{"id":49442,"date":"2018-01-19T17:36:14","date_gmt":"2018-01-19T16:36:14","guid":{"rendered":"http:\/\/centmagazine.co.uk\/?p=49442"},"modified":"2018-02-15T22:38:42","modified_gmt":"2018-02-15T21:38:42","slug":"exposed-the-allure-of-black","status":"publish","type":"post","link":"https:\/\/staging.centmagazine.co.uk\/?p=49442","title":{"rendered":"Exposed; The Allure of Black"},"content":{"rendered":"<p class=\"p1\"><span class=\"s1\">T<\/span>he allure of black: it encompasses everything and nothing at the same time.<\/p>\n<p class=\"p1\">Bold yet mysterious exuding quiet confidence, black projects cozy seclusion where, in our\u00a0very \u2018social\u2019 world, privacy is the new luxury. Black reflects back at you, exposing parts you have never been acquainted with or faced with parts you never wanted to surface. According to <a href=\"http:\/\/centmagazine.co.uk\/exposed-walls-to-pages\/\" target=\"_blank\">Phaidon\u2019s <\/a>latest book <i><a href=\"http:\/\/uk.phaidon.com\/store\/architecture\/black-architecture-in-monochrome-9780714874722\/\" target=\"_blank\">BLACK<\/a>:<span class=\"Apple-converted-space\">\u00a0 <\/span>Architecture in Monochrome, \u201c<\/i>black<i> <\/i>should represent our inner world of thoughts and emotions and even spirit.\u201d<\/p>\n<blockquote>\n<h3 class=\"p1\"><i>\u201c<\/i>Black<i>\u00a0<\/i>should represent our inner world of thoughts and emotions and even spirit.\u201d<\/h3>\n<\/blockquote>\n<figure id=\"attachment_49470\" aria-describedby=\"caption-attachment-49470\" style=\"width: 683px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/Black-Architecture-in-Monochrome-3D1.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-49470\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/Black-Architecture-in-Monochrome-3D1.jpg?resize=580%2C448\" alt=\"BLACK: Architecture in Monochrome by Phaidon\" width=\"580\" height=\"448\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/Black-Architecture-in-Monochrome-3D1.jpg?w=640&amp;ssl=1 640w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/Black-Architecture-in-Monochrome-3D1.jpg?resize=300%2C232&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/Black-Architecture-in-Monochrome-3D1.jpg?resize=600%2C464&amp;ssl=1 600w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><figcaption id=\"caption-attachment-49470\" class=\"wp-caption-text\">BLACK: Architecture in Monochrome by Phaidon<\/figcaption><\/figure>\n<p class=\"p1\">According to 2018 interior design trends in WGSN, Vogue, Trendir, Elle, and Pantone, <a href=\"http:\/\/centmagazine.co.uk\/men-blaq\/\" target=\"_blank\">black<\/a> is the statement colour for this coming year. As black serves as a way to express our inner selves in an outward projection, we look into the most divine interiors and exteriors in this ubiquitous colour.<\/p>\n<p class=\"p1\"><span class=\"s1\">From the inside to outside of the home, we reveal our favourite black interior\u00a0pieces and architectural residences.<\/span><\/p>\n<figure id=\"attachment_49643\" aria-describedby=\"caption-attachment-49643\" style=\"width: 700px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/Yates_GardenBed_HR.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-49643 size-full\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/Yates_GardenBed_HR.jpg?resize=580%2C452\" alt=\"Yates_GardenBed_HR\" width=\"580\" height=\"452\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/Yates_GardenBed_HR.jpg?w=700&amp;ssl=1 700w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/Yates_GardenBed_HR.jpg?resize=300%2C234&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/Yates_GardenBed_HR.jpg?resize=600%2C468&amp;ssl=1 600w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/Yates_GardenBed_HR.jpg?resize=680%2C530&amp;ssl=1 680w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><figcaption id=\"caption-attachment-49643\" class=\"wp-caption-text\">Photo credit: P.D. Rearick, Courtesy Wasserman Projects in Detroit.<\/figcaption><\/figure>\n<p class=\"p1\">Awaken to a new day in this whimsical <a href=\"www.wassermanprojects.com\" target=\"_blank\">bed<\/a> handmade by Los Angeles artist <a href=\"http:\/\/www.jasonyatesstudio.com\/\" target=\"_blank\">Jason Yates<\/a>\u00a0for his exhibition &#8216;Homemade Ice Cream&#8217; <a href=\"http:\/\/wassermanprojects.com\/jason-yates\/\" target=\"_blank\">Wasserman Projects<\/a> in Detroit The playful\u00a0tulips emanate an urban refinement in black and create a daring yet subtle focal point.<\/p>\n<figure id=\"attachment_49477\" aria-describedby=\"caption-attachment-49477\" style=\"width: 690px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/Cocoon-wardrobe_-Credits_-Studio-Marlene-Huissoud5-2-copy.