{"id":59201,"date":"2019-05-16T17:45:21","date_gmt":"2019-05-16T16:45:21","guid":{"rendered":"http:\/\/centmagazine.co.uk\/?p=59201"},"modified":"2019-05-16T19:39:37","modified_gmt":"2019-05-16T18:39:37","slug":"ratio-tarsila-the-woman-who-changed-brazil","status":"publish","type":"post","link":"https:\/\/staging.centmagazine.co.uk\/?p=59201","title":{"rendered":"Ratio; Tarsila: The Woman Who Changed Brazil"},"content":{"rendered":"<p><span style=\"color: #333333;\">Born in 1886 to a family of coffee farmers, late Tarsila do Amaral found her calling in a completely different world. She studied sculpture and drawing, before moving to Paris\u2019 Academie Julian, where she studied alongside other well-known artists.<\/span><\/p>\n<p><span style=\"color: #333333;\">It was in Paris that she discovered her affinity towards vibrant colours and developed her signature style of capturing landscapes. Tarsila was a woman of many talents, such as writing and playing the piano, but she is best remembered for her revolutionary painting.<\/span><\/p>\n<p><span style=\"color: #333333;\">\u201cI want to be the painter of my country,\u201d Tarsila said once. Many consider her to be just that as her artwork played a huge hand in Brazil finding its identity. Her emphasis on native themes and unique style encouraged Brazil to develop its own form of modernist art and avoid being influenced by other nations\u2019 art styles.<\/span><\/p>\n<p><span style=\"color: #333333;\">As a homage to the revolutionary artist, one of the most popular flip-flop brands in the world, Havaianas, has launched three models with some of the most famous works of Tarsila etched onto them.<\/span><\/p>\n<p><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2019\/05\/IMG_5638.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-59202\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2019\/05\/IMG_5638.jpg?resize=580%2C773\" alt=\"IMG_5638\" width=\"580\" height=\"773\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/05\/IMG_5638.jpg?w=768&amp;ssl=1 768w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/05\/IMG_5638.jpg?resize=225%2C300&amp;ssl=1 225w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/05\/IMG_5638.jpg?resize=600%2C800&amp;ssl=1 600w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/05\/IMG_5638.jpg?resize=680%2C906&amp;ssl=1 680w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/05\/IMG_5638.jpg?resize=300%2C400&amp;ssl=1 300w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/p>\n<p style=\"text-align: right;\">\u00a0Flip flops featuring Tarsila&#8217;s painting <em>Postcard<\/em><\/p>\n<p><span style=\"color: #333333;\">The artworks:<\/span><\/p>\n<p>A Cuca: Tarsila painted this in early 1924. It takes inspiration from the \u2018legend of Cuca\u2019 is based on an ugly old woman who takes the form of an alligator and steals away disobedient children.<\/p>\n<p style=\"text-align: right;\"><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2019\/05\/45772753715_86bf66ddb4_b.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-59206\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2019\/05\/45772753715_86bf66ddb4_b.jpg?resize=580%2C437\" alt=\"45772753715_86bf66ddb4_b\" width=\"580\" height=\"437\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/05\/45772753715_86bf66ddb4_b.jpg?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/05\/45772753715_86bf66ddb4_b.jpg?resize=300%2C226&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/05\/45772753715_86bf66ddb4_b.jpg?resize=600%2C452&amp;ssl=1 600w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/05\/45772753715_86bf66ddb4_b.jpg?resize=680%2C512&amp;ssl=1 680w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/05\/45772753715_86bf66ddb4_b.jpg?resize=770%2C580&amp;ssl=1 770w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a>A Cuca<\/p>\n<p>P<span style=\"color: #333333;\">ostcard: Crafted in 1929, this artwork portrays the city of Rio de Janeiro. There is an emphasis on the mountainous landscape and the wildlife of native Brazil.<\/span><\/p>\n<p style=\"text-align: right;\"><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2019\/05\/31831469408_ba6c739860_b.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-59207\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2019\/05\/31831469408_ba6c739860_b.jpg?resize=580%2C521\" alt=\"Tarsila do Amaral, Postcard, 1929 11\/12\/17 #artinstitutechi #art\" width=\"580\" height=\"521\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/05\/31831469408_ba6c739860_b.jpg?