{"id":47694,"date":"2017-10-05T17:50:22","date_gmt":"2017-10-05T16:50:22","guid":{"rendered":"http:\/\/centmagazine.co.uk\/?p=47694"},"modified":"2017-10-06T10:57:57","modified_gmt":"2017-10-06T09:57:57","slug":"juxtaposed-frieze-lets-get-you-started","status":"publish","type":"post","link":"https:\/\/staging.centmagazine.co.uk\/?p=47694","title":{"rendered":"Juxtaposed; Frieze..lets get you started"},"content":{"rendered":"

Philip Colbert\u2019s New Paintings\u00a0<\/b><\/span><\/p>\n

From a man who made urinal dresses desirable enough to be sold in Collette Paris and Dover Street Market, Philip Colbert now makes his boldest yet with a solo show of paintings at the acclaimed Saatchi Gallery in partnership with Gazelli Art House.\u00a0<\/span><\/p>\n

\"Kitchen-painting\"<\/a><\/p>\n

Colbert is best known for his idiosyncratic designs with his label The Rodnik Band making wearable art frocks that have won the countenance of Karl Lagerfeld and Cara Delevingne, who most-enthusiastically put herself forward to star in the advert for his brand hook-up with Snoopy for Selfridges. Some of the most avant-garde clothes horses in today\u2019s fashion scene, including Anna Dello Russo and Lady Gaga have paraded themselves around in his attention-grabbing frocks. He\u2019s currently putting his design head together with Kanye West on some bespoke items. His opening show at Saatchi gallery was awash with multiple glamorpuss red carpet regulars, wearing his sequinned dresses fashioned into cans of Baked Beans, glittering pencils – and even a cigarette. Rita Ora secured his services for her world tour proving that a Colbert look is not aimed at shy and retiring wallflowers who wish to blend. Having said that, even the fashionistas with a more timeless leaning, such as Sienna Miller and Plum Sykes, have been drawn into his wacky, colourful web.\u00a0<\/span><\/p>\n

\"Philip<\/a><\/p>\n

Now he\u2019s taken those rollicking pop vibes to the next level, by presenting huge vivid eight large canvases at Saatchi gallery. Attempting to \u201cput the pop back into painting\u201d, the paintings are jam packed with references and motifs of contemporary culture and art history. At the centre of each piece, Colbert is represented by his infamous lobster character mascot, who is clearly nonplussed by the animated, confusing world that surrounds him. Philip has said, \u201cI paint lobsters, I make suits featuring them in repeat patterns, so people associate me with the lobster. So I turned myself into one to open this show.\u201d Created as a dialogue between himself and his pop forefathers, the paintings ruminate on their contributions in the face of popular culture and his own autobiographical journey within it.\u00a0So if Colbert is the lobster and he clearly, is as confused as we are, by a society that is reaching a point of brand, social, cultural and digital saturation. What Colbert\u2019s shares in common with his pop forefathers is a commercial training in the visual vocabulary of mass culture. Andy Warhol was a highly successful magazine illustrator and graphic designer;\u00a0<\/span>Ed Ruscha<\/span>\u00a0was also a graphic designer, and James Rosenquist started his career as a billboard painter. Similarly commercial, from graduating from St Andrew\u2019s to moving to London to start a fashion brand, a world he knew nothing about, Colbert has spent over a decade creating a visual vernacular. By creating his world on canvas, he\u2019s managed to cast himself alongside his heroes.\u00a0<\/span><\/p>\n

Philip Colbert presents his modern pop world at\u00a0<\/b>Saatchi Gallery<\/b><\/span><\/a>\u00a0in partnership with Gazelli Art House from 4 \u2013 16 October 2017<\/b><\/span><\/p>\n

Beth Cullen-Kerridge<\/b><\/span><\/p>\n

Beth Cullen-Kerridge has taken-on the basement of the Ukranian Church in Mayfair. Beth worked for Sir Antony Caro before striking out on her own as a sculptor, working on multiple public commissions internationally and in the UK. Last year, she was commissioned by the Royal Opera House in Dubai to create a 20 foot \u2018Dhow Sail\u2019, which has been nominated for a Global Art Award.\u00a0<\/span><\/p>\n

\"90<\/a><\/p>\n

Following her graduation from the Royal Academy, Beth worked as a foundry assistant, producing works for a roster of important artists including Paolozzi, Frink and Giacometti, before joining Sir Antony Caro in his studio. In the late 90s, while working with Caro on numerous major projects including exhibitions for the Tate Britain and the Venice Biennale, she met the man who would become her husband, Tom Kerridge (she asked him to chip in three quid for the stripper). They married, she worked for Caro, whilst he\u00a0worked 20 hour shifts in London restaurants, all the while plotting an escape plan.<\/span><\/p>\n

