{"id":6898,"date":"2013-08-26T09:45:48","date_gmt":"2013-08-26T08:45:48","guid":{"rendered":"http:\/\/centmagazine.co.uk\/?p=6898"},"modified":"2013-08-23T22:39:06","modified_gmt":"2013-08-23T21:39:06","slug":"radiant-soap-sculptures-are-not-forever","status":"publish","type":"post","link":"https:\/\/staging.centmagazine.co.uk\/?p=6898","title":{"rendered":"Radiant: Soap Sculptures are not Forever"},"content":{"rendered":"<p>Seoul and London-based artist <a href=\"http:\/\/www.sumarrialunn.com\/Artists\/meekyoungshin\/MeekyoungShin.htm\">Meekyoung Shin<\/a> grew up in South Korea and was initially trained there in the classical tradition of European sculpture. Back then, she studied Western art in books, where marble sculptures seemed very familiar as images, but not as real objects.<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2013\/08\/17.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2013\/08\/17.jpg?resize=580%2C386\" alt=\"Courtesy of the artist Sumarria Lunn Gallery\" width=\"580\" height=\"386\" class=\"aligncenter size-full wp-image-6900\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2013\/08\/17.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2013\/08\/17.jpg?resize=300%2C199&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2013\/08\/17.jpg?resize=600%2C399&amp;ssl=1 600w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2013\/08\/17.jpg?resize=680%2C453&amp;ssl=1 680w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2013\/08\/17.jpg?resize=770%2C513&amp;ssl=1 770w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><br \/>\n<em>Crouching Aphrodite (2013) by Meekyoung Shin Soap, varnish, pigments Variable dimensions Courtesy of the artist\/Sumarria Lunn Gallery<\/em><\/p>\n<p>Later in her life, she moved to London, where she became fascinated by the removal of many objects from their places of origin to be displayed as representatives of other cultures in museums. She remembers seeing classical sculptures before her eyes for the first time in the \u201890s in the <a href=\"http:\/\/www.britishmuseum.org\/\">British Museum<\/a> and the <a href=\"http:\/\/www.vam.ac.uk\/\">V&#038;A<\/a>. \u201cIt\u2019s a very different type of stone with Korean sculpture. I felt the quality of its material looked like soap.\u201d It is precisely these encounters that lit up a radiant spark in her head to set out on a venture to create sculptures using this saponaceous substance commonly used as a cleaning agent.<\/p>\n<p>Since there was no technique to carve and cast big sculpture with soap, she has to learn and master it herself. \u201cSoap is fragile and time-consuming,\u201d explains Meekyoung. \u201cIt\u2019s a similar density or texture to stone, but soap\u2019s nature is opposite \u2013 ephemeral not permanent. And soap has a fragrance, which is an important aspect of my work. You have to be there to experience the smell, like travelling to new places.\u201d<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2013\/08\/8.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2013\/08\/8.jpg?resize=580%2C462\" alt=\"Courtesy of the artist Sumarria Lunn Gallery\" width=\"580\" height=\"462\" class=\"aligncenter size-full wp-image-6899\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2013\/08\/8.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2013\/08\/8.jpg?resize=300%2C238&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2013\/08\/8.jpg?resize=600%2C477&amp;ssl=1 600w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2013\/08\/8.jpg?resize=680%2C541&amp;ssl=1 680w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2013\/08\/8.jpg?resize=770%2C613&amp;ssl=1 770w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><br \/>\n<em>Translation Series (2013) by Meekyoung Shin Soap, varnish, pigments Variable dimensions Courtesy of the artist\/Sumarria Lunn Gallery<\/em><\/p>\n<p>Using this seemingly soft and vulnerable material, Meekyoung has sculpted precious objects of value from classical Western busts and sculptures to 18th and 19th Century Chinese porcelain vases. These saponaceous contemporary sculptures interpret the notion of sculptures through a foreigner\u2019s alien viewpoint. Ridding the perceived solidity of sculptures through disintegration, dislocation, and transient transformation, a conversing view of this authoritative tradition is exhibited examining its dominance and originality.<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2013\/08\/19.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2013\/08\/19.jpg?resize=580%2C510\" alt=\"Courtesy of the artist Sumarria Lunn Gallery\" width=\"580\" height=\"510\" class=\"aligncenter size-full wp-image-6901\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2013\/08\/19.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2013\/08\/19.jpg?resize=300%2C264&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2013\/08\/19.jpg?resize=600%2C528&amp;ssl=1 600w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2013\/08\/19.jpg?resize=680%2C598&amp;ssl=1 680w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2013\/08\/19.jpg?resize=770%2C677&amp;ssl=1 770w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/a><br \/>\n<em>Kouros (2013) by Meekyoung Shin Soap, varnish, pigments Variable dimensions Courtesy of the artist\/Sumarria Lunn Gallery<\/em><\/p>\n<p><a href=\"http:\/\/www.sumarrialunn.com\/Artists\/meekyoungshin\/MeekyoungShin.htm\">Meekyoung Shin<\/a>\u2019s exhibition entitled \u2018New Works\u2019 will be on show at <a href=\"http:\/\/www.sumarrialunn.com\/\">Sumarria Lunn Gallery<\/a> in Mayfair, London from 26 September to 8 November 2013.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Seoul and London-based artist Meekyoung Shin grew up in South Korea and was initially trained there in the classical tradition&#8230;<\/p>\n","protected":false},"author":4,"featured_media":6903,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[11],"tags":[28,2399,387,352,2166,2394,2393,2397,1301,2395,2398,2400,2396,2401],"features_issues":[],"featured_themes":[],"ppma_author":[16670],"class_list":["post-6898","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","tag-art-2","tag-british-museum","tag-exhibition","tag-london","tag-mayfair","tag-meekyoung-shin","tag-new-work","tag-porcelain","tag-sculpture","tag-soap","tag-sumarria-lunn-gallery","tag-va","tag-vases","tag-victoria-albert-museum"],"yoast_head":"<!-- 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