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-49477\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/Cocoon-wardrobe_-Credits_-Studio-Marlene-Huissoud5-2-copy.jpg?resize=580%2C410\" alt=\"Cocoon Cabinet by Marlene Huissoud\" width=\"580\" height=\"410\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/Cocoon-wardrobe_-Credits_-Studio-Marlene-Huissoud5-2-copy.jpg?w=700&amp;ssl=1 700w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/Cocoon-wardrobe_-Credits_-Studio-Marlene-Huissoud5-2-copy.jpg?resize=300%2C212&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/Cocoon-wardrobe_-Credits_-Studio-Marlene-Huissoud5-2-copy.jpg?resize=600%2C424&amp;ssl=1 600w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/Cocoon-wardrobe_-Credits_-Studio-Marlene-Huissoud5-2-copy.jpg?resize=680%2C480&amp;ssl=1 680w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><figcaption id=\"caption-attachment-49477\" class=\"wp-caption-text\">Cocoon Cabinet by Marlene Huissoud. Courtesy of the artist and Sarah Myerscough Gallery Photo Credit: studio Marl\u00e8ne Huissoud,<\/figcaption><\/figure>\n<p class=\"p1\"><span class=\"s1\">Be inspired\u00a0to dress in the most artful way before you even open your wardrobe.\u00a0 The <a href=\"https:\/\/www.sarahmyerscough.com\/marlene-huissoud\" target=\"_blank\">Marlene Huissoud\u00a0<\/a>cocoon\u00a0cabinet would be the perfect\u00a0curio for your most beloved dark fashion pieces. Made from silkworm\u00a0cocoons thinly lacquered with honeybee bio-resin, Huissoud redefines how natural materials are used. The textural beauty and silhouette\u00a0create any room into your own museum.<\/span><\/p>\n<figure id=\"attachment_49637\" aria-describedby=\"caption-attachment-49637\" style=\"width: 700px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/Fulcrum-Candlestick-Marble-Black2.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-49637 size-full\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/Fulcrum-Candlestick-Marble-Black2.jpg?resize=580%2C773\" alt=\"Fulcrum Candlestick Marble Black\" width=\"580\" height=\"773\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/Fulcrum-Candlestick-Marble-Black2.jpg?w=700&amp;ssl=1 700w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/Fulcrum-Candlestick-Marble-Black2.jpg?resize=225%2C300&amp;ssl=1 225w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/Fulcrum-Candlestick-Marble-Black2.jpg?resize=600%2C799&amp;ssl=1 600w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/Fulcrum-Candlestick-Marble-Black2.jpg?resize=680%2C906&amp;ssl=1 680w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/Fulcrum-Candlestick-Marble-Black2.jpg?resize=300%2C399&amp;ssl=1 300w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><figcaption id=\"caption-attachment-49637\" class=\"wp-caption-text\">Fulcrum Candlestick Marble Black by Lee Broom<\/figcaption><\/figure>\n<p class=\"p1\">Illuminate\u00a0a dark room from somber space\u00a0to dramatic romanticism with these\u00a0<a href=\"http:\/\/centmagazine.co.uk\/milan-design-week\/\" target=\"_blank\">Lee Broom\u00a0<\/a>Fulcrum candles. The black marble and modern sculptural appeal create a bold silhouette that would add dimension to a darkly monochrome\u00a0interior.<\/p>\n<figure id=\"attachment_49450\" aria-describedby=\"caption-attachment-49450\" style=\"width: 683px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/INDEFINITE_VASES_StudioEO_31.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-49450 size-large\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/INDEFINITE_VASES_StudioEO_31-683x1024.jpg?resize=580%2C870\" alt=\"INDEFINITE_VASES_StudioEO_31\" width=\"580\" height=\"870\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/INDEFINITE_VASES_StudioEO_31.jpg?resize=683%2C1024&amp;ssl=1 683w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/INDEFINITE_VASES_StudioEO_31.jpg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/INDEFINITE_VASES_StudioEO_31.jpg?resize=600%2C899&amp;ssl=1 600w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/INDEFINITE_VASES_StudioEO_31.jpg?resize=300%2C449&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/INDEFINITE_VASES_StudioEO_31.jpg?resize=770%2C1153&amp;ssl=1 770w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/INDEFINITE_VASES_StudioEO_31.jpg?w=1001&amp;ssl=1 1001w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><figcaption id=\"caption-attachment-49450\" class=\"wp-caption-text\">Indefinite Vase by Studio E.O<\/figcaption><\/figure>\n<p class=\"p1\"><span style=\"color: #000000;\">Imagine\u00a0sauntering through your corridor and passing by the <a href=\"http:\/\/studioeo.se\/\" target=\"_blank\">Studio E.O<\/a>\u00a0Indefinite\u00a0Vase\u00a0designed by Erik Olovsson. An elegantly drooping glass-blown vase precariously perched on\u00a0a geometrically\u00a0sliced stone\u00a0showcases the beautiful juxtaposition of hard and soft. A conversation piece,\u00a0the subtle copper veins\u00a0disperse throughout the dark marble stone creating textural interest\u00a0that dramatises\u00a0any\u00a0surface.