{"id":47796,"date":"2017-10-11T15:09:59","date_gmt":"2017-10-11T14:09:59","guid":{"rendered":"http:\/\/centmagazine.co.uk\/?p=47796"},"modified":"2017-10-11T15:34:07","modified_gmt":"2017-10-11T14:34:07","slug":"juxtaposed-a-short-lived-life","status":"publish","type":"post","link":"https:\/\/staging.centmagazine.co.uk\/?p=47796","title":{"rendered":"Juxtaposed; A Short-Lived Life"},"content":{"rendered":"<p>There exists a long-considered belief that great art comes from great pain, and perhaps this is best understood in the archetype of the tortured artist. As though their existence lies in an equilibrium of creative stimuli and sorrow, the notion of the tortured artist has survived centuries and is perhaps one of humanities most enduring cultural myths.<\/p>\n<p>Many believe however, that the \u2018tortured artist\u2019 is simply a baseless falsehood perpetuated by romantic tales of sorrow, nevertheless humanity has been graced with an abundance of artists who have created magnificent works of art from pain and pleasure. Yet we must not reduce creativity to such simplifications as creativity is an innate gift. So, whilst we must be careful to not crush such an incredibly perplexing concept, we must celebrate creativity in all its forms!<\/p>\n<p style=\"text-align: right;\"><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2017\/10\/6.-Jean-Michel-Basquiat-Glenn-1984-Courtesy-Private-Collection-1.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-47800\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2017\/10\/6.-Jean-Michel-Basquiat-Glenn-1984-Courtesy-Private-Collection-1-1024x897.jpg?resize=580%2C507\" alt=\"6. Jean-Michel Basquiat, Glenn, 1984 Courtesy Private Collection (1)\" width=\"580\" height=\"507\" \/><\/a>Jean-Michel Basquiat, <em>Glenn<\/em>, 1984,<br \/>\nCourtesy Private Collection.<br \/>\n\u00a9 The Estate of Jean-Michel Basquiat.<br \/>\nLicensed by Artestar, New York.<\/p>\n<p>In light of the <a href=\"https:\/\/www.barbican.org.uk\/\" target=\"_blank\">Barbican\u2019s<\/a> latest exhibition <em><a href=\"https:\/\/www.barbican.org.uk\/whats-on\/2017\/event\/basquiat-boom-for-real\" target=\"_blank\">Basquiat: Boom For Real<\/a>,<\/em> a focus on Jean-Michel Basquiat&#8217;s extraordinary breadth of influences, we felt compelled to look at the artists which have not only revolutionised the art world but like Basquiat, lived a short lived life\u2026<\/p>\n<p><strong>Keith Haring (1958 &#8211; 1990)<\/strong><br \/>\nMaking his art wherever he felt compelled to, Keith Haring was a street artist known for bridging the gap between the Art World\u00a0and graffiti culture which flourished in New York\u2019s Lower East Side during the 1980&#8217;s.<\/p>\n<p style=\"text-align: left;\">Fully of vitality and extremely potent, the surface of Haring\u2019s imagery can appear whimsical and cartoonish, but his breadth of work was highly saturated with dark undertones. Haring\u2019s imagery was often extremely political and expressed universal concepts about birth, death, love sexuality, and war. Dedicated to grassroots activism, Haring used his work as part of campaigning for protests such as the ending of nuclear proliferation or apartheid.<\/p>\n<p style=\"text-align: right;\"><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2017\/10\/Kieth-Haring.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-47841\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2017\/10\/Kieth-Haring.jpg?resize=580%2C331\" alt=\"Kieth Haring\" width=\"580\" height=\"331\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/10\/Kieth-Haring.jpg?w=700&amp;ssl=1 700w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/10\/Kieth-Haring.jpg?resize=300%2C171&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/10\/Kieth-Haring.jpg?resize=600%2C342&amp;ssl=1 600w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/10\/Kieth-Haring.jpg?resize=680%2C388&amp;ssl=1 680w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a>Keith Haring, <em>Free South Africa<\/em>, 1985<\/p>\n<p>Having been diagnosed with AIDS in 1988, Haring established the Keith Haring Foundation in 1989 to provide funding and imagery to AIDS organisations and children\u2019s programs. Haring died a year later at the age of 31 from complications with AIDS, his work has since been exhibited internationally and is part of collections in museums around the world.