Love Fashion from NYC, MFW, PFW for Spring Summer 2026
This season, NYC fashion week brought about an amalgamation of new trends. Have a look at some shows here that will give you ideas of what you will be wearing for the spring and summer of 2026. Image on left-hand side MSGM SS2026.
Tory Burch SS26 NYC
This season was all about American sportswear: the polo, the trench, the striped shirt. A crisp counterpoint to romantic drop-waist dresses that nod to the 1920s.
Tailoring proportions shifted lower with hip-slung trousers and leather skirts. Jackets have invisible zippers at the centre back seam to adjust the shape, and a few pieces nod to Tory’s father, Buddy, including a piped blazer modelled after his own design.
“For Spring/Summer 2026, we were thinking about the complexity of women and different facets of their style. Femininity and strength, precision and imperfection. The clash of pristine tailoring with naive florals, seed beading with distressed leather.
We continued to reinterpret American sportswear, juxtaposed with touches of romance, sentimentality and craft. A piped blazer was inspired by my father, and we referenced antique samplers for monogram embroidery with our design team’s initials.”
Tory Burch
Fabrications were wool and sporty waxed canvas, balancing opulent materials, and there was a renewed focus on embellishment: cardigans and mesh dresses are entirely hand-stitched with seed beads; silk chiffon is hand-pleated; viscose is hand-smocked. All-over monograms were inspired by antique embroidery samplers, each representing a member of our design team.
Tyler McGillivary NYC
The New York-based, bold and imaginative fashion brand celebrates the wonder of everyday life with a touch of playful surrealism. Known for vibrant colours, unexpected textures, and artful prints, the brand turns ordinary moments into opportunities for self-expression.
Mermaiden, dives headfirst into the sparkling, mysterious world of the sea siren, featuring body-skimming silhouettes cut from layers of ruffles and printed with Hans Christian Anderson illustrations from the late 1800s; plunging necklines accented with giant silver starfish; fishing nets dotted with real starfish and rich, deep sea-inspired colours with girly, romantic details.
Runway images Kohl Murdock
Off-White™ SS26 NYC
When it comes to celebrating the influence of black culture on pop culture, there is no place like New York City. For Off-White™, this season’s focus was on athleticism and uniform, drawing influence from the setting of the show: the New Design High School. It stands in the heart of the Lower East Side, bringing together communities in the spirit of learning and creativity.
Models meander among the freshly-sprayed graffiti walls and flags hung like sheets with symbolic Off-White™ phrases – visual signals of a life that exists, unveiling a window into what’s next.
‘Off-White™ grows on the belief that style is a projection of the way one sees and lives the world. Uniforms in this sense are not a way to homogenise, but a language of visual and cultural clarity, a means to telegram a sense of belonging and dressing as an extension of a mindset.
Everything is graphic and heroic, with a sensuality that passes from body-hugging jerseys to sturdy denims, from flou to tailoring. Luxuriant graphics add a layer of romanticism to an otherwise punchy endeavour. In reconnecting to the roots of black culture in the city, a leap forward happens putting romance where pop is.’
Ib Kamara
The colours are an urban, neutral palette accented with pastels and bright notes of red and yellow. Menswear and womenswear share the same fierceness, the flared silhouettes and the sheerness, as well as the satins, that echo the 1970s. The shoulders are emphasised through prismatic constructions on utilitarian tailoring, and slinky dresses are maximised by contrasting materials and colours.
Proenza Schouler Spring Summer 2026 Women’s Collection, designed in collaboration with Rachel Scott, debuted as a bold trendy reimagining of modern luxury. Blending deconstructed tailoring, sheer fluidity, and vibrant tropical colors, the SS26 runway celebrated effortless femininity in art with an edge. This season, Proenza Schouler’s partnership with Rachel Scott set a new standard in contemporary women’s fashion, merging New York minimalism with sculptural softness and trend-forward clothing design codes.