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/05\/31831469408_ba6c739860_b.jpg?resize=300%2C269&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/05\/31831469408_ba6c739860_b.jpg?resize=600%2C538&amp;ssl=1 600w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/05\/31831469408_ba6c739860_b.jpg?resize=680%2C610&amp;ssl=1 680w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/05\/31831469408_ba6c739860_b.jpg?resize=770%2C691&amp;ssl=1 770w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/p>\n<p style=\"text-align: right;\">Postcard<\/p>\n<p><span style=\"color: #333333;\">Anthropophagy: This was inspired by the philosophy of \u2018cultural cannibalism\u2019 which was developed by Tarsila\u2019s husband; Oswald de Andrade. According to it, Brazil had a history of \u201ccannibalizing\u201d other cultures to create something new, which was its greatest strength.<\/span><\/p>\n<p><span style=\"color: #333333;\">Havaianas has a history of\u00a0taking inspiration from\u00a0eminent\u00a0Brazilian artists, Naia Ceschin, and street artists\u00a0Chivitz and Minhau for example. Now, they&#8217;re successfully continuing the &#8216;tradition&#8217; with Tarsila.<\/span><\/p>\n<p style=\"text-align: right;\"><span style=\"color: #333333;\"><a href=\"https:\/\/www.havaianas-store.com\/en\"><span style=\"color: #333333;\">Havaianas<\/span><\/a> has produced 3 top models featuring the works of Tarsila do Amaral<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Born in 1886 to a family of coffee farmers, late Tarsila do Amaral found her calling in a completely different&#8230;<\/p>\n","protected":false},"author":166,"featured_media":59212,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[5],"tags":[13533,13534,2082,5309,13532,10610,9475,2051,1343,13535,13530,13531],"features_issues":[],"featured_themes":[],"ppma_author":[16764],"class_list":["post-59201","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fashion","tag-acuca","tag-anthropophagy","tag-artists","tag-brazilian","tag-flipflops","tag-havaianas","tag-modernism","tag-paintings","tag-postcards","tag-riodejaneiro","tag-tarsila","tag-tarsiladoamaral"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Ratio; Tarsila: The Woman Who Changed Brazil | Cent Magazine<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ratio; Tarsila: The Woman Who Changed Brazil | Cent Magazine\" \/>\n<meta property=\"og:description\" content=\"Born in 1886 to a family of coffee farmers, late Tarsila do Amaral found her calling in a completely different...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/staging.centmagazine.co.uk\/?p=59201\" \/>\n<meta property=\"og:site_name\" content=\"Cent Magazine\" \/>\n<meta property=\"article:published_time\" content=\"2019-05-16T16:45:21+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-05-16T18:39:37+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/05\/411px-Tarsila_do_Amaral_ca._1925-e1558024649779.jpg?fit=238%2C347&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"238\" \/>\n\t<meta property=\"og:image:height\" content=\"347\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Anweshak Tejendra\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Anweshak Tejendra\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=59201#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=59201\"},\"author\":{\"name\":\"Anweshak Tejendra\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#\\\/schema\\\/person\\\/a1aed89c3e62e582e7ccc75db64bff09\"},\"headline\":\"Ratio; Tarsila: The Woman Who Changed Brazil\",\"datePublished\":\"2019-05-16T16:45:21+00:00\",\"dateModified\":\"2019-05-16T18:39:37+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=59201\"},\"wordCount\":334,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=59201#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/i0.wp.com\\\/staging.centmagazine.co.uk\\\/wp-content\\\/uploads\\\/2019\\\/05\\\/411px-Tarsila_do_Amaral_ca._1925-e1558024649779.jpg?fit=238%2C347&ssl=1\",\"keywords\":[\"Acuca\",\"Anthropophagy\",\"artists\",\"Brazilian\",\"flipflops\",\"Havaianas\",\"Modernism\",\"Paintings\",\"postcards\",\"RiodeJaneiro\",\"Tarsila\",\"TarsiladoAmaral\"],\"articleSection\":[\"Fashion\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=59201#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=59201\",\"url\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=59201\",\"name\":\"Ratio; Tarsila: The Woman Who Changed Brazil | Cent