{"id":53061,"date":"2018-06-19T18:29:51","date_gmt":"2018-06-19T17:29:51","guid":{"rendered":"http:\/\/centmagazine.co.uk\/?p=53061"},"modified":"2018-06-19T18:36:36","modified_gmt":"2018-06-19T17:36:36","slug":"barebones-leaving-a-stain","status":"publish","type":"post","link":"https:\/\/staging.centmagazine.co.uk\/?p=53061","title":{"rendered":"Barebones; Leaving a stain…"},"content":{"rendered":"

Brian Clarke is dangerous; well ok not dangerous, but he does have a cheeky glint in his eye. And why not?\u00a0 He is the foremost stained glass artist in the world living today and not only that, he has got to be the only rock and roll artist alive working in this unique and extreme of mediums, one which he has radically re-birthed.<\/span><\/p>\n

A punk aesthetic rules his work, yet is offset with deep soft notes, rich and alive with sexy colour so maybe it\u2019s fair to say he is more New Romantic – the period that came after punk which grew like punk from the London arts universities all the way to London club land that birthed the likes of Boy George\u2026people who grew up with punk but took a new path forward, the hard edge angry thrill of punk against a softer, more sensual side. So where punks are all skulls, New romantics would add the flowers!<\/span><\/p>\n

 <\/p>\n

 <\/p>\n

\"14_Chill<\/a><\/p>\n

Detail from Chill Out Brian Clarke: The Art of Light at the Sainsbury Centre, supported and organised in association with HENI.<\/span><\/p>\n

Photo \u00a9 Chris Gascoigne\u00a0<\/span><\/span><\/p>\n

This feels so evident in the work of this artist, who is currently having a spectacular exhibition at the Sainsbury Centre in Norwich which just happens to be celebrating its 40th<\/sup> year anniversary at the moment.<\/span><\/p>\n

The building itself is the perfect location for this show for many reasons.\u00a0 Originally built, of course, by Sir Norman Foster, it is a wonderful example of an experimental structure; a prefabricated modular building encased around a steel framework. Huge glass panels open the building at each end, which means light cascades through the building, and hence it being the ideal exhibition space for a light artist. After all, is not an artist working in stained glass an artist of light? The exhibition is<\/em> called Brian Clarke; The art of light.<\/span><\/p>\n

And so to the work; 30 large stained glass screens are dotted through the building from the upstairs mezzanine to the front end of the building, and also amongst other pieces of historical works, form the Sainsbury collections.<\/span><\/p>\n

\"13_Seville,<\/a><\/p>\n

Detail from Seville Brian Clarke: The Art of Light at the Sainsbury Centre, supported and organised in association with HENI<\/span><\/p>\n

Photo \u00a9 Matthias Kirchberger\u00a0<\/span><\/span><\/p>\n

The pieces depict everything from anger to love, loss and money; from flowers, taut, anguished outlines of faces to stock exchange numbers listed.\u00a0 Alongside the glass panels are also images made purely of lines of lead.\u00a0 He eliminated the need to use lead in glass work yet also created works that are only lead. \u00a0This achievement of losing the lead in the stain glasses magnificently enchases his glass work, as does the light; the all-important light that streams through windows to accelerate the power of the rich colours and tones that make up the glass screens.<\/span><\/p>\n

Professor Paul Greenhalgh, the director of the centre, talks of the work which \u00a0\u00a0\u201cExplores through raw emotion what it is to be human from joy to loss and grief\u201d.<\/span><\/p>\n

 <\/p>\n

\"08_Grief,<\/a><\/p>\n

\u00a0<\/span><\/p>\n

Detail from <\/span>Grief\u00a0Brian Clarke:\u00a0<\/span>The Art of Light\u00a0at the<\/span>Sainsbury Centre, supported and organised in association with HENI.<\/span><\/p>\n

Photo\u00a0<\/span>\u00a9Matthias Kirchberger<\/span><\/p>\n

Born in Oldham and growing up in what he explained was a spiritualist upbringing, religion is not something he necessarily wants to discuss when talking of his work.\u00a0 Understandably so, as for many, the reference of stained glass in churches is so strong, \u00a0but it\u2019s not his place of inspiration.\u00a0 He talks of such artists such as Marc Chagall Sir Basil Spence and John Piper.<\/span><\/p>\n