The act of evolution demands a soft undoing, a willingness to be unmade in order to change: threads loosen, motifs blur, patterns unravel and interiors surface. A grey mélange blazer with tailoring inverted, its shoulder pads exposed, and raw edges deliberately left open. The reverse of a jacquard is revealed, its hidden threads drawn outward, detaching at points, turning absence into presence. Coated cotton fabric; a material drawn from the archive now laser cut, takes the place of a print, its form cut away rather than applied. Through these lines, fabric is given its own rhythm; in sync with the movement of the body.
A cut, a twist, a release: these are all first gestures suspended between what endures and what evolves. Currents gather force and resist resolution. The story will be written over time.
Monica Feudi
This seasons’s collection was inspired by American pageant queen’s as well as the film David Lynch’s Blue Velvet, Brian De Palma’s film Carrie and Sophia Coppola’s iconic film the Virgin Suicides. Each model sash representing an American state where trans oppression is an issue.
The models showcased glamorous dresses, silk robes as if freshly out of a slumber party. The colours range from vibrant pinks to subtle blush all the way down to bold red. Each one to the pageant queen’s unique selling point. Bittar’s collection was like a film within itself with pageant queens representing the pressure of the patriarchy with their perfection.
Area SS26 NYC
‘New York City. Day to night, day tonight, today night. New York, an American city. Beautiful, despicable.’
Area Show Note
Area’s Spring Summer 2026 collection presents new Creative Director Nicholas Aburn’s cool, shimmering vision. With looks ranging from garments that can be worn from day to night, the collection reflects New York’s famous reputation as a city that never sleeps.
The Area collection strikes a balance between wearability and its signature extravagant silhouettes with its unique angular shapes and accents. There is a motif of ropes that construct tops and shoes, as well as denim fabrics utilised in full-length gowns to miniskirts. Meanwhile, black, white and reflective silver colours create a sense of effortlessness despite the elaborate construction of the pieces.
As an interval between the dark colour palette are two dresses: one red and the other blue, appearing to be an homage to the American flag. To conclude the collection, Aburn features festive dresses that convey celebration, emerging from the catwalk like fireworks.
Theme,A Greek-Inspired Journey
The Ports 1961 Spring/Summer 2026 collection draws inspiration from the enduring legacy of Greece, translating art, architecture, and history into a wardrobe designed for women in motion. Rooted in the Greek concept of téchne, art as both skill and technique; this season is a celebration of craftsmanship, balance, and modern elegance.
Creative director Karl Templer has envisioned a woman whose life is shaped by discovery, movement, and exploration. The garments are light yet powerful, harmonising function with beauty in a way that speaks to the sensibilities of today’s world.
Theme, Light on the Water
Materiality defines the collection, recalling both the serenity of Greek sculpture and the shimmer of Mediterranean seas. Mother-of-pearl details and beaded netting play with light, while airy cottons, linens, and open knits ensure comfort in motion. Hand-woven silk fringes and delicate pleats; signature elements of Ports 1961- bring texture and fluidity, echoing the natural drape of tunics and mantles from antiquity.
The palette mirrors the Aegean landscape: whites, sandy neutrals, sea-washed blues, and understated blacks. Rope accents and nautical chains nod to the brand’s maritime heritage, adding subtle strength to the softness of embroidery and sheen.
Theme,Forms in Motion
Silhouette is central to SS26. Sculptural tailoring, bold cuts, and versatile pieces offer a seamless transition from day to evening. Architectural principles of proportion and harmony inspire the collection’s clean lines and balanced structures, reimagined in fabrics that remain light and practical.
Soft curves appear across skirts, dresses, and tops, echoing the classical columns of Greece while retaining a contemporary spirit. Handcrafted touches such as peplums introduce a dialogue between glamour and utility, tradition and innovation.
Theme,Téchne in Milan
Fittingly, the collection will debut at Milan’s Salone dei Tessuti, a venue rich with history since 1925. Its amphitheatre-like atmosphere evokes the Theatre of Dionysus, offering an immersive backdrop for a season defined by artistry, performance, and collective experience.