<\/p>\n<p><strong>Ren Hang (1987 &#8211; 2017)<\/strong><br \/>\nChinese photographer and poet Ren Hang was known for his provocative photographic portraits of his friends. By offering the public intimate and unfiltered portraiture, Hang\u2019s work quickly became significant in representing sexuality within a heavily censored society.<\/p>\n<p>Bound by traditional and conservative attitudes to sexuality and the body, there exists strict laws on pornography in China, so it of course comes as no surprise that Hang was arrested by the authorities on several occasions. Despite insisting that is work was not political, Hang\u2019s overt erotic undertones caused outraged with his work often being defaced at exhibitions, or confiscated by officials.<\/p>\n<p style=\"text-align: right;\"><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2017\/10\/Ren-Hang.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-47843\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2017\/10\/Ren-Hang.jpg?resize=580%2C331\" alt=\"Ren Hang\" width=\"580\" height=\"331\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/10\/Ren-Hang.jpg?w=700&amp;ssl=1 700w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/10\/Ren-Hang.jpg?resize=300%2C171&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/10\/Ren-Hang.jpg?resize=600%2C342&amp;ssl=1 600w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/10\/Ren-Hang.jpg?resize=680%2C388&amp;ssl=1 680w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a>Ren Hang, <em>Untitled<\/em><\/p>\n<p>Suffering with severe depression, Hang took his own life at the age of 29 in February 2017. Although he was terribly young, Hang had firmly established himself as an intrepid creative who was arguably one of the most radical photographers of the 21<sup>st<\/sup> Century.<\/p>\n<p><strong>Henri di Toulouse-Lautrec (1864 &#8211; 1901)<\/strong><br \/>\nLong associated with Montmarte, the once bohemian core of Paris which has since turned into a tourist haven, Henri di Toulouse-Lautrec famously depicted the provocative life in Paris during the late 19th century.<\/p>\n<p>Despite a relatively short career, Toulouse-Lautrec produced an astonishing\u00a0breadth of work. From watercolours to canvas paintings, drawings, prints and posters, his depictions of those working amidst the working environments of bohemian Paris stripped the glamour away to present theatrical representations of heart-wrenching loneliness and depraved intimacy.<\/p>\n<p style=\"text-align: right;\"><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2017\/10\/Henri-De-Toulouse-Lautrec-1.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-47844\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2017\/10\/Henri-De-Toulouse-Lautrec-1.jpg?resize=580%2C331\" alt=\"Henri De Toulouse-Lautrec (1)\" width=\"580\" height=\"331\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/10\/Henri-De-Toulouse-Lautrec-1.jpg?w=700&amp;ssl=1 700w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/10\/Henri-De-Toulouse-Lautrec-1.jpg?resize=300%2C171&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/10\/Henri-De-Toulouse-Lautrec-1.jpg?resize=600%2C342&amp;ssl=1 600w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/10\/Henri-De-Toulouse-Lautrec-1.jpg?resize=680%2C388&amp;ssl=1 680w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a>Henri De Toulouse-Lautrec, <em>La Toilette<\/em>, 1889<\/p>\n<p>Mocked for his short stature and physical appearance, Toulouse-Lautrec often drowned his sorrows in alcohol and frequented\u00a0prostitutes. Fascinated by their lifestyle he often incorporated the characters he met into his paintings and at the age of 36, died from alcoholism and syphilis.<\/p>\n<p><strong>Yves Klein (1928 &#8211; 1962)<\/strong><br \/>\nWith an intriguing yet spirited aim to revolutionise the way in which we experienced art, it comes as no surprise that Yves Klein\u2019s international impact influenced minimal, conceptual and performance art.<\/p>\n<p>Colour was extremely prevalent in Klein\u2019s work, conceived using ultramarine pigment suspended in a synthetic resin, Klein\u2019s patented colour International Klein Blue (IKB) retained its radiance and on his canvases and quickly became a startling sensation. Opting for distancing techniques by using rollers, sponges and even women swathed in IKB to cover his momentous canvases.<\/p>\n<p style=\"text-align: right;\"><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2017\/10\/Yves-Klien.