{"id":59607,"date":"2019-06-18T12:12:34","date_gmt":"2019-06-18T11:12:34","guid":{"rendered":"http:\/\/centmagazine.co.uk\/?p=59607"},"modified":"2019-06-18T12:45:49","modified_gmt":"2019-06-18T11:45:49","slug":"webbed-literature-and-the-conscious-mind","status":"publish","type":"post","link":"https:\/\/staging.centmagazine.co.uk\/?p=59607","title":{"rendered":"WEBBED; Literature and the Conscious Mind"},"content":{"rendered":"<p>As humans, expression and conversation are very natural to us. We are sociable animals, and that means we\u2019re constantly engaging in some kind of speech. In fact, we thrive on it. Although, that doesn\u2019t mean it is restricted to mere conversations between two or more people.<\/p>\n<p>Have you ever imagined a conversation with yourself as a form of literary expression? Have you considered that it could be used as a creative stunt or technique? Everyone experiences it, on a daily basis. Picture this: you\u2019re out shopping and have a simple mental list of things you need to buy\u2026 you find yourself examining the aisles and thinking to yourself, &#8220;Wait, I definitely need a new bottle of shampoo. Oh shoot, I forgot I have to do the laundry! I think I\u2019ll have some Spaghetti Bolognese for dinner and watch re-runs of <em>The Great British Bake-Off<\/em>&#8220;.<\/p>\n<p>The major voices of 20<sup>th<\/sup> century literature were preoccupied by the same notion, effectively incorporating it into their writing. The chaotic feelings and thoughts of the mind were penned down in a way that seemed natural to the character. It sounds rather bizarre though, doesn\u2019t it? Not only did the writer outline the character and create the storyline, but they also ventriloquise the inner thoughts of this character.<\/p>\n<p>This style developed into a narrative technique that literary critics have historically referred to as stream of consciousness<em>, <\/em>coined by William James in the <em>Principles of Psychology <\/em>(1890). In other words, it lets you listen in on a character\u2019s internal monologue, as if you\u2019re reading a diary entry with very little or unpredictable use of punctuation.<\/p>\n<p>The technique was prevalent in the 1900s, particularly in the works of writers like Virginia Woolf (<em>Mrs Dalloway<\/em>), James Joyce (<em>Ulysses<\/em>) and Marcel Proust (<em>In Search of Lost Time<\/em>), who became early advocates of the style.<\/p>\n<p>Woolf\u2019s book <em>Mrs Dalloway<\/em> revolves around events that transpire within a single day. The third-person narrative perspective uses long and short sentences, separated by semi-colons, to show the character\u2019s flow of thoughts, experiences, memories and feelings. It\u2019s a labyrinth of subjective thought\u2026 an intricate web of consciousness and communication.<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2019\/06\/ii_jwrozi4z7.png\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-59612\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2019\/06\/ii_jwrozi4z7-1024x460.png?resize=580%2C260\" alt=\"ii_jwrozi4z7\" width=\"580\" height=\"260\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/06\/ii_jwrozi4z7.png?resize=1024%2C460&amp;ssl=1 1024w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/06\/ii_jwrozi4z7.png?resize=300%2C134&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/06\/ii_jwrozi4z7.png?resize=600%2C269&amp;ssl=1 600w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/06\/ii_jwrozi4z7.png?resize=680%2C305&amp;ssl=1 680w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/06\/ii_jwrozi4z7.png?resize=770%2C346&amp;ssl=1 770w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/06\/ii_jwrozi4z7.png?w=1152&amp;ssl=1 1152w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/p>\n<p>Time plays a crucial role in the stream of consciousness. In <em>Mrs Dalloway<\/em>, Woolf uses a unique timeline where she jumps to a significant past memory of the character and ties it into the present. She does so several times, and while it may seem perplexing, it blends seamlessly with the narrative and provides depth, detail and context.<\/p>\n<p>T. S. Eliot<em>, <\/em>another avid fan of the technique, wrote the poem <em>The<\/em> <em>Love Song of J. Alfred Prufrock <\/em>in 1910, in which he used repetition in his construction of the stream of consciousness. The eponymous subject of the poem revisits certain thoughts after straying away from them, as if constantly thinking about them in the back of his mind.