With ss26, Ports 1961 presents more than clothing; it presents a narrative of exploration, rooted in heritage yet alive with modern energy. Each piece is an invitation to dream, to move, and to live with lightness.
MSGM MFW Right here, Right now.
Spring/Summer 2026 reflects on what’s current, what’s new, and what in MSGM’s past still feels alive and relevant. A visual grammar emerges: stripes and polka dots, florals and python, checks and graphic patterns. Cotton in varied weights, poplin with geometric cuts or ruffles, distressed denim, sheer chiffon, silver eco-leather and sequins alternate, balancing lightness and intensity. Visually rich yet instinctive, made “with fun”, the collection channels femininity, freshness, romance and positivity; clothes created to bring beauty and zest.
This energy takes shape in the presentation: MSGM’s Brera brutalist “temple” which becomes the epicentre of a spontaneous gathering spilling into the streets. Artemide and Fiam chairs, Campari in hand, and a vibrant soundtrack turn the neighbourhood into a Milan block party.
Roberto Cavalli MFW Collection ss26
“Gold Obsession”
For Spring/Summer 2026, Roberto Cavalli under Fausto Puglisi makes no concessions. The collection is bathed in gold; more than a color, it’s a statement of boldness, sensuality, and freedom.
Puglisi draws inspiration from icons of unapologetic femininity, from Elizabeth Taylor’s Cleopatra to Jane Birkin’s barefoot nonchalance, translating their spirit into fluid, body-conscious silhouettes. Precious fabrics- fil coupé, devoré, coated lace, and liquid jersey- are paired with Cavalli’s signature denim, reimagined in bell-bottom cuts, distressed finishes, and even couture evening gowns.
Movement defines the season: pleated skirts, flowing shirts, and oversized jackets balance sensual ease with dramatic impact. A standout gown in Moorish lace underscores the collection’s couture craftsmanship.
Accessories reintroduce the house’s eternal symbol, the snake, coiling around heels, handbags, and jewelry, also echoing Serpentine, Cavalli’s new fragrance.
The message is clear: SS26 celebrates instinct, individuality, and fearless glamour. Cavalli’s golden vision is one of liberation; seductive, modern, and untamed.
A Flash On The Riviera
Inspired by Henri Matisse’s 1904 painting Luxury, Calm and Desire, a coastal ode to Fauvism, Blazé Milano’s Spring/Summer 2026 collection captures the languid elegance of the Riviera. The chromatic energy of Saint-Tropez is reinterpreted here with subtlety: neutral foundations uplifted by nautical blues, Montecarlo tones, and splashes of vivid red, a tribute to Matisse’s bold palette.
Red defines much of the season, appearing in straight-leg jeans with tobacco stitching, embroidered Berbere shirts, suede pencil skirts, and braided nappa belts. The house icon, the Smiley pocket, and even the curve of belt buckles are informed by this. The hue extends into beachwear, with bikinis adorned with tortoiseshell plates and 80s-inspired one-pieces featuring high cuts and plunging necklines, reminiscent of Princess Caroline of Monaco in Helmut Newton’s iconic portraits.
Blazé also plays with volume and structure: boxy bolero jackets, pleated skirts with bold buttons, and pinstripe summer suits in sage-green linen blends. Natural fabrics, linen, silk, viscose, bring ease and fluidity, adaptable from office to evening.
True to its tomboy-luxe DNA, tailoring is central: checked double-breasted jackets, three-piece suits, and softly pleated trousers exude relaxed power. As night falls, sequined dresses, halter jumpsuits, and slit skirts take over, balancing masculine rigor with feminine allure.
The collection embodies its namesake painting: luxury, calm, and desire; translating Riviera nonchalance into a wardrobe for women who live boldly, between sunlit days and glamorous nights.
Gabriela Hearst’s Spring/Summer 2026 runway collection continues her exploration of the Tarot, this time focusing on the 22 Major Arcana. Shown on a circular runway, the collection was crafted from 97% deadstock wovens, with the remainder of materials also incorporating 83% deadstock, underscoring the house’s commitment to circularity and climate goals.