<\/span><\/p>\n<figure id=\"attachment_49512\" aria-describedby=\"caption-attachment-49512\" style=\"width: 700px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/GC.018b.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-49512\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/GC.018b.jpg?resize=580%2C387\" alt=\"G&amp;C.018b\" width=\"580\" height=\"387\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/GC.018b.jpg?w=1500&amp;ssl=1 1500w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/GC.018b.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/GC.018b.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/GC.018b.jpg?resize=600%2C400&amp;ssl=1 600w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/GC.018b.jpg?resize=680%2C453&amp;ssl=1 680w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/GC.018b.jpg?resize=770%2C513&amp;ssl=1 770w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/GC.018b.jpg?w=1160&amp;ssl=1 1160w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><figcaption id=\"caption-attachment-49512\" class=\"wp-caption-text\">BOLLE ZIGZAG CHANDELIER 24 BUBBLES by Giopato &amp; Coombes<\/figcaption><\/figure>\n<p class=\"p1\">Black interiors can emit a heaviness in a space, so bring lightness with these <a href=\"http:\/\/centmagazine.co.uk\/immense-breaking-boundaries-at-london-design-festival\/\" target=\"_blank\">Giopato &amp; Coombes\u00a0<\/a>Bolle light fixtures. The playful transparent bubble-like spheres allow focus on the beautiful\u00a0form and\u00a0intimate\u00a0ambiance of your home.<\/p>\n<figure id=\"attachment_49666\" aria-describedby=\"caption-attachment-49666\" style=\"width: 700px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/4.-Joseph-Walsh-Erosion-Table-VI-Enignum-Chairs-VIII-2017.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-49666 size-full\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/4.-Joseph-Walsh-Erosion-Table-VI-Enignum-Chairs-VIII-2017.jpg?resize=580%2C374\" alt=\"4. Joseph Walsh Erosion Table VI &amp; Enignum Chairs VIII 2017\" width=\"580\" height=\"374\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/4.-Joseph-Walsh-Erosion-Table-VI-Enignum-Chairs-VIII-2017.jpg?w=700&amp;ssl=1 700w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/4.-Joseph-Walsh-Erosion-Table-VI-Enignum-Chairs-VIII-2017.jpg?resize=300%2C193&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/4.-Joseph-Walsh-Erosion-Table-VI-Enignum-Chairs-VIII-2017.jpg?resize=600%2C386&amp;ssl=1 600w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/4.-Joseph-Walsh-Erosion-Table-VI-Enignum-Chairs-VIII-2017.jpg?resize=680%2C438&amp;ssl=1 680w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><figcaption id=\"caption-attachment-49666\" class=\"wp-caption-text\">Courtesy of the artist and Sarah Myerscough Gallery Photo Credit Andrew Bradley<\/figcaption><\/figure>\n<p class=\"p1\">Underneath the gleaming lights, gather your closest friends and family for an impromptu dinner party. Saturated colors of homemade dishes contrast with the black curved structure and chestnut surface of the Dommus\u00a0Erosion table and Engima chairs by\u00a0<a href=\"http:\/\/www.josephwalshstudio.com\/2016\/index.php\/en\/current-work\" target=\"_blank\">Joseph Walsh<\/a>.<\/p>\n<p class=\"p1\">Lastly, here are a few of our favourite\u00a0architectural homes from <a href=\"http:\/\/uk.phaidon.com\/store\/architecture\/black-architecture-in-monochrome-9780714874722\/\" target=\"_blank\">BLACK: Architecture in Monochrome<\/a>. The books showcase homes, buildings, churches, and various structures with bold shapes emphasised\u00a0by its black palette. Through a monochrome colour scheme, the residences&#8217; personalities and characters shine through. Enveloped in black&#8217;s chameleon-like qualities, these homes encompass contradicting expressions: it&#8217;s bold\u00a0yet\u00a0unassuming, practical\u00a0yet conceptual, and expresses seclusion and exhibitionism.\u00a0 The shape-shifting qualities of these homes definitely make them stand out from the rest of the neighbourhood.