<\/p>\n<p>As a literary tool, stream of consciousness has evolved and come a long way since the early 20<sup>th<\/sup> century. It continues to be important to the works of contemporary writers including Toni Morison (<em>Beloved<\/em>), Charles Bukowski (<em>Pulp), <\/em>Irvine Welsh (<em>Trainspotting) <\/em>and Salman Rushdie (<em>Midnight\u2019s Children<\/em>).<\/p>\n<p>But even to this day, Virginia Woolf is considered the torch-bearer for the use of stream of consciousness in literature. She has been deemed an iconic literary figure in the modern times, so much that she has a special day dedicated to her and her work in the U.K.<\/p>\n<p><strong>Dalloway Day<\/strong> is celebrated each year in celebration of Woolf\u2019s <em>Mrs Dalloway<\/em>. The book is set on a Wednesday in mid-June and takes place over a course of a single day. This year, Wednesday, 19 June will be observed as Dalloway Day, and will feature a number of events being organised in London.<\/p>\n<p>Paris-based publishers, <strong><a title=\"SP Books\" href=\"https:\/\/www.spbooks.com\/en\/\" target=\"_blank\">SP Books<\/a><\/strong> specialise in publishing limited facsimile editions of manuscripts of some of the most famous classics. They are publishing the first and only full-length manuscript of <em>Mrs Dalloway\u00a0<\/em>(originally <em>The Hours<\/em>) which also sports evidence of considerable editing, rewriting and corrections throughout. The draft also features two essays by leading Woolf experts; Helen Wussow, Dean, The New York School, New York and Pulitzer prize-winning novelist and screenwriter, Michael Cunningham.<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2019\/06\/ii_jwroxvcn6.png\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-59611\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2019\/06\/ii_jwroxvcn6-1024x633.png?resize=580%2C358\" alt=\"ii_jwroxvcn6\" width=\"580\" height=\"358\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/06\/ii_jwroxvcn6.png?resize=1024%2C633&amp;ssl=1 1024w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/06\/ii_jwroxvcn6.png?resize=300%2C185&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/06\/ii_jwroxvcn6.png?resize=600%2C371&amp;ssl=1 600w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/06\/ii_jwroxvcn6.png?resize=680%2C420&amp;ssl=1 680w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/06\/ii_jwroxvcn6.png?resize=770%2C476&amp;ssl=1 770w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/06\/ii_jwroxvcn6.png?w=1342&amp;ssl=1 1342w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/06\/ii_jwroxvcn6.png?w=1160&amp;ssl=1 1160w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><\/p>\n<p>Other events being held in and around London on Wednesday, 19 June, include:<\/p>\n<ul>\n<li><strong><a title=\"British Library - Dalloway Day\" href=\"https:\/\/www.bl.uk\/events\/dalloway-day-after-woolf\" target=\"_blank\">British Library<\/a>:<\/strong> Three well-known authors, Monica Ali, Olivia Laing and Elif Shafak discuss Woolf\u2019s influence on class, mental health and race in the 2000s.<\/li>\n<li><a title=\"National Portrait Gallery - Walking with Mrs Dalloway\" href=\"https:\/\/www.npg.org.uk\/whatson\/event-root\/june\/gallery-tour-19062019\" target=\"_blank\"><strong>National Portrait Gallery:<\/strong><\/a> Novelist Lauren Elkin will provide a guided tour around the gallery looking at selected paintings and photographs of and by Virginia Woolf and other names associated with Bloomsbury Group.<\/li>\n<\/ul>\n<p>The<a title=\"Institut Francais - Vita &amp; Virginia\" href=\"https:\/\/www.institut-francais.org.uk\/cine-lumiere\/whats-on\/new-releases\/vita-virginia\/\" target=\"_blank\"> <strong>Institut Francais<\/strong><\/a> will host a special screening of the critically acclaimed film <a title=\"Vita &amp; Virginia \" href=\"http:\/\/www.thunderbirdreleasing.com\/catalogue\/vita-virginia\/\" target=\"_blank\"><strong>Vita &amp; Virginia<\/strong><\/a> on 5 July, which will be accompanied by a Q&amp;A session with Director, Chanya Button. The story revolves around Woolf\u2019s love affair with aristocratic writer and poet Vita Sackville-West. The film will have screenings across London on 5 July.