{"id":59758,"date":"2019-07-01T12:29:12","date_gmt":"2019-07-01T11:29:12","guid":{"rendered":"http:\/\/centmagazine.co.uk\/?p=59758"},"modified":"2019-07-01T12:29:12","modified_gmt":"2019-07-01T11:29:12","slug":"power-art-for-the-many","status":"publish","type":"post","link":"https:\/\/staging.centmagazine.co.uk\/?p=59758","title":{"rendered":"Power ; Art for the many"},"content":{"rendered":"<p>Crime-ridden, dangerous, dazzling, full of filth and fear. Nightclubs and subways full of graffiti, cocaine and heroin abuse on every corner. Shocking numbers of street crimes and homicides, crack addiction and prostitution, and a rapid spread of the autoimmune disease AIDS throughout the country. That was New York City during the 1980s \u2013 not at all like the clean, safe, cosmopolitan place it is today.<\/p>\n<p>&nbsp;<\/p>\n<p>But the New York City of the \u201880s also made a dynamic place for artists. It was rundown and dangerous, but always entertaining. The city was bustling with intensity and creative energy. The \u201880s were a time of transformation, and nowhere did this become as noticeable as in New York City.<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2019\/06\/J7bML2tg.jpeg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-59759\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2019\/06\/J7bML2tg.jpeg?resize=500%2C405\" alt=\"J7bML2tg\" width=\"500\" height=\"405\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/06\/J7bML2tg.jpeg?w=500&amp;ssl=1 500w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/06\/J7bML2tg.jpeg?resize=300%2C243&amp;ssl=1 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><\/p>\n<p style=\"text-align: right;\"><span style=\"color: #1b2733;\">Keith Haring, Untitled, 1986, Sumi ink on paper, 32.4&#215;40.2cm<\/span><\/p>\n<p>One of the emblematic artists of this period is Keith Haring.\u00a0Often referred to as the pioneer of street art, Haring managed to bridge the gap between the art world and the streets. His art pieces reflect the vibrant nature of the city and are used as a visual language for commenting on issues like exploitation, drug abuse, violence and sexuality. Having been diagnosed with AIDS in 1987, Haring also worked tirelessly to encourage victims of the disease to speak out and to give a voice to those who could not be heard.<\/p>\n<p>&nbsp;<\/p>\n<p>What makes Haring\u2019s art particularly unique is that it is displayed in public spaces not usually dedicated to art, like sidewalks or subways. Haring saw this as a way of engaging directly with the city and its people. He believed strongly that art should be free to the public, which is why his way of addressing urgent issues was to present his work publicly to multiple audiences, similarly to a graffiti artist.<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2019\/06\/rkHxB9yg.jpeg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-59760\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2019\/06\/rkHxB9yg.jpeg?resize=500%2C643\" alt=\"rkHxB9yg\" width=\"500\" height=\"643\" \/><\/a><\/p>\n<p style=\"text-align: right;\"><span style=\"color: #1b2733;\">Keith Haring, Untitled, 1988, Acrylic on canvas, 238.8&#215;477.5cm<\/span><\/p>\n<p>Haring\u2019s distinct pop-graffiti aesthetic is strongly inspired by Andy Warhol and is recognizable all over the world. His style often includes cartoon-like figures with bold colours and lines. Haring worked closely together with like-minded contemporaries like Jean-Michel Basquiat and Kenny Scharf, who also had as a goal to create art for the many.<\/p>\n<p>&nbsp;<\/p>\n<p>From 14<sup>th<\/sup>June until 10<sup>th<\/sup>November 2019, Tate Liverpool is hosting the first major UK exhibition dedicated to Keith Haring. Visitors can see more than 85 of Haring\u2019s artworks, ranging from paintings and drawings to photographs and videos displaying 1980s vibrant New York street culture. In the same month, London\u2019s Opera Gallery opened its exhibition\u00a0<em>American Icons<\/em>, presenting some of the greatest artistic masterminds of the 20<sup>th<\/sup>century including Keith Haring, Andy Warhol and Jean-Michel Basquiat.