize=680%2C540&amp;ssl=1 680w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/p>\n<p style=\"text-align: right;\">Vincent van Gogh<br \/>\n<em>The Sower (Sower at Sunset)<\/em><br \/>\n1888<br \/>\nOil on Canvas<br \/>\n64 \u00d7 80.5 cm<br \/>\nKr\u00f6ller-M\u00fcller Museum, Otterlo<\/p>\n<blockquote><p>&#8220;Colour how wonderful yellow is. It stands for the sun&#8221;<br \/>\nVincent van Gogh<\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #000000;\">Light is, itself, a flux of particles, coming from the sun, reflecting on objects and elements of the world. It is the stream a life, a dynamic energy that was perceived and represented as such by artists like van Gogh. He was a Postimpressionist but also forerunner of Expressionism. Van Gogh indeed depicted a reality filtered by the lenses of the feelings, of the movement of emotions. Everything around van Gogh is perceived by the feelings that flow thorough it and impress the viewer. Light itself becomes a sort of living thing, that flows like lava on the canvas. The solar rays in many of van Gogh&#8217;s paintings are brushstrokes of bright and dense colours that seem to create a living, dynamic stream. It&#8217;s the stream of life that permeates everything. It&#8217;s the flux of light.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Giuseppe Pellizza da Volpedo Il sole o Il sole nascente (The sun or Rising Sun) 1904 olio su tela (Oil&#8230;<\/p>\n","protected":false},"author":1,"featured_media":44438,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[11],"tags":[28,1635,11049,10970,1738,2810,11047,1510,11040,11048,3417,5051,11039,11041,9280],"features_issues":[],"featured_themes":[],"ppma_author":[16671],"class_list":["post-44286","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","tag-art-2","tag-bright","tag-clear","tag-flowing","tag-life","tag-light","tag-oil","tag-painting","tag-pellizza-da-volpedo","tag-rays","tag-stream","tag-sun","tag-titian","tag-turner","tag-van-gogh"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Flowing; Light: the Fluid Energy of Life. | Cent Magazine<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Flowing; Light: the Fluid Energy of Life. | Cent Magazine\" \/>\n<meta property=\"og:description\" content=\"Giuseppe Pellizza da Volpedo Il sole o Il sole nascente (The sun or Rising Sun) 1904 olio su tela (Oil...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/staging.centmagazine.co.uk\/?p=44286\" \/>\n<meta property=\"og:site_name\" content=\"Cent Magazine\" \/>\n<meta property=\"article:published_time\" content=\"2017-06-15T09:23:47+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/06\/display_image-1_opt_opt.jpg?fit=238%2C237&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"238\" \/>\n\t<meta property=\"og:image:height\" content=\"237\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jo Phillips\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jo Phillips\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=44286#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=44286\"},\"author\":{\"name\":\"Jo Phillips\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#\\\/schema\\\/person\\\/9b56d16b50b53f84b367add207eeec08\"},\"headline\":\"Flowing; 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