Hearst’s fascination with Tarot, a personal ritual since her teens, informs the show’s narrative arc. Beginning with The Empress, symbol of love and wisdom, and closing with The Hangman, representing surrender and transformation, each look channels the archetypes of the Tarot through couture-level craftsmanship.
Highlights include: a full-skirted white leather dress adorned with 2,500 hand-assembled leather flowers for The Empress; a gilded tank dress in upcycled linen for The Sun; a black-and-white graphic Wheel of Fortune dress mixing bonded leather and silk; and The Star reimagined in 1,200 multi-coloured leather stars cut, painted, and hand-embroidered into a floor-length gown.
Accessories echo the symbolism: charms of the four Tarot suits, sourced from deadstock Rhode Island factories, adorn suede coats and jewelry, while The Moon is expressed as both hand-painted motifs and an 18K hammered gold disk necklace. Footwear and handbags, including the new Dern shoulder bag and reworked vintage leather backpacks, reinforce the blend of craft, symbolism, and sustainability.
“Tarot is a medium that has accompanied civilization for centuries,” Hearst explains. “This collection is about surrendering old patterns and embracing transformation.” In aligning mysticism with material innovation, Hearst reaffirms her place at the forefront of luxury fashion with purpose.
For Spring/Summer 2026, David Koma infuses Blumarine with the moody seduction of dark romanticism, where grace meets gloom in a Gothic-inspired fantasy. The collection plays on the duality of sweetness and melancholy, embodied by the butterfly, Blumarine’s emblem, and its seasonal counterpart, the dragonfly. Together, they become symbols of transformation and twilight allure.
Romantic flou is twisted into drama: tiered georgette dresses ripple with movement, satin gowns embroidered with butterflies unravel into frayed edges, and elastic tulle twin sets mimic spiderwebs. Butterfly prints morph into leopard dots on poet blouses, while camouflage-like graphics animate tiered ruffle dresses in georgette and plumetis tulle. Eveningwear intensifies with macramé appliqués, sequined butterflies, and gowns embroidered with beads in the shape of insect spines.
Tailoring is equally subverted; jackets asymmetrically fused with wing-like georgette panels, cargo trousers reimagined in blush and sage canvas, and butterfly lace peeking through waistbands. Hardware heightens the drama: crystal-studded crosses, dragonfly breastplates, and metal outline-bras blur the line between jewelry and armor.
Accessories embrace the collection’s Gothic-pop spirit. Bags take playful forms, from canvas messenger bags edged with piercings to butterfly-shaped backpacks and crescent “hat bags” with shearling trims. Footwear follows suit, with satin stilettos jeweled with insect charms and knee-high boots stitched to mimic pumps.
Blumarine SS26 is a twilight tale of desire, where butterflies and dragonflies flit between light and shadow, embodying a femme fatale poised between softness and steel.
MM6 Maison Margiela presented its Spring/Summer 2026 collection not on a runway but on the street; painted white in place of a catwalk. The setting captured the house’s vision of “heightened normality,” where everyday life becomes spectacle.
Passers-by paraded in streamlined silhouettes awash in post-it brights, muted neutrals, and prints. Familiar codes were reworked with irony: garment bags transformed into dresses, coats, and capes; coat-and-dress twin sets reinvented as uniform; shoulders pushed forward to exaggerate stance. Hemlines stayed short, reinforcing the sharp, youthful energy.
Classics were scrambled; macs, pantsuits, and blousons appeared alongside jeans cut like tailored trousers and tailoring constructed with denim ease. Raw hems, fabric roll labels, and transparent inserts added a spirit of impromptu disruption, creating trompe l’oeil illusions.
Accessories underscored the brand’s playful pragmatism: flat metallic shoes, shielding sunglasses, cocktail glass jewelry, satin satchels knotted at the waist, and sleek handbags. Even socks shimmered, blurring utility with artifice.
