{"id":55844,"date":"2018-10-26T12:20:20","date_gmt":"2018-10-26T11:20:20","guid":{"rendered":"http:\/\/centmagazine.co.uk\/?p=55844"},"modified":"2018-10-26T15:07:11","modified_gmt":"2018-10-26T14:07:11","slug":"review-its-true-its-true-its-true-theatre-performance","status":"publish","type":"post","link":"https:\/\/staging.centmagazine.co.uk\/?p=55844","title":{"rendered":"Review; It’s True, It’s True, It’s True – Theatre Performance"},"content":{"rendered":"

The reader will have to forgive this review being penned by a latecomer to theatre performance productions. While this might be my first experience of one, this review shall tend to those who frequently attend theatre performances as well as other newcomers, where my now realised affection for theatre productions has been brought out of me by Breach Theatre\u2019s It’s True, It’s True, It’s True\u00a0<\/em>production.<\/p>\n

\"unnamed\"<\/a>
\n<\/a>
\n<\/a><\/p>\n

If a single theatre production can ultimately change the preconceptions of one newcomer \u2013 is that not worth this review? A review that considers, breaks down, and intends to transport the reader into the mind of someone new to, and indeed, someone who is ready to learn more of the theatre scene? The It’s True<\/em>\u00a0theatre performance deserves the commentary of the frequent attendee, but also, and perhaps more importantly, the effect it has on someone who has never engaged in performances until seeing It’s True<\/em>.<\/p>\n

It’s True<\/em>\u00a0is about a 17th<\/sup>\u00a0Century rape trial between Artemisia Gentileschi, the victim, and Agostino Tassi, the perpetrator, that is overlooked by a judge. Using an all-female cast of three actors; Ellice Stevens,\u00a0Harriett Webb<\/span> and Kathryn Bond, this drama around rape, treatment of women, and male dominance demonstrates how little has changed since Renaissance Rome and the contemporary world.<\/p>\n

\u00a0<\/em><\/p>\n

\u201cThe power they have\u2026\u201d<\/em><\/strong><\/p>\n

 <\/p>\n

Each of the three actors interchange between the different roles of the victim, perpetrator and the judge, delivering a different acting style as soon as they switch characters, occurring at the sound of eclectic rock music. The set up is quickly understood, realising who is who at the intervals with the foldable stairs. This change in the actor\u2019s style allows us to experience the performance in all its might; you anticipate the next change, engaging with each actor\u2019s style, and soon after begin to have a preference for which actors you prefer the most in each role. Each performance is unique, as is obvious between different actors, but seeing the consistently changing style of the actor\u2019s is both entertaining and inspiring.<\/p>\n

And yet, despite the seriousness of the performance you expect it to be the tone of the performance is also comedic. The near-full nakedness of – Ellice Stevens as Artemisia Gentileschi in the middle of the play is a pinnacle moment,\u00a0one that unexpectedly becomes comic when loud sexual music plays\u00a0and hilariously critiques the men assuming \u2018women wanted it\u2019 when it comes to sex versus rape. Her drastic movement between sexual poses while naked and the music is timed so perfectly from the serious scene beforehand and takes us by surprise \u2013 suddenly performing the role of a seductive woman who craves sex.<\/p>\n

 <\/p>\n

\u201cYou should be a good girl, not bring shame\u201d<\/em><\/strong><\/p>\n

 <\/p>\n

While the performance is based on the few surviving transcripts, the ones that are missing are filled in with a kind of \u2018behind the scenes\u2019 of Renaissance Rome \u2013 beyond the courtroom and in the actual world as it were. The dialogue is key in these scenes: they are constructed to not only fit within the performance but they exercise an underlying meaning of men and the perpetrator at the time. \u2018You should be a good girl\u2019<\/em> or \u2018she thinks she can\u2019<\/em> brings into question the female role in society. These constructed scenes are not there to simply serve as fillings of the missing transcripts or to discuss the treatment of women; but also offer commentary in the form of fierce, but not too fierce, feminist dialogue to question and sometimes destroy female stereotypes.<\/p>\n

It is a formula of fiction and history with truth prevailing throughout.<\/p>\n

\u00a0<\/em><\/p>\n

\u201cI think you imagine me as a woman who still gives to you\u201d<\/em><\/strong><\/p>\n