As a young artist of \u00a021, he travelled extensively across Europe and USA looking for modern \u00a0buildings with stained glass trying to connect with the architects and the artists.\u00a0 There was no other way at this point to be able to study this type of work, and Clarke talks of travelling by bus to tiny towns seeking out works. He was looking for avant-garde artists and architects of the time and medium – as there were no reference book to read, let alone Instagram feeds to absorb at this point in time.<\/span><\/p>\n

Architecture centres so much in his world. He talks of holding this exhibition at the Sainsbury centre as having a\u201d wonderful circularity\u201d as\u00a0 he remembers the building as a sketch on napkin from his great friend Sir Norman Foster.<\/span><\/p>\n

Much of his work has been collaborating with such luminaries as Zaha Hadid Renzo Piano and of course Sir Norman Foster.\u00a0 His work is extensive and includes the stained glass for the Pfizer building in New York, the Holocaust memorial in Darmstadt, the Victoria Quarter in Leeds, the Linkoping Cathedral in Sweden and even the lobby of the Apax group in Jermyn Street in London\u00a0as well as work for the POPE!<\/span><\/p>\n

He has had many a private commission for his glass work but also for other mediums he works in, such as painted canvases, sculpture, mosaics and tapestry.<\/span><\/p>\n

So to quote Brian again, the \u201d wonderful circularity\u201d of this exhibition is not just his work in a building he saw before it was built, but the very fact that the visceral modernity of his take on this medium is in a building which encompasses so much of the same spirit; Punk? New Romantic? Who cares..as long as its fabulous..and well, this exhibition in this building is exactly that!<\/span><\/p>\n

\u00a0<\/span><\/p>\n

\u00a0<\/span><\/p>\n

\"IMG_7611\"<\/a><\/p>\n

 <\/p>\n

Image .Cent magazine<\/p>\n

Brian Clarke<\/a> The Art of Light at the Sainsbury Centre 17th June until 14th October<\/a><\/p>\n