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-47845\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2017\/10\/Yves-Klien.jpg?resize=580%2C331\" alt=\"Yves Klien\" width=\"580\" height=\"331\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/10\/Yves-Klien.jpg?w=700&amp;ssl=1 700w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/10\/Yves-Klien.jpg?resize=300%2C171&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/10\/Yves-Klien.jpg?resize=600%2C342&amp;ssl=1 600w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/10\/Yves-Klien.jpg?resize=680%2C388&amp;ssl=1 680w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a>Yves Klein, <em>Leap into the Void<\/em>, 1960<\/p>\n<p>Once releasing one thousand and one helium balloons into the sky as part of his Paris exhibition in 1957, Klein\u2019s oeuvre radiates with excitement and proves he had a flair for dramatics. From offering empty spaces of the city with authenticity certificate for gold, to throwing the sold gold into the river Seine if the buyer agreed to set fire to the certificate to restore the \u2018natural order\u2019.<\/p>\n<p>Although Klein was young when he passed, 34 from heart failure, he is still very much considered one of the most innovative and experimental artists of post-war European art.<\/p>\n<p><strong>Piero Manzoni (1933 &#8211; 1963) <\/strong><br \/>\nRenowned for his ironic approach to avant-garde art, Piero Manzoni\u2019s work is widely seen as a critique of Italy\u2019s Post WWII consumerism and the waste it creates.<\/p>\n<p style=\"text-align: right;\"><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2017\/10\/Piero-Manzoni.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-47846\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2017\/10\/Piero-Manzoni.jpg?resize=580%2C331\" alt=\"Piero Manzoni\" width=\"580\" height=\"331\" \/><\/a>Piero Manzoni, <em>Artist\u2019s Shit<\/em>, 1961<\/p>\n<p>Manzoni was obsessed with the limits of physicality and the satirising of the art world\u2019s fixation with permanence. One of Manzoi\u2019s most remembered works <em>Fiato d&#8217;Artista<\/em> consisted of a series of red, white, and blue balloons, the artist had inflated and attached to a wooden base which was inscribed &#8220;Piero Manzoni &#8211; Artist&#8217;s Breath&#8221; provided his audience with a poignant Memento Mori.<\/p>\n<p>Manzoni died at the age of 29 of myocardial infarction in his studio in Milan on February 6, 1963. Although he was incredibly young he left behind a legacy which not only parodied but also looked beyond the depth of the Art World.<\/p>\n<p><strong>Jean-Michel Basquiat (1960 &#8211; 1988)<\/strong><br \/>\nTransmitting a cartoonish yet engrossing quality and booming with fragments of bold capitalised text, Jean-Michel Basquiat\u2019s work is uniquely raw but vibrant. Before his breakthrough career as an artist began, Basquiat was part of the political-poetical graffiti duo under the name of\u00a0\u2018SAMO\u2019 during the late 1970\u2019s which adored Manhattan\u2019s Lower East Side with inscribed messages.<\/p>\n<p>By appropriating\u00a0text, painting, and abstraction led by historical information mixed with contemporary critique, it is no wonder that Basquiat\u2019s emergence as an untrained artist quickly turned into instant international recognition.<\/p>\n<p>A year and a half after his good friend and collaborator Andy Warhol died in 1988, Basquiat died of heroin overdose in his studio at the age of 27.\u00a0Despite a sadly brief career, Basquiat\u2019s artistic significance has continued only to flourish and is still relevant as ever.<\/p>\n<p style=\"text-align: right;\"><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2017\/10\/13.-LIKE-AN-IGNORANT-EASTER-SUIT-Jean-Michel-Basquiat-on-the-set-of-Downtown-81-Edo-Bertoglio-%C2%A9New-York-Beat-Film-LLC-1.png\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-47801\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2017\/10\/13.-LIKE-AN-IGNORANT-EASTER-SUIT-Jean-Michel-Basquiat-on-the-set-of-Downtown-81-Edo-Bertoglio-%C2%A9New-York-Beat-Film-LLC-1.png?resize=580%2C381\" alt=\"13. LIKE AN IGNORANT EASTER SUIT, Jean-Michel Basquiat on the set of Downtown 81, Edo Bertoglio \u00a9New York Beat Film LLC (1)\" width=\"580\" height=\"381\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/10\/13.