 <\/p>\n

Later in the performance Ellice Stevens gives a monologue as Artemisia Gentileschi, one that is perhaps the most important part of the performance, entirely built upon three words: it is true, repeated continuously like the endless ringing of a church bell which only stops once it has finished its tune. It is hard hitting, intense and powerful and steps up in gradual frustration in her long exclamation that it is simply true, against the disbelief and deceit that is tried upon her. As you sit there, embracing the chilling words that are repeatedly spoken, you become infused within the performance and gripped with the emotional intensity of it. It was a perfect ending to the trial that was shadowed by male disbelief and demonstrated female empowerment in the face of it.<\/p>\n

The performances by\u00a0Harriett Webb<\/span> and\u00a0Kathryn Bond were also excellent and their respective roles as judge and perpetrator suited them best.\u00a0Harriett Webb<\/span> as a kind of macho-styled version of Agostino Tassi established the mean-natured side of Tassi, along with a humour that did not at any point disrupt the seriousness and authenticity.\u00a0Kathryn Bond as Agostino Tassi presented a distinctively evil sounding figure of machismo and deceit and was a perfect portrayal of the type of man the play intends to criticise.<\/p>\n

 <\/p>\n

\u201cMy lordship, I am going to show you what a woman can do\u201d<\/em><\/strong><\/p>\n

 <\/p>\n

The ending delivers the final blow with bombastic music and the dramatic head cutting of Agostino Tassi. It is the victory for women, a result that should have been given at the time; a reality that should have been but could not have been. It might not have been the actual demise of Tassi, but this play is a feminist Renaissance and a reality that almost felt real. To hear however, that Artemisia Gentileschi went on to become a prolific painter of her generation, is still a reality we are glad to hear.<\/p>\n

Breach Theatre\u2019s It’s True, It’s True, It’s True<\/em>\u00a0production is an emotional rollercoaster ride, boiled to the brim with passion, defiance and female empowerment in the face of men that never looks to turn down the heat.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