On a painted street stage, MM6 affirmed its knack for elevating the everyday into something quietly surreal; where the familiar feels unfamiliar, and normality is anything but.
For Spring/Summer 2026, Marco De Vincenzo channels Etro’s mercurial spirit as a language in constant motion. Scored to the tense rhythm of La Niña, the show unfolded like a ritual of prints, colors, and textures flowing together in perpetual transformation.
The collection embraced spontaneity and rebellion, echoing the house’s psychedelic roots. Dresses twisted in ruffles and fringes, while tailoring shimmered with silk and metallic jacquards. Crochet and sheer fabrics revealed glimpses of skin, keeping movement and sensuality at the core. Studded fringes traced leather bikers and suede coats; beaded trims refracted Etro’s signature prints.
Colors pulsed through contrasting ruffles, multicolored inlays on blousons, and painterly brocades, punctuated by flashes of black. Accessories extended the flux: liquid-metal jewelry shaped into chameleons, laser-cut leather hats, beaded scarves, embroidered shoes, and fringed totes adorned with charms that blurred the botanical and the animal.
De Vincenzo’s Etro flowed with rhythm and intuition; unfixed, alive, and endlessly metamorphic.
Louis Vuitton SS26 MFW Collection
The Louis Vuitton Spring-Summer 2026 collection is a celebration of the art of living. The lineup expresses a high degree of sartorial freedom and a certain stylistic liberation. It suggests inventiveness, a subversion of the principles and functions typically associated with an “indoor” wardrobe. The collection explores archetypes of genre, in which clothes speak in confidences, revelations of a perspective and a manifesto of individuality. It’s an exercise in intrinsic courtesy as an art of living -the ultimate luxury of dressing for oneself and revealing one’s true personality.
The Spring-Summer 2026 collection is revealed in the summer apartments once occupied by Anne of Austria, Queen of France, the mother of Louis XIV. Here, scenographer and designer Marie-Anne Derville has composed a contemporary apartment using a selection of furniture and creations from several eras, creating an immersion into French taste from the 18th century to present day.
Jil Sander SS26 MFW Collection
Jil Sander returned to its Milan headquarters for Spring/Summer 2026, marking a homecoming that doubled as a new beginning. Presented in a stark, white space with a black-arched runway and a soundtrack of Bochum Welt’s electronic bleeps, the show set the tone for a season of learning, questioning, and rediscovery.
Creative director Simone Bellotti framed the collection as an inquiry into purity, subtraction, and signature: can less truly be more, or must strictness meet softness, control meet freedom? This duality guided the collection’s refined contrasts.
Silhouettes stood tall and vertical, with precise tailoring offset by raw hems, folded details, and clustered strips of georgette resembling fluttering book pages. Architectural leathers and wools balanced fragility with strength, while transparencies, cut-outs, and metallic finishes suggested both vulnerability and protection. A palette of neutrals, dusty pastels, and vivid accents heightened the interplay of tension and calm.
Accessories sharpened the narrative: square-toed lace-ups, kitten-heeled brogues, cut-out ballerinas, multipurpose handbags, and the debut of the Pivot bag, embodying versatility with clarity.
At once serious and playful, Bellotti’s Jil Sander explored pureness not as a limit but as an open field of possibilities; a modern minimalism in motion.
To be oneself—authentic, free, and unafraid of vulnerability- is the guiding spirit of Mantu’s Spring/Summer 2026 collection. Natural fabrics, artisanal prints, and refined craftsmanship express a modern femininity that is confident, evolving, and timeless.
Silhouettes flow with ease: flared skirts, caftan dresses, and puffed shoulders come alive in the three-dimensional Nuvola print. Daisies, the season’s signature flower, bloom as sequined embroideries and abstract motifs in hand-painted pigments of blue and brown. Long trapeze dresses in linen and cotton showcase smoky crinkles, while soft pastel suits shimmer subtly with metallic-threaded cotton. Ramie, the “silk of linen,” lends luminosity to fluid dresses in cream and chocolate.