<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2019\/06\/3TFOmDXw.jpeg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-59761\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2019\/06\/3TFOmDXw.jpeg?resize=500%2C333\" alt=\"3TFOmDXw\" width=\"500\" height=\"333\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/06\/3TFOmDXw.jpeg?w=500&amp;ssl=1 500w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2019\/06\/3TFOmDXw.jpeg?resize=300%2C199&amp;ssl=1 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><\/p>\n<p style=\"text-align: right;\"><span style=\"color: #1b2733;\">Keith Haring, Untitled, June 10, 1984, Acrylic on Canvas, 38.8&#215;477.5cm<\/span><\/p>\n<p>The power and relevance of Haring\u2019s work has sustained over many decades and manifests itself through the art\u2019s uniqueness and topicality. This year marks 50 years of Pride, a symbol of liberation and celebration for the whole LGBT movement. The fact that Haring himself is known as a prominent LGBT advocate makes the exhibitions especially timely and poignant.<\/p>\n<p>&nbsp;<\/p>\n<p>If you are interested in a different angle that shows how various art movements can develop at the same place at\u00a0the same time, you might be interested in artist Philip\u00a0<span style=\"color: #000000;\">Pearlstein. He, like Haring,\u00a0worked alongside\u00a0Andy Warhol in\u00a0his youth and ended up moving to and working as an artist in New York, but\u00a0took a completely\u00a0different path with a return to studio painting and the exclusive use of live nude models.\u00a0<\/span><span style=\"color: #000000;\">In honour of Pearlstein&#8217;s 95th birthday, there is currently an exhibition<\/span><span style=\"font-style: inherit; color: inherit;\">\u00a0on show at Galerie Templon, rue Beaubourg, Paris, until 20th July 2019.\u00a0<\/span><\/p>\n<p>Read our article about Philip Pearlstein\u00a0<a href=\"http:\/\/centmagazine.co.uk\/work-fifty-years-of-nudes-in-a-room\/\" target=\"_blank\">here<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div>\n<div>\n<blockquote style=\"color: #323130;\">\n<div style=\"font-weight: inherit; font-style: inherit; color: inherit;\">\n<div style=\"color: inherit;\">\n<div style=\"font-weight: inherit; font-style: inherit; color: inherit; text-align: right;\">See these and other works at <a href=\"https:\/\/www.operagallery.com\" target=\"_blank\">Opera Gallery<\/a>.com<\/div>\n<div style=\"font-weight: inherit; font-style: inherit; color: inherit; text-align: right;\"><span style=\"font-weight: inherit; font-style: inherit; color: inherit;\"><b><i>American Icons<\/i><\/b><span style=\"font-weight: inherit; font-style: inherit; color: inherit;\"><span style=\"font-weight: inherit; font-style: inherit; color: inherit;\">\u00a0<\/span>recreates a vibrant discovery of this post-war era through some of the greatest artistic masterminds of the 20<sup>th<\/sup><span style=\"font-weight: inherit; font-style: inherit; color: inherit;\">\u00a0<\/span>century<\/span><\/span><span style=\"font-weight: inherit; font-style: inherit; color: inherit;\"><span style=\"font-weight: inherit; font-style: inherit; color: inherit;\">\u00a0<\/span>such as\u00a0<b>Andy Warhol,<\/b>\u00a0<b>Alexander Calder<\/b>,\u00a0<b>Keith Haring<\/b>, and\u00a0<b>Jean-Michel Basquiat<\/b><span style=\"font-weight: inherit; font-style: inherit; color: inherit;\">.<\/span><\/span><\/div>\n<div style=\"font-weight: inherit; font-style: inherit; color: inherit; text-align: right;\">See more of his work at <a href=\"https:\/\/www.tate.org.uk\/whats-on\/tate-liverpool\/exhibition\/keith-haring\" target=\"_blank\">The Tate Liverpool<\/a>.com<\/div>\n<div style=\"font-weight: inherit; font-style: inherit; color: inherit; text-align: right;\"><\/div>\n<div style=\"font-weight: inherit; font-style: inherit; color: inherit; text-align: right;\">Take a look at\u00a0the Philip Pearlstein Exhibition at\u00a0<a href=\"https:\/\/www.templon.com\/new\/artist.php?la=en&amp;artist_id=59&amp;display_expo=1\" target=\"_blank\">www.templon.com<\/a><\/div>\n<\/div>\n<\/div>\n<\/blockquote>\n<\/div>\n<\/div>\n<p style=\"text-align: right;\">\n","protected":false},"excerpt":{"rendered":"<p>Crime-ridden, dangerous, dazzling, full of filth and fear. Nightclubs and subways full of graffiti, cocaine and heroin abuse on every&#8230;<\/p>\n","protected":false},"author":174,"featured_media":59760,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[11],"tags":[13665,28,11636,13664,13663,13662],"features_issues":[],"featured_themes":[],"ppma_author":[16771],"class_list":["post-59758","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","tag-american-icons","tag-art-2","tag-keith-haring","tag-lgbt","tag-modern-american-art","tag-streetart"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Power ; Art for the many | Cent Magazine<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Power ; Art for the many | Cent Magazine\" \/>\n<meta property=\"og:description\" content=\"Crime-ridden, dangerous, dazzling, full of filth and fear. 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