<\/p>\n<figure id=\"attachment_49459\" aria-describedby=\"caption-attachment-49459\" style=\"width: 700px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/042-Black-Desert.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-49459\" title=\"Black architecture Phaidon\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/042-Black-Desert.jpg?resize=580%2C410\" alt=\"CMC 39\" width=\"580\" height=\"410\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/042-Black-Desert.jpg?w=933&amp;ssl=1 933w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/042-Black-Desert.jpg?resize=300%2C212&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/042-Black-Desert.jpg?resize=600%2C424&amp;ssl=1 600w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/042-Black-Desert.jpg?resize=680%2C481&amp;ssl=1 680w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/042-Black-Desert.jpg?resize=770%2C544&amp;ssl=1 770w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><figcaption id=\"caption-attachment-49459\" class=\"wp-caption-text\">Black Desert, Yucca Valley, California, USA, 2014, Oller &amp; Pejic. Picture credit: Oller &amp; Pejic Architecture\/Marc Angeles (page 42)<\/figcaption><\/figure>\n<figure id=\"attachment_49460\" aria-describedby=\"caption-attachment-49460\" style=\"width: 700px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/043-Concrete-House.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-49460 size-full\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/043-Concrete-House.jpg?resize=580%2C410\" alt=\"CMC 39\" width=\"580\" height=\"410\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/043-Concrete-House.jpg?w=700&amp;ssl=1 700w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/043-Concrete-House.jpg?resize=300%2C212&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/043-Concrete-House.jpg?resize=400%2C283&amp;ssl=1 400w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/043-Concrete-House.jpg?resize=600%2C424&amp;ssl=1 600w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/043-Concrete-House.jpg?resize=680%2C481&amp;ssl=1 680w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><figcaption id=\"caption-attachment-49460\" class=\"wp-caption-text\">Concrete House II, Madrid, Spain, 2011, A-cero. Picture credit: A-cero architects\/Luis H. Segovia (page 43)<\/figcaption><\/figure>\n<figure id=\"attachment_49461\" aria-describedby=\"caption-attachment-49461\" style=\"width: 700px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/054-Kvivik-Igloo.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-49461 size-full\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/054-Kvivik-Igloo.jpg?resize=580%2C410\" alt=\"BGXP58 Holiday home. Image shot 2009. Exact date unknown.\" width=\"580\" height=\"410\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/054-Kvivik-Igloo.jpg?w=700&amp;ssl=1 700w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/054-Kvivik-Igloo.jpg?resize=300%2C212&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/054-Kvivik-Igloo.jpg?resize=600%2C424&amp;ssl=1 600w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/054-Kvivik-Igloo.jpg?resize=680%2C480&amp;ssl=1 680w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><figcaption id=\"caption-attachment-49461\" class=\"wp-caption-text\">Kvivik Igloo, Kvivik, Faroe Islands, Denmark, 2000, Easy Domes Limited. Picture credit: INSADCO Photography (page 54)<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_49462\" aria-describedby=\"caption-attachment-49462\" style=\"width: 700px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/082-Domo.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-49462\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/082-Domo.jpg?resize=580%2C410\" alt=\"082 Domo\" width=\"580\" height=\"410\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/082-Domo.jpg?w=795&amp;ssl=1 795w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/082-Domo.jpg?resize=300%2C212&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/082-Domo.jpg?resize=600%2C424&amp;ssl=1 600w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/082-Domo.jpg?resize=680%2C480&amp;ssl=1 680w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/01\/082-Domo.jpg?resize=770%2C544&amp;ssl=1 770w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><figcaption id=\"caption-attachment-49462\" class=\"wp-caption-text\">Domo Dom House, Krak\u00f3w, Poland, 2013, Tadeusz Lemanski. Picture credit: Tadeusz Lema\u0144ski (page 82)<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>The allure of black: it encompasses everything and nothing at the same time. 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