\"179<\/a><\/p>\n

Together they dreamed-up a plan to open a pub, believing they could fast track to Michelin stardom, so Beth put her sculpture career on hold to focus on Kerridge\u2019s pub, The Hand and Flowers restaurant in Marlow, Berkshire. Unable to secure funding from investors and bankers, Beth\u00a0sold four sculptures which enabled them to open the pub. Now that she and Tom are partners in two restaurants, with a third to open in Knightsbridge and as of yesterday, three Michelin stars, Beth has\u00a0revisited the subject of male power and\u00a0dominance as her subject matter in her work.<\/span><\/p>\n

Beth Cullen Kerridge announces a pop-up exhibition and public installation at\u00a0Basement of The Ukranian Catholic Catheral,\u00a06 Weighhouse Street Mayfair\u00a0Frieze between 4 \u2013 14<\/b><\/span>\u00a0<\/b><\/span>October<\/b><\/span><\/p>\n

Giles Duley\u00a0I Can Only Tell You What My Eyes See<\/b><\/span><\/p>\n

Following the launch of his photography book,\u00a0I Can Only Tell You What My Eyes See\u00a0(June 2017), activist and photographer Giles Duley will hold a 10 day exhibition and evening supper club at The Truman Brewery this October, in which guests can sit down to an evening of talks, performances and a middle eastern feast. Capturing the refugee crisis in the middle east and Europe, commissioned by the UNHCR, the book\u00a0<\/b>is a five-year photographic study of the long-term effects of global conflict, documenting the individuals and communities living in its aftermath. The Syrian civil war has displaced an estimated 11 million people, with up to five million fleeing to other countries as refugees. Giles Duley has curated an ambitious visual production to explore the biggest pressing humanitarian crisis since the second world war.\u00a0Giles found himself at the centre of the story in 2011 when he stood on an IED (Improvised Electronic Device) in Afghanistan, losing three of his limbs. He was told he would never walk, work or live independently again. After his rehabilitation, he focussed on what he could do, rather than what he couldn\u2019t. He travelled to Lebanon and has since become an award-winning activist and humanitarian photographer. Giles believes that we\u00a0can\u00a0change the world, if we all make a contribution, which is the overriding objective of this dynamic project.\u00a0<\/span><\/p>\n

\"Giles_0917_01\"<\/a><\/p>\n

As part of the\u00a0exhibition, Giles will also show the paintings of Syrian refugee\u00a0children\u00a0in partnership with football\u00a0legend, Sir Bobby Charlton\u2019s charity Find A Better Way.\u00a0Giles believes that we\u00a0can\u00a0change the world, if we all make a contribution, which is the overriding objective of this dynamic project.\u00a0Giles says, \u201cI believe each one of us has different abilities, each one of us has different skills and sometimes, when I\u2019m working in a conflict area, I would give everything to be a doctor in order to help directly but I can\u2019t. So I discovered that what I can do is to tell and share stories. We are privileged, we follow a tradition of storytellers that started tens of thousands years ago in campfires. It\u2019s the oldest tradition in humankind and we are part of that, and that\u2019s a huge honour, it\u2019s a huge undertaking but also a huge opportunity because stories, I believe, can change the world. One day at an exhibition a person asked me \u201cDo you think you can change the world with your photographs?\u201d I replied no, but I can inspire the people who can do it.\u201d<\/p>\n

\"Giles_Levos_4674_Neg19\"<\/a><\/p>\n

Giles Duley presents I Can Only Tell What My Eyes See at Truman Brewery from 4 – 14 October 2017\u00a0<\/b>www.eventbrite.co.uk\/e\/an-evening-of-<\/b><\/span><\/a> conversation- collaboration- community-with- giles-duley-tickets-37498955385<\/b><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Philip Colbert\u2019s New Paintings\u00a0 From a man who made urinal dresses desirable enough to be sold in Collette Paris and…<\/p>\n","protected":false},"author":1,"featured_media":47714,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[11],"tags":[28,11618,31,3055,6806],"features_issues":[],"featured_themes":[],"ppma_author":[16671],"class_list":["post-47694","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","tag-art-2","tag-cartoon","tag-fashion-2","tag-frieze","tag-war"],"yoast_head":"\nJuxtaposed; 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