The reader will have to forgive this review being penned by a latecomer to theatre performance productions. While this might…<\/p>\n","protected":false},"author":151,"featured_media":55854,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[395,10],"tags":[12904,12906,12905,12910,12907,12911,12902,12903,12908,12909],"features_issues":[],"featured_themes":[],"ppma_author":[16684],"class_list":["post-55844","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bbd-film","category-news","tag-1612-court-case","tag-agostino-tassi","tag-artemisia-gentileschi","tag-breach-theatre","tag-ellice-stevens","tag-harriett-webb","tag-its-true","tag-its-true-its-true-theatre","tag-kathryn-bond","tag-sophie-steer"],"yoast_head":"\nReview; It's True, It's True, It's True - Theatre Performance | Cent Magazine<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Review; It's True, It's True, It's True - Theatre Performance | Cent Magazine\" \/>\n<meta property=\"og:description\" content=\"The reader will have to forgive this review being penned by a latecomer to theatre performance productions. While this might...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/staging.centmagazine.co.uk\/?p=55844\" \/>\n<meta property=\"og:site_name\" content=\"Cent Magazine\" \/>\n<meta property=\"article:published_time\" content=\"2018-10-26T11:20:20+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-10-26T14:07:11+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/10\/unnamed1.jpg?fit=579%2C825&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"579\" \/>\n\t<meta property=\"og:image:height\" content=\"825\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Dean Frankling\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Dean Frankling\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=55844#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=55844\"},\"author\":{\"name\":\"Dean Frankling\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#\\\/schema\\\/person\\\/9399168177d5510d1e6de51daccc6f33\"},\"headline\":\"Review; It’s True, It’s True, It’s True – Theatre Performance\",\"datePublished\":\"2018-10-26T11:20:20+00:00\",\"dateModified\":\"2018-10-26T14:07:11+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=55844\"},\"wordCount\":999,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=55844#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/i0.wp.com\\\/staging.centmagazine.co.uk\\\/wp-content\\\/uploads\\\/2018\\\/10\\\/unnamed1.jpg?fit=579%2C825&ssl=1\",\"keywords\":[\"1612 court case\",\"Agostino Tassi\",\"Artemisia Gentileschi\",\"breach theatre\",\"Ellice Stevens\",\"Harriett Webb\",\"it's true\",\"its true. its true theatre\",\"Kathryn Bond\",\"Sophie Steer\"],\"articleSection\":[\"#Film&Photography\",\"News\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=55844#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=55844\",\"url\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=55844\",\"name\":\"Review; It's True, It's True, It's True - Theatre Performance | Cent Magazine\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=55844#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=55844#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/i0.wp.com\\\/staging.centmagazine.co.uk\\\/wp-content\\\/uploads\\\/2018\\\/10\\\/unnamed1.jpg?fit=579%2C825&ssl=1\",\"datePublished\":\"2018-10-26T11:20:20+00:00\",\"dateModified\":\"2018-10-26T14:07:11+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=55844#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=55844\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=55844#primaryimage\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/staging.centmagazine.co.uk\\\/wp-content\\\/uploads\\\/2018\\\/10\\\/unnamed1.jpg?fit=579%2C825&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/staging.centmagazine.co.uk\\\/wp-content\\\/uploads\\\/2018\\\/10\\\/unnamed1.jpg?fit=579%2C825&ssl=1\",\"width\":579,\"height\":825},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=55844#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Review; It’s True, It’s True, It’s True – Theatre Performance\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#website\",\"url\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/\",\"name\":\"Cent Magazine\",\"description\":\"Be Inspired, Get Involved\",\"publisher\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-GB\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#organization\",\"name\":\"Cent Magazine\",\"url\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/centmagazine.co.uk\\\/wp-content\\\/uploads\\\/2020\\\/02\\\/logo_cent-01.jpg?fit=501%2C503&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/centmagazine.co.uk\\\/wp-content\\\/uploads\\\/2020\\\/02\\\/logo_cent-01.jpg?fit=501%2C503&ssl=1\",\"width\":501,\"height\":503,\"caption\":\"Cent Magazine\"},\"image\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#\\\/schema\\\/logo\\\/image\\\/\"}},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#\\\/schema\\\/person\\\/9399168177d5510d1e6de51daccc6f33\",\"name\":\"Dean Frankling\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/783681bcb00a830c7b683cb35b58641c692c3469e9bf87a29ccd892f18486230?s=96&d=mm&r=g7133248cb702e1e79894a78eeb3119bd\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/783681bcb00a830c7b683cb35b58641c692c3469e9bf87a29ccd892f18486230?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/783681bcb00a830c7b683cb35b58641c692c3469e9bf87a29ccd892f18486230?s=96&d=mm&r=g\",\"caption\":\"Dean Frankling\"},\"description\":\"Dean is a student at the University of Surrey studying English Literature with Film Studies. He is interested in his ancestral heritage, history, films, writing, and has a passion for food.