-LIKE-AN-IGNORANT-EASTER-SUIT-Jean-Michel-Basquiat-on-the-set-of-Downtown-81-Edo-Bertoglio-%C2%A9New-York-Beat-Film-LLC-1.png?w=972&amp;ssl=1 972w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/10\/13.-LIKE-AN-IGNORANT-EASTER-SUIT-Jean-Michel-Basquiat-on-the-set-of-Downtown-81-Edo-Bertoglio-%C2%A9New-York-Beat-Film-LLC-1.png?resize=300%2C196&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/10\/13.-LIKE-AN-IGNORANT-EASTER-SUIT-Jean-Michel-Basquiat-on-the-set-of-Downtown-81-Edo-Bertoglio-%C2%A9New-York-Beat-Film-LLC-1.png?resize=600%2C393&amp;ssl=1 600w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/10\/13.-LIKE-AN-IGNORANT-EASTER-SUIT-Jean-Michel-Basquiat-on-the-set-of-Downtown-81-Edo-Bertoglio-%C2%A9New-York-Beat-Film-LLC-1.png?resize=680%2C446&amp;ssl=1 680w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/10\/13.-LIKE-AN-IGNORANT-EASTER-SUIT-Jean-Michel-Basquiat-on-the-set-of-Downtown-81-Edo-Bertoglio-%C2%A9New-York-Beat-Film-LLC-1.png?resize=770%2C505&amp;ssl=1 770w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><em>&#8216;LIKE AN IGNORANT EASTER SUIT&#8217;<\/em> Jean-Michel Basquiat on the set of Downtown 81.<br \/>\n\u00a9 New York Beat Film LLC<br \/>\nBy permission of The Estate of Jean-Michel Basquiat<br \/>\nPhoto: Edo Bertoglio<\/p>\n<p>Curated by the Barbican and organised in collaboration with the Schirn Kunsthalle Frankfurt, <a href=\"https:\/\/www.barbican.org.uk\/whats-on\/2017\/event\/basquiat-boom-for-real\" target=\"_blank\"><em>Basquiat: Boom for Real<\/em><\/a> is the first large-scale retrospective of the artist in the UK. The exhibition captures the range and dynamism of Basquiat\u2019s practice over the years with over 100 works and heavily focuses on Basquiat\u2019s relationship to music, writing, performance, film, and television, placing him within the wider cultural context of his time.<\/p>\n<p><a href=\"https:\/\/www.barbican.org.uk\/whats-on\/2017\/event\/basquiat-boom-for-real\" target=\"_blank\"><em>Basquiat: Boom for Real<\/em><\/a>\u00a0is currently showing at the <a href=\"https:\/\/www.barbican.org.uk\/\" target=\"_blank\">Barbican<\/a>\u00a0and is on until 28<sup>th<\/sup> January 2018.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>There exists a long-considered belief that great art comes from great pain, and perhaps this is best understood in the&#8230;<\/p>\n","protected":false},"author":4,"featured_media":47800,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[11],"tags":[9366,28,450,1606,11631,11634,11632,11636,352,9342,11635,11638,11637,11633],"features_issues":[],"featured_themes":[],"ppma_author":[16670],"class_list":["post-47796","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","tag-20th-century-art","tag-art-2","tag-artist","tag-barbican","tag-basquiat-boom-for-real","tag-henri-di-toulouse-lautrec","tag-jean-michel-basquiat","tag-keith-haring","tag-london","tag-piero-manzoni","tag-ren-hang","tag-short-lived-life","tag-tortured-artist","tag-yves-klein"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Juxtaposed; A Short-Lived Life | Cent Magazine<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Juxtaposed; A Short-Lived Life | Cent Magazine\" \/>\n<meta property=\"og:description\" content=\"There exists a long-considered belief that great art comes from great pain, and perhaps this is best understood in the...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/staging.centmagazine.co.uk\/?p=47796\" \/>\n<meta property=\"og:site_name\" content=\"Cent Magazine\" \/>\n<meta property=\"article:published_time\" content=\"2017-10-11T14:09:59+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2017-10-11T14:34:07+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2017\/10\/6.-Jean-Michel-Basquiat-Glenn-1984-Courtesy-Private-Collection-1-scaled.jpg?fit=1500%2C1315&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"1500\" \/>\n\t<meta property=\"og:image:height\" content=\"1315\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jo Phillips\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jo Phillips\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=47796#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=47796\"},\"author\":{\"name\":\"Jo Phillips\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#\\\/schema\\\/person\\\/b9b1a555ae07192a76deb6e21401e7a3\"},\"headline\":\"Juxtaposed; 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