Brian Clarke: <\/span><\/p>\n

The Art of Light at the <\/span><\/p>\n

Sainsbury Centre, supported and <\/span><\/p>\n

org<\/span><\/p>\n

anised in association with HENI.<\/span><\/p>\n

Photo <\/span><\/p>\n

\u00a9<\/span><\/p>\n

Matthias Kirchberge<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Brian Clarke is dangerous; well ok not dangerous, but he does have a cheeky glint in his eye. And why…<\/p>\n","protected":false},"author":1,"featured_media":53072,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[11],"tags":[12456,12457,12459,12458,12455],"features_issues":[],"featured_themes":[],"ppma_author":[16671],"class_list":["post-53061","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","tag-architecure","tag-brian-clarke","tag-sainsbury-centre","tag-sir-norman-foster","tag-stained-glass-punk-rock-new-romantic"],"yoast_head":"\nBarebones; Leaving a stain... | Cent Magazine<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Barebones; Leaving a stain... | Cent Magazine\" \/>\n<meta property=\"og:description\" content=\"Brian Clarke is dangerous; well ok not dangerous, but he does have a cheeky glint in his eye. And why...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/staging.centmagazine.co.uk\/?p=53061\" \/>\n<meta property=\"og:site_name\" content=\"Cent Magazine\" \/>\n<meta property=\"article:published_time\" content=\"2018-06-19T17:29:51+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-06-19T17:36:36+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/06\/IMG_7611-e1529429416471.jpg?fit=300%2C224&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"300\" \/>\n\t<meta property=\"og:image:height\" content=\"224\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jo Phillips\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jo Phillips\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=53061#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=53061\"},\"author\":{\"name\":\"Jo Phillips\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#\\\/schema\\\/person\\\/9b56d16b50b53f84b367add207eeec08\"},\"headline\":\"Barebones; Leaving a stain…\",\"datePublished\":\"2018-06-19T17:29:51+00:00\",\"dateModified\":\"2018-06-19T17:36:36+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=53061\"},\"wordCount\":932,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=53061#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/i0.wp.com\\\/staging.centmagazine.co.uk\\\/wp-content\\\/uploads\\\/2018\\\/06\\\/IMG_7611-e1529429416471.jpg?fit=300%2C224&ssl=1\",\"keywords\":[\"architecure\",\"Brian Clarke\",\"Sainsbury Centre\",\"Sir Norman Foster\",\"stained glass punk rock new romantic\"],\"articleSection\":[\"Art\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=53061#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=53061\",\"url\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=53061\",\"name\":\"Barebones; Leaving a stain... | Cent Magazine\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=53061#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=53061#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/i0.wp.com\\\/staging.centmagazine.co.uk\\\/wp-content\\\/uploads\\\/2018\\\/06\\\/IMG_7611-e1529429416471.jpg?fit=300%2C224&ssl=1\",\"datePublished\":\"2018-06-19T17:29:51+00:00\",\"dateModified\":\"2018-06-19T17:36:36+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=53061#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=53061\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=53061#primaryimage\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/staging.centmagazine.co.uk\\\/wp-content\\\/uploads\\\/2018\\\/06\\\/IMG_7611-e1529429416471.jpg?fit=300%2C224&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/staging.centmagazine.co.uk\\\/wp-content\\\/uploads\\\/2018\\\/06\\\/IMG_7611-e1529429416471.jpg?fit=300%2C224&ssl=1\",\"width\":300,\"height\":224},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=53061#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Barebones; Leaving a stain…\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#website\",\"url\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/\",\"name\":\"Cent Magazine\",\"description\":\"Be Inspired, Get Involved\",\"publisher\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-GB\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#organization\",\"name\":\"Cent Magazine\",\"url\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/centmagazine.co.uk\\\/wp-content\\\/uploads\\\/2020\\\/02\\\/logo_cent-01.jpg?fit=501%2C503&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/centmagazine.co.uk\\\/wp-content\\\/uploads\\\/2020\\\/02\\\/logo_cent-01.jpg?fit=501%2C503&ssl=1\",\"width\":501,\"height\":503,\"caption\":\"Cent Magazine\"},\"image\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#\\\/schema\\\/logo\\\/image\\\/\"}},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#\\\/schema\\\/person\\\/9b56d16b50b53f84b367add207eeec08\",\"name\":\"Jo Phillips\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/1d6c7fd0ccf52c0e184d542356f4fb5282577ca25e9de20408aba5c67afca4eb?s=96&d=mm&r=g61b8a432fec4616e37b325b299cffaad\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/1d6c7fd0ccf52c0e184d542356f4fb5282577ca25e9de20408aba5c67afca4eb?