The collection reimagines the worker’s jacket, shifting between sportswear ease and evening elegance, from bomber versions with bold topstitching to tailored silhouettes adorned with jeweled buttons.
With a palette of chestnut, cobalt, black, and pink softened by maltinto dyeing, Mantu SS26 celebrates natural beauty and enduring style; a wardrobe of lasting modernity.
Lorenzo Seghezzi transformed the runway into a walk of shame turned spectacle. The collection titled ‘Interlude’, was a love letter to the Milanese club scene with equal parts euphoria and aftermath, where corsetry met fishnets, leather harnesses bound gauzy gowns, and drag energy bled into couture.
A sheer corset paired with slouching white trousers opened the show with blunt intimacy, while looks oscillated between fetish and fantasy: bomber jackets laced tight like restraint devices, kilts studded with rivets, and skirts cut from salvaged leather swinging against mesh and plaid. The slogan “Queers Do It Better” stamped the collection with the unapologetic politics of nightlife.
“I’ve always managed — with effort and clarity — to keep myself away from certain self-destructive dynamics… but I’ll never fill the void left by the people I lost along the way. People I loved, with whom I shared dreams and endless nights, but who were pulled under by the spiral of substance abuse.”
Lorenzo Seghezzi
His silhouettes, stitched from salvaged fabrics and lined with scars of handwork, carried both celebration and collapse. A single-shoulder tulle gown, cinched by a leather strap, became an image of fragility masquerading as power.
With the Spring/Summer Collection, Seghezzi exposed the club’s contradictions in full daylight: a place of chosen family and survival, yet also of loss.
The Ferrari “Officina” SS26 Runway Collection emphasizes simplicity and completeness, bringing fashion back to its mission and meaning, allowing form to glorify matter while materials express their quality through color. Creative Director Rocco Iannone pares back to focus on form and function, designing for the Ferrari man and woman who wear and experience the clothes.
“Whether cars or clothing, the thinking and the process are the same: one edits, chooses, reduces, decides.”
Ferrari
The collection leans on clean, vertical silhouettes while magnifying movement. The purity of the cuts allows the materials to speak for themselves. Even color is reduced: apart from red, it remains the natural hue of each fabric.
Reduction leads to a focus on clothing that is both pragmatic and assertive. The collection unfolds in a white space: a futuristic laboratory where the absence of distraction directs all attention to the making, its tools, and its users. The emphasis lies in reduction as a way to heighten meaning, emotion, and connection.
Milan, September 27, 2025 Milan Fashion Week was redefined by Unstage, a bold and immersive showcase by IED Milano that stripped the runway of its traditional form and replaced it with a ritualistic performance art experience. Opening with a haunting act by artist Scarlett Rouge, set in the raw and atmospheric space of Galleria Lia Rumma, the event blurred boundaries between fashion, sound, and movement. Featuring 50 looks created by 13 emerging designers, Unstage unfolded like a living installation one that challenged spectators to question fashion’s surface and engage with its deeper meanings: memory, identity, and transformation. The performance was elevated by a visceral soundscape blending synthwave, techno, and house music, curated to distort time and perception.
Instead of individual collections, the show emphasised collaboration and collective vision, with pieces from different designers woven together into thematic ensembles. Designs drew from deeply personal and political inspirations ranging from refugee journeys, Victorian femininity, and East Asian beauty ideals to explorations of masculinity, grief, rural nostalgia, and post-consumerist critique. Recycled fabrics, symbolic accessories, and experimental forms played across light and shadow, crafting a visual and emotional landscape that resonated far beyond fashion. With its anti runway philosophy and refusal to conform, Unstage proved to be not just a show, but a subversive act of fashion as performance, emotion, and radical art.
The Brioni La Donna Spring/Summer 2026 collection focuses on quiet refinement, soft lines, and a fluid interplay between masculine tailoring and feminine silhouettes. Presented during