{"id":73983,"date":"2020-04-29T12:09:26","date_gmt":"2020-04-29T11:09:26","guid":{"rendered":"http:\/\/centmagazine.co.uk\/?p=73983"},"modified":"2020-04-29T12:33:35","modified_gmt":"2020-04-29T11:33:35","slug":"dancing-out-of-the-mould","status":"publish","type":"post","link":"https:\/\/staging.centmagazine.co.uk\/?p=73983","title":{"rendered":"Dancing out of the mould."},"content":{"rendered":"\n<p class=\"has-text-align-right has-small-font-size wp-block-paragraph\">&#8220;<em>There are shortcuts to happiness and dancing is one of them&#8221; <\/em><strong><em>\u2013 Vicki Baum<\/em> <\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"387\" src=\"https:\/\/i0.wp.com\/centmagazine.co.uk\/wp-content\/uploads\/2020\/04\/samantha-weisburg-hFTcxZFsG6g-unsplash.jpg?resize=580%2C387\" alt=\"\" class=\"wp-image-74035\" srcset=\"https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2020\/04\/samantha-weisburg-hFTcxZFsG6g-unsplash.jpg?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2020\/04\/samantha-weisburg-hFTcxZFsG6g-unsplash.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/staging.centmagazine.co.uk\/wp-content\/uploads\/2020\/04\/samantha-weisburg-hFTcxZFsG6g-unsplash.jpg?resize=768%2C512&amp;ssl=1 768w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Dance is a powerful art form, always waiting to be challenged. It is no less static than you or I \u2013 it moves, evolves and follows the rhythm of change.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Each great new decade and cultural change reflected through and within dance. From the rock n roll of the 50s, the swinging 60s, through the ages of disco and breakdance onto all forms of postmodern and the viral trends we see today. Dance is part of history \u2013 fluidly moulding and remoulding with the tides of time \u2013 giving it an almost ethereal, abstract, untouchable nature. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">From ballet theatres and ballrooms to clubs and eventually the streets, dance has undergone rapid transformations to be a more inclusive, democratic form of art. Not simply to be performed and admired by a few. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Modern choreographers continue to embody this change and fight against formal boundaries in dance. Some of these rule-breakers, old and young, are redefining what we know and understand about dance and what it means to move. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>WAYNE McGREGOR<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The renowned Wayne McGregor, the first Resident Choreographer at the Royal Ballet, with no formal ballet training is a foremost rule breaker. He is all about contemporary and not just going against it but breaking the mould. His appointment signalled a great change in the ballet world \u2013 one of a more modern, fresh and innovative direction. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">His works are desperately striking with movements that are carefully calculated and fiercely executed. Yet somehow maintaining a powerful fluidity throughout. It\u2019s full of expression \u2013 bold, brave and dramatic, not always beautiful and knowingly so. It is a wonder to watch. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The formal world of ballet suffered in the 90s as other dance came onto the scene, the greats had died and choreographers left to pursue contemporary dance. Ballet has been trying to revive itself, remain relevant whilst also not losing itself. A complicated change that McGregor, following in the footsteps of other pioneers such as Michael Clark, is a strong part of. They are leading the way for a more adaptive and dynamic future for ballet. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"The Opening Sequence l The BRIT Awards 2016\" width=\"580\" height=\"326\" src=\"https:\/\/www.youtube.com\/embed\/j4fMhsOglE8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"><em>McGregor&#8217;s opening for the Brit Awards 2016<\/em> <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>MARION MOTIN<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">On the other end of the spectrum of change is Marion Motin. Aching to get away from clich\u00e9 dance, she takes a very non formal approach to her works. Her distinctive style is easily recognisable now in the pop world through the likes of Christine and the Queen\u2019s <em>Tilted <\/em>music video or Dua Lipa\u2019s <em>IDGAF<\/em>. And she really doesn\u2019t GAF. Her no nonsense attitude is dance is boring if it\u2019s been done before. Why watch the same? She says. It doesn\u2019t mean anything. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Motin\u2019s fascinated by the way energy naturally moves in the body and expressing this through each movement. It\u2019s all about powerful structures, shapes, lurches and jagged lines. Her work is always impactful as she champions the notion dance cannot just exist it needs to be justified. <\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Christine and the Queens - Tilted (Official Video)\" width=\"580\" height=\"326\" src=\"https:\/\/www.youtube.com\/embed\/9RBzsjga73s?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"><em>Christine and the Queens&#8217; &#8216;Titled&#8217; music video, choreographed by Motin, is the epitome of strong but feminine beauty \u2013 almost dancing with her muscles. <\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>HOMER BRYANT<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Aside from breaking the mould, there are some fusing new moulds, such as Chicago based choreographer, Homer Bryant. Having grown tired of the structure of ballet, and its exclusive nature, he pioneered his own dance style known as \u2018Hiplet\u2019. This style is strange, utterly enticing and beautiful, a celebration of both hip hop and classical ballet. Bryant describes it as \u2018sassy, hypnotic and exciting\u2019 as they dance to urban music while remaining en pointe. It requires years of training, and is wildly demanding. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Any good kind of revolution against traditional dance will inevitably attract criticism, and Hiplet has been no different. Some have argued it\u2019s too risky, whilst others argue the fusion is more of a clash, doing both styles a disservice. Yet, whether or not you agree, it\u2019s helping to break away from the mould and make dance a more inclusive and diverse space. <\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Hiplet: When Hip Hop Meets Ballet | Refinery29\" width=\"580\" height=\"326\" src=\"https:\/\/www.youtube.com\/embed\/BcCnHYO1r68?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dance isn\u2019t just to be admired, it is meant to be interpreted, challenged and changed. Rules were meant to be broken and so were formal styles of dance. <\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\">If you enjoyed reading about artists breaking the mould, check out <a rel=\"noreferrer noopener\" aria-label=\"A slight of Design  (opens in a new tab)\" href=\"http:\/\/centmagazine.co.uk\/a-slight-of-design\/\" target=\"_blank\">A slight of Design <\/a><\/p>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\">If you&#8217;d like more information on Wayne McGregor click <a rel=\"noreferrer noopener\" aria-label=\"here (opens in a new tab)\" href=\"https:\/\/waynemcgregor.com\/\" target=\"_blank\">here<\/a>, the <a rel=\"noreferrer noopener\" aria-label=\"Hiplet Ballerinas  (opens in a new tab)\" href=\"https:\/\/www.hipletballerinas.com\/\" target=\"_blank\">Hiplet Ballerinas<\/a> or <a rel=\"noreferrer noopener\" aria-label=\"Marion Motin  (opens in a new tab)\" href=\"https:\/\/www.rambert.org.uk\/about-us\/people\/current-creatives\/marion-motin\/\" target=\"_blank\">Marion Motin<\/a>. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;There are shortcuts to happiness and dancing is one of them&#8221; \u2013 Vicki Baum Dance is a powerful art form,&#8230;<\/p>\n","protected":false},"author":210,"featured_media":74014,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[11],"tags":[2171,1597,3287],"features_issues":[],"featured_themes":[14709],"ppma_author":[16796],"class_list":["post-73983","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","tag-choreographer","tag-dance","tag-movement","featured_themes-formal"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Dancing out of the mould. | Cent Magazine<\/title>\n<meta name=\"description\" content=\"A new wave of choreographers breaking the mould, physically. 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