\",\"url\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?author=151\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Review; It's True, It's True, It's True - Theatre Performance | Cent Magazine","robots":{"index":"noindex","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"og_locale":"en_GB","og_type":"article","og_title":"Review; It's True, It's True, It's True - Theatre Performance | Cent Magazine","og_description":"The reader will have to forgive this review being penned by a latecomer to theatre performance productions. While this might...","og_url":"https:\/\/staging.centmagazine.co.uk\/?p=55844","og_site_name":"Cent Magazine","article_published_time":"2018-10-26T11:20:20+00:00","article_modified_time":"2018-10-26T14:07:11+00:00","og_image":[{"width":579,"height":825,"url":"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/10\/unnamed1.jpg?fit=579%2C825&ssl=1","type":"image\/jpeg"}],"author":"Dean Frankling","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Dean Frankling","Estimated reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/staging.centmagazine.co.uk\/?p=55844#article","isPartOf":{"@id":"https:\/\/staging.centmagazine.co.uk\/?p=55844"},"author":{"name":"Dean Frankling","@id":"https:\/\/staging.centmagazine.co.uk\/#\/schema\/person\/9399168177d5510d1e6de51daccc6f33"},"headline":"Review; It’s True, It’s True, It’s True – Theatre Performance","datePublished":"2018-10-26T11:20:20+00:00","dateModified":"2018-10-26T14:07:11+00:00","mainEntityOfPage":{"@id":"https:\/\/staging.centmagazine.co.uk\/?p=55844"},"wordCount":999,"commentCount":0,"publisher":{"@id":"https:\/\/staging.centmagazine.co.uk\/#organization"},"image":{"@id":"https:\/\/staging.centmagazine.co.uk\/?p=55844#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/10\/unnamed1.jpg?fit=579%2C825&ssl=1","keywords":["1612 court case","Agostino Tassi","Artemisia Gentileschi","breach theatre","Ellice Stevens","Harriett Webb","it's true","its true. its true theatre","Kathryn Bond","Sophie Steer"],"articleSection":["#Film&Photography","News"],"inLanguage":"en-GB","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/staging.centmagazine.co.uk\/?p=55844#respond"]}]},{"@type":"WebPage","@id":"https:\/\/staging.centmagazine.co.uk\/?p=55844","url":"https:\/\/staging.centmagazine.co.uk\/?p=55844","name":"Review; It's True, It's True, It's True - Theatre Performance | Cent Magazine","isPartOf":{"@id":"https:\/\/staging.centmagazine.co.uk\/#website"},"primaryImageOfPage":{"@id":"https:\/\/staging.centmagazine.co.uk\/?p=55844#primaryimage"},"image":{"@id":"https:\/\/staging.centmagazine.co.uk\/?p=55844#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/10\/unnamed1.jpg?fit=579%2C825&ssl=1","datePublished":"2018-10-26T11:20:20+00:00","dateModified":"2018-10-26T14:07:11+00:00","breadcrumb":{"@id":"https:\/\/staging.centmagazine.co.uk\/?p=55844#breadcrumb"},"inLanguage":"en-GB","potentialAction":[{"@type":"ReadAction","target":["https:\/\/staging.centmagazine.co.uk\/?p=55844"]}]},{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/staging.centmagazine.co.uk\/?p=55844#primaryimage","url":"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/10\/unnamed1.jpg?fit=579%2C825&ssl=1","contentUrl":"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/10\/unnamed1.jpg?fit=579%2C825&ssl=1","width":579,"height":825},{"@type":"BreadcrumbList","@id":"https:\/\/staging.centmagazine.co.uk\/?p=55844#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/staging.centmagazine.co.uk\/"},{"@type":"ListItem","position":2,"name":"Review; It’s True, It’s True, It’s True – Theatre Performance"}]},{"@type":"WebSite","@id":"https:\/\/staging.centmagazine.co.uk\/#website","url":"https:\/\/staging.centmagazine.co.uk\/","name":"Cent Magazine","description":"Be Inspired, Get Involved","publisher":{"@id":"https:\/\/staging.centmagazine.co.uk\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/staging.centmagazine.co.uk\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-GB"},{"@type":"Organization","@id":"https:\/\/staging.centmagazine.co.uk\/#organization","name":"Cent Magazine","url":"https:\/\/staging.centmagazine.co.uk\/","logo":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/staging.centmagazine.co.uk\/#\/schema\/logo\/image\/","url":"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2020\/02\/logo_cent-01.jpg?fit=501%2C503&ssl=1","contentUrl":"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2020\/02\/logo_cent-01.jpg?fit=501%2C503&ssl=1","width":501,"height":503,"caption":"Cent Magazine"},"image":{"@id":"https:\/\/staging.centmagazine.co.uk\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"https:\/\/staging.centmagazine.co.uk\/#\/schema\/person\/9399168177d5510d1e6de51daccc6f33","name":"Dean Frankling","image":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/secure.gravatar.com\/avatar\/783681bcb00a830c7b683cb35b58641c692c3469e9bf87a29ccd892f18486230?s=96&d=mm&r=g7133248cb702e1e79894a78eeb3119bd","url":"https:\/\/secure.gravatar.com\/avatar\/783681bcb00a830c7b683cb35b58641c692c3469e9bf87a29ccd892f18486230?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/783681bcb00a830c7b683cb35b58641c692c3469e9bf87a29ccd892f18486230?s=96&d=mm&r=g","caption":"Dean Frankling"},"description":"Dean is a student at the University of Surrey studying English Literature with Film Studies. He is interested in his ancestral heritage, history, films, writing, and has a passion for food.","url":"https:\/\/staging.centmagazine.co.uk\/?author=151"}]}},"jetpack_sharing_enabled":true,"authors":[{"term_id":16684,"user_id":151,"is_guest":0,"slug":"dean-frankling","display_name":"Dean Frankling","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/783681bcb00a830c7b683cb35b58641c692c3469e9bf87a29ccd892f18486230?s=96&d=mm&r=g","author_category":"","first_name":"Dean","last_name":"Frankling","user_url":"","job_title":"","description":"Dean is a student at the University of Surrey studying English Literature with Film Studies. He is interested in his ancestral heritage, history, films, writing, and has a passion for food."}],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2018\/10\/unnamed1.jpg?fit=579%2C825&ssl=1","_links":{"self":[{"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/55844","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=\/wp\/v2\/users\/151"}],"replies":[{"embeddable":true,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=55844"}],"version-history":[{"count":12,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/55844\/revisions"}],"predecessor-version":[{"id":55871,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/55844\/revisions\/55871"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=\/wp\/v2\/media\/55854"}],"wp:attachment":[{"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=55844"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=55844"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=55844"},{"taxonomy":"features_issues","embeddable":true,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ffeatures_issues&post=55844"},{"taxonomy":"featured_themes","embeddable":true,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ffeatured_themes&post=55844"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fppma_author&post=55844"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}