Magazine\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=59201#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=59201#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/i0.wp.com\\\/staging.centmagazine.co.uk\\\/wp-content\\\/uploads\\\/2019\\\/05\\\/411px-Tarsila_do_Amaral_ca._1925-e1558024649779.jpg?fit=238%2C347&ssl=1\",\"datePublished\":\"2019-05-16T16:45:21+00:00\",\"dateModified\":\"2019-05-16T18:39:37+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=59201#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=59201\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=59201#primaryimage\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/staging.centmagazine.co.uk\\\/wp-content\\\/uploads\\\/2019\\\/05\\\/411px-Tarsila_do_Amaral_ca._1925-e1558024649779.jpg?fit=238%2C347&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/staging.centmagazine.co.uk\\\/wp-content\\\/uploads\\\/2019\\\/05\\\/411px-Tarsila_do_Amaral_ca._1925-e1558024649779.jpg?fit=238%2C347&ssl=1\",\"width\":238,\"height\":347},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=59201#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Ratio; Tarsila: The Woman Who Changed Brazil\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#website\",\"url\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/\",\"name\":\"Cent Magazine\",\"description\":\"Be Inspired, Get Involved\",\"publisher\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-GB\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#organization\",\"name\":\"Cent Magazine\",\"url\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/centmagazine.co.uk\\\/wp-content\\\/uploads\\\/2020\\\/02\\\/logo_cent-01.jpg?fit=501%2C503&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/centmagazine.co.uk\\\/wp-content\\\/uploads\\\/2020\\\/02\\\/logo_cent-01.jpg?fit=501%2C503&ssl=1\",\"width\":501,\"height\":503,\"caption\":\"Cent Magazine\"},\"image\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#\\\/schema\\\/logo\\\/image\\\/\"}},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#\\\/schema\\\/person\\\/a1aed89c3e62e582e7ccc75db64bff09\",\"name\":\"Anweshak Tejendra\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0816869af17f3fda74359558618adb69e09b87150b87d0934beb5260f08c8eb1?s=96&d=mm&r=gf83550fada69cdbb8b572be337bb91ca\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0816869af17f3fda74359558618adb69e09b87150b87d0934beb5260f08c8eb1?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0816869af17f3fda74359558618adb69e09b87150b87d0934beb5260f08c8eb1?s=96&d=mm&r=g\",\"caption\":\"Anweshak Tejendra\"},\"sameAs\":[\"http:\\\/\\\/www.centmagazine.co.uk\"],\"url\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?author=166\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Ratio; Tarsila: The Woman Who Changed Brazil | Cent Magazine","robots":{"index":"noindex","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"og_locale":"en_GB","og_type":"article","og_title":"Ratio; Tarsila: The Woman Who Changed Brazil | Cent Magazine","og_description":"Born in 1886 to a family of coffee farmers, late Tarsila do Amaral found her calling in a completely different...","og_url":"https:\/\/staging.centmagazine.co.uk\/?p=59201","og_site_name":"Cent Magazine","article_published_time":"2019-05-16T16:45:21+00:00","article_modified_time":"2019-05-16T18:39:37+00:00","og_image":[{"width":238,"height":347,"url":"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/05\/411px-Tarsila_do_Amaral_ca._1925-e1558024649779.jpg?fit=238%2C347&ssl=1","type":"image\/jpeg"}],"author":"Anweshak Tejendra","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Anweshak Tejendra","Estimated reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/staging.centmagazine.co.uk\/?p=59201#article","isPartOf":{"@id":"https:\/\/staging.centmagazine.co.uk\/?p=59201"},"author":{"name":"Anweshak Tejendra","@id":"https:\/\/staging.centmagazine.co.uk\/#\/schema\/person\/a1aed89c3e62e582e7ccc75db64bff09"},"headline":"Ratio; Tarsila: The Woman Who Changed Brazil","datePublished":"2019-05-16T16:45:21+00:00","dateModified":"2019-05-16T18:39:37+00:00","mainEntityOfPage":{"@id":"https:\/\/staging.centmagazine.co.uk\/?p=59201"},"wordCount":334,"commentCount":0,"publisher":{"@id":"https:\/\/staging.centmagazine.co.uk\/#organization"},"image":{"@id":"https:\/\/staging.centmagazine.co.uk\/?p=59201#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/05\/411px-Tarsila_do_Amaral_ca._1925-e1558024649779.jpg?fit=238%2C347&ssl=1","keywords":["Acuca","Anthropophagy","artists","Brazilian","flipflops","Havaianas","Modernism","Paintings","postcards","RiodeJaneiro","Tarsila","TarsiladoAmaral"],"articleSection":["Fashion"],"inLanguage":"en-GB","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/staging.centmagazine.co.uk\/?p=59201#respond"]}]},{"@type":"WebPage","@id":"https:\/\/staging.centmagazine.co.uk\/?p=59201","url":"https:\/\/staging.centmagazine.co.uk\/?p=59201","name":"Ratio; Tarsila: The Woman Who Changed Brazil | Cent