{"id":51729,"date":"2018-05-09T14:14:04","date_gmt":"2018-05-09T13:14:04","guid":{"rendered":"http:\/\/centmagazine.co.uk\/?p=51729"},"modified":"2018-05-09T14:28:50","modified_gmt":"2018-05-09T13:28:50","slug":"across-the-frame","status":"publish","type":"post","link":"https:\/\/staging.centmagazine.co.uk\/?p=51729","title":{"rendered":"Across the Frame"},"content":{"rendered":"

You will agree with me ladies and gentlemen, art confronts us with\u00a0reality as we are unable to usually take the time to engage with it. I love art for the joy of forgetting\u00a0everything, to escape reality for just a moment. Being open to the world\u00a0starts with\u00a0being aware of who you\u00a0are and\u00a0what is\u00a0around\u00a0you. Art is not just about pictures, words or painting, it\u2019s about moments, techniques, space, humans and obviously gaining insight to\u00a0see beyond them. Yet, artists should find their art to be an efficient amusement, an effort of thought to discover the real thing. This work, which will have been enriched by our ideas, convictions, and \u00a0discoveries can be carried on by those who come after us, in different forms, in a different time. So think about changing your routine for the better.<\/p>\n

The Corners by Chris Dorley-Brown and\u00a0\u00a0The Secret Language of the Renaissance (July 2018), by Art Historian Richard Stemp, both focus on two very different but very specific art genres. One analyses the classic Renaissance and it’s features whereas the other informs the reader about the realities of the real world. Both combining their versions of reality and imagination.<\/p>\n

Thanks to artists, such as the photographer Chris Dorley-Brown we are now able to see beyond the obvious of a snapshot.\u00a0Why do we keep looking at the street in the present when we could look at a combination of both the past and the future?<\/p>\n

Chris Dorley Brown\u2019s photographs combine fiction with reality in a compelling way to tell a story of an area in a city that is forever in flux. And guess what, his book will be launched on 17th\u00a0<\/sup>May 2018.<\/p>\n

\"corners\"<\/a><\/p>\n

There is something happening in every frame, the images are very busy, people are bustling round the city, being captured in their moving state.\u00a0Chris Dorley-Brown’s photographs are composed from multiple exposures, a technique which allows him\u00a0to carefully control his image in post-production.<\/p>\n

\"corners\"<\/a><\/p>\n

Chris Dorley-Brown’s camera is installed on crossroads and in little busy streets, and time did the rest of the work, creating his form of art (obviously enhanced by collages).<\/p>\n

\"corners\"<\/a><\/p>\n

 <\/p>\n

\n

In art\u00a0as in life itself, things are never quite what they seem.\u00a0The Renaissance Art hides a large number of significant symbols, mainly political or religious allegories.<\/p>\n

Hidden truths and belief are mixed with time to create new realities.\u00a0The symbols can mean\u00a0many things in ways that largely depend on how the spectator decodes the art, forming their own variation of it.\u00a0<\/span><\/p>\n

\"art<\/a><\/p>\n

Venus disarming Cupid, Minerva chasing the Vices from the Garden of Virtue, the good governors who ensures democracy, three\u00a0episodes that Bronzino, Mantegna and Ambrogio Lorenzetti tell by painting four superb allegories.<\/p>\n

\"UmVuYWlzc2FuY2UgQ292ZXIuanBn\"<\/a><\/p>\n

The upcoming book The Secret Language of the Renaissance (July 2018), by Art Historian Richard Stemp, explores the layers of significance below the surface of works by Italian artists.<\/p>\n

The meaning behind the Mona Lisa’s smile is a mystery that has been interpreted differently for centuries, and while we may never figure it out, we do know that there is so much more to the masterpieces of the Renaissance than the beauty that meets the eye.<\/p>\n

Organized basically into three parts, this book\u00a0begins with the vivid immersion in the culture of this remarkable period, tracing the innovations in literature, painting, sculpture, and the decorative arts. Which then, gives us keys to unlocking mysteries by\u00a0offering a wide-ranging guide to the essential elements of symbolic language in Renaissance art, including colour, geometry, light and shade, proportion, perspective and body language. The heart of the book is at its end. Thus,\u00a0Stemp analyzes more than 40 works grouped around a dozen themes, including Mythology, War and Peace, and Death and Eternity. Each work is shown in full colour and each is deconstructed to reveal its symbolism and its enigmatic meaning.<\/p>\n

Both interpretations of their own realities form interesting and in-depth views that combine with a jolted and fantastical version of reality to create art that encapsulates the spectator.<\/p>\n","protected":false},"excerpt":{"rendered":"

You will agree with me ladies and gentlemen, art confronts us with\u00a0reality as we are unable to usually take 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