<\/p>\n<p style=\"text-align: right;\"><span style=\"color: #212529;\"><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2019\/06\/ii_jwrovq043.png\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-59610\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2019\/06\/ii_jwrovq043.png?resize=580%2C636\" alt=\"ii_jwrovq043\" width=\"580\" height=\"636\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/06\/ii_jwrovq043.png?w=918&amp;ssl=1 918w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/06\/ii_jwrovq043.png?resize=273%2C300&amp;ssl=1 273w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/06\/ii_jwrovq043.png?resize=600%2C657&amp;ssl=1 600w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/06\/ii_jwrovq043.png?resize=680%2C745&amp;ssl=1 680w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/06\/ii_jwrovq043.png?resize=300%2C328&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/06\/ii_jwrovq043.png?resize=770%2C843&amp;ssl=1 770w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a>Gemma Arterton as Vita Sackville-West\u00a0 in <em>Vita &amp; Virginia<\/em>.<\/span><\/p>\n<p style=\"text-align: right;\"><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2019\/06\/ii_jwrouh8r1.png\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-59609\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2019\/06\/ii_jwrouh8r1.png?resize=580%2C631\" alt=\"ii_jwrouh8r1\" width=\"580\" height=\"631\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/06\/ii_jwrouh8r1.png?w=754&amp;ssl=1 754w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/06\/ii_jwrouh8r1.png?resize=275%2C300&amp;ssl=1 275w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/06\/ii_jwrouh8r1.png?resize=600%2C652&amp;ssl=1 600w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/06\/ii_jwrouh8r1.png?resize=680%2C739&amp;ssl=1 680w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/06\/ii_jwrouh8r1.png?resize=300%2C326&amp;ssl=1 300w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><span style=\"color: #212529;\">Elizabeth Debicki as Virginia Woolf in\u00a0<\/span><em style=\"color: #212529;\">Vita &amp; Virginia<\/em><span style=\"color: #212529;\">.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>As humans, expression and conversation are very natural to us. We are sociable animals, and that means we\u2019re constantly engaging&#8230;<\/p>\n","protected":false},"author":165,"featured_media":59613,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[8],"tags":[6870,13633,13636,13634,15,13630,2053,13631,10999,13637,11000,13632,13635],"features_issues":[],"featured_themes":[],"ppma_author":[16765],"class_list":["post-59607","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-literature","tag-20th-century","tag-british-library","tag-dalloway-day","tag-institut-francais","tag-literature-2","tag-mrs-dalloway","tag-national-portrait-gallery","tag-sp-books","tag-stream-of-consciousness","tag-the-hours","tag-virginia-woolf","tag-vita-virginia","tag-webbed"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>WEBBED; Literature and the Conscious Mind | Cent Magazine<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"WEBBED; Literature and the Conscious Mind | Cent Magazine\" \/>\n<meta property=\"og:description\" content=\"As humans, expression and conversation are very natural to us. We are sociable animals, and that means we\u2019re constantly engaging...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/staging.centmagazine.co.uk\/?p=59607\" \/>\n<meta property=\"og:site_name\" content=\"Cent Magazine\" \/>\n<meta property=\"article:published_time\" content=\"2019-06-18T11:12:34+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-06-18T11:45:49+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/06\/ii_jwrozi4z7.jpg?fit=238%2C235&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"238\" \/>\n\t<meta property=\"og:image:height\" content=\"235\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Anoushka Pinto\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Anoushka Pinto\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=59607#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/?p=59607\"},\"author\":{\"name\":\"Anoushka Pinto\",\"@id\":\"https:\\\/\\\/staging.centmagazine.co.uk\\\/#\\\/schema\\\/person\\\/1a47d91363a75f72649dda4c9e6ade15\"},\"headline\":\"WEBBED; 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