Magazine","isPartOf":{"@id":"https:\/\/staging.centmagazine.co.uk\/#website"},"primaryImageOfPage":{"@id":"https:\/\/staging.centmagazine.co.uk\/?p=59201#primaryimage"},"image":{"@id":"https:\/\/staging.centmagazine.co.uk\/?p=59201#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/05\/411px-Tarsila_do_Amaral_ca._1925-e1558024649779.jpg?fit=238%2C347&ssl=1","datePublished":"2019-05-16T16:45:21+00:00","dateModified":"2019-05-16T18:39:37+00:00","breadcrumb":{"@id":"https:\/\/staging.centmagazine.co.uk\/?p=59201#breadcrumb"},"inLanguage":"en-GB","potentialAction":[{"@type":"ReadAction","target":["https:\/\/staging.centmagazine.co.uk\/?p=59201"]}]},{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/staging.centmagazine.co.uk\/?p=59201#primaryimage","url":"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/05\/411px-Tarsila_do_Amaral_ca._1925-e1558024649779.jpg?fit=238%2C347&ssl=1","contentUrl":"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/05\/411px-Tarsila_do_Amaral_ca._1925-e1558024649779.jpg?fit=238%2C347&ssl=1","width":238,"height":347},{"@type":"BreadcrumbList","@id":"https:\/\/staging.centmagazine.co.uk\/?p=59201#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/staging.centmagazine.co.uk\/"},{"@type":"ListItem","position":2,"name":"Ratio; Tarsila: The Woman Who Changed Brazil"}]},{"@type":"WebSite","@id":"https:\/\/staging.centmagazine.co.uk\/#website","url":"https:\/\/staging.centmagazine.co.uk\/","name":"Cent Magazine","description":"Be Inspired, Get Involved","publisher":{"@id":"https:\/\/staging.centmagazine.co.uk\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/staging.centmagazine.co.uk\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-GB"},{"@type":"Organization","@id":"https:\/\/staging.centmagazine.co.uk\/#organization","name":"Cent Magazine","url":"https:\/\/staging.centmagazine.co.uk\/","logo":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/staging.centmagazine.co.uk\/#\/schema\/logo\/image\/","url":"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2020\/02\/logo_cent-01.jpg?fit=501%2C503&ssl=1","contentUrl":"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2020\/02\/logo_cent-01.jpg?fit=501%2C503&ssl=1","width":501,"height":503,"caption":"Cent Magazine"},"image":{"@id":"https:\/\/staging.centmagazine.co.uk\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"https:\/\/staging.centmagazine.co.uk\/#\/schema\/person\/a1aed89c3e62e582e7ccc75db64bff09","name":"Anweshak Tejendra","image":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/secure.gravatar.com\/avatar\/0816869af17f3fda74359558618adb69e09b87150b87d0934beb5260f08c8eb1?s=96&d=mm&r=gf83550fada69cdbb8b572be337bb91ca","url":"https:\/\/secure.gravatar.com\/avatar\/0816869af17f3fda74359558618adb69e09b87150b87d0934beb5260f08c8eb1?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/0816869af17f3fda74359558618adb69e09b87150b87d0934beb5260f08c8eb1?s=96&d=mm&r=g","caption":"Anweshak Tejendra"},"sameAs":["http:\/\/www.centmagazine.co.uk"],"url":"https:\/\/staging.centmagazine.co.uk\/?author=166"}]}},"jetpack_sharing_enabled":true,"authors":[{"term_id":16764,"user_id":166,"is_guest":0,"slug":"anweshak-tejendra","display_name":"Anweshak Tejendra","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/0816869af17f3fda74359558618adb69e09b87150b87d0934beb5260f08c8eb1?s=96&d=mm&r=g","author_category":"","first_name":"Anweshak","last_name":"Tejendra","user_url":"http:\/\/www.centmagazine.co.uk","job_title":"","description":""}],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/05\/411px-Tarsila_do_Amaral_ca._1925-e1558024649779.jpg?fit=238%2C347&ssl=1","_links":{"self":[{"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/59201","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=\/wp\/v2\/users\/166"}],"replies":[{"embeddable":true,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=59201"}],"version-history":[{"count":9,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/59201\/revisions"}],"predecessor-version":[{"id":59216,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/59201\/revisions\/59216"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=\/wp\/v2\/media\/59212"}],"wp:attachment":[{"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=59201"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=59201"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=59201"},{"taxonomy":"features_issues","embeddable":true,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ffeatures_issues&post=59201"},{"taxonomy":"featured_themes","embeddable":true,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ffeatured_themes&post=59201"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/staging.centmagazine.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fppma_author&post=59201"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}