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/1d6c7fd0ccf52c0e184d542356f4fb5282577ca25e9de20408aba5c67afca4eb?s=96&d=mm&r=g\",\"caption\":\"Jo Phillips\"},\"sameAs\":[\"https:\\\/\\\/www.centmagazine.co.uk\"],\"url\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?author=1\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Barebones; Leaving a stain... | Cent Magazine","robots":{"index":"noindex","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"og_locale":"en_GB","og_type":"article","og_title":"Barebones; Leaving a stain... | Cent Magazine","og_description":"Brian Clarke is dangerous; well ok not dangerous, but he does have a cheeky glint in his eye. And why...","og_url":"https:\/\/staging.centmagazine.co.uk\/?p=53061","og_site_name":"Cent Magazine","article_published_time":"2018-06-19T17:29:51+00:00","article_modified_time":"2018-06-19T17:36:36+00:00","og_image":[{"width":300,"height":224,"url":"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/06\/IMG_7611-e1529429416471.jpg?fit=300%2C224&ssl=1","type":"image\/jpeg"}],"author":"Jo Phillips","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Jo Phillips","Estimated reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/staging.centmagazine.co.uk\/?p=53061#article","isPartOf":{"@id":"https:\/\/staging.centmagazine.co.uk\/?p=53061"},"author":{"name":"Jo Phillips","@id":"https:\/\/staging.centmagazine.co.uk\/#\/schema\/person\/9b56d16b50b53f84b367add207eeec08"},"headline":"Barebones; Leaving a stain…","datePublished":"2018-06-19T17:29:51+00:00","dateModified":"2018-06-19T17:36:36+00:00","mainEntityOfPage":{"@id":"https:\/\/staging.centmagazine.co.uk\/?p=53061"},"wordCount":932,"commentCount":0,"publisher":{"@id":"https:\/\/staging.centmagazine.co.uk\/#organization"},"image":{"@id":"https:\/\/staging.centmagazine.co.uk\/?p=53061#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/06\/IMG_7611-e1529429416471.jpg?fit=300%2C224&ssl=1","keywords":["architecure","Brian Clarke","Sainsbury Centre","Sir Norman Foster","stained glass punk rock new romantic"],"articleSection":["Art"],"inLanguage":"en-GB","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/staging.centmagazine.co.uk\/?p=53061#respond"]}]},{"@type":"WebPage","@id":"https:\/\/staging.centmagazine.co.uk\/?p=53061","url":"https:\/\/staging.centmagazine.co.uk\/?p=53061","name":"Barebones; Leaving a stain... | Cent Magazine","isPartOf":{"@id":"https:\/\/staging.centmagazine.co.uk\/#website"},"primaryImageOfPage":{"@id":"https:\/\/staging.centmagazine.co.uk\/?p=53061#primaryimage"},"image":{"@id":"https:\/\/staging.centmagazine.co.uk\/?p=53061#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/06\/IMG_7611-e1529429416471.jpg?fit=300%2C224&ssl=1","datePublished":"2018-06-19T17:29:51+00:00","dateModified":"2018-06-19T17:36:36+00:00","breadcrumb":{"@id":"https:\/\/staging.centmagazine.co.uk\/?p=53061#breadcrumb"},"inLanguage":"en-GB","potentialAction":[{"@type":"ReadAction","target":["https:\/\/staging.centmagazine.co.uk\/?p=53061"]}]},{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/staging.centmagazine.co.uk\/?p=53061#primaryimage","url":"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/06\/IMG_7611-e1529429416471.jpg?fit=300%2C224&ssl=1","contentUrl":"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/06\/IMG_7611-e1529429416471.jpg?fit=300%2C224&ssl=1","width":300,"height":224},{"@type":"BreadcrumbList","@id":"https:\/\/staging.centmagazine.co.uk\/?p=53061#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/staging.centmagazine.co.uk\/"},{"@type":"ListItem","position":2,"name":"Barebones; Leaving a stain…"}]},{"@type":"WebSite","@id":"https:\/\/staging.centmagazine.co.uk\/#website","url":"https:\/\/staging.centmagazine.co.uk\/","name":"Cent Magazine","description":"Be Inspired, Get Involved","publisher":{"@id":"https:\/\/staging.centmagazine.co.uk\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/staging.centmagazine.co.uk\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-GB"},{"@type":"Organization","@id":"https:\/\/staging.centmagazine.co.uk\/#organization","name":"Cent Magazine","url":"https:\/\/staging.centmagazine.co.uk\/","logo":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/staging.centmagazine.co.uk\/#\/schema\/logo\/image\/","url":"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2020\/02\/logo_cent-01.jpg?fit=501%2C503&ssl=1","contentUrl":"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2020\/02\/logo_cent-01.jpg?fit=501%2C503&ssl=1","width":501,"height":503,"caption":"Cent Magazine"},"image":{"@id":"https:\/\/staging.centmagazine.co.uk\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"https:\/\/staging.centmagazine.co.uk\/#\/schema\/person\/9b56d16b50b53f84b367add207eeec08","name":"Jo Phillips","image":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/secure.gravatar.com\/avatar\/1d6c7fd0ccf52c0e184d542356f4fb5282577ca25e9de20408aba5c67afca4eb?s=96&d=mm&r=g61b8a432fec4616e37b325b299cffaad","url":"https:\/\/secure.gravatar.com\/avatar\/1d6c7fd0ccf52c0e184d542356f4fb5282577ca25e9de20408aba5c67afca4eb?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/1d6c7fd0ccf52c0e184d542356f4fb5282577ca25e9de20408aba5c67afca4eb?s=96&d=mm&r=g","caption":"Jo Phillips"},"sameAs":["https:\/\/www.centmagazine.co.uk"],"url":"https:\/\/staging.centmagazine.co.uk\/?author=1"}]}},"jetpack_sharing_enabled":true,"authors":[{"term_id":16671,"user_id":1,"is_guest":0,"slug":"cmag","display_name":"Jo Phillips","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/1d6c7fd0ccf52c0e184d542356f4fb5282577ca25e9de20408aba5c67afca4eb?s=96&d=mm&r=g","author_category":"","first_name":"Jo","last_name":"Phillips","user_url":"https:\/\/www.centmagazine.co.uk","job_title":"","description":""}],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/06\/IMG_7611-e1529429416471.jpg?fit=300%2C224&ssl=1","_links":{"self":[{"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/53061","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=53061"}],"version-history":[{"count":11,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/53061\/revisions"}],"predecessor-version":[{"id":53079,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/53061\/revisions\/53079"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=\/wp\/v2\/media\/53072"}],"wp:attachment":[{"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=53061"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=53061"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=53061"},{"taxonomy":"features_issues","embeddable":true,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ffeatures_issues&post=53061"},{"taxonomy":"featured_themes","embeddable":true,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ffeatured_themes&post=53061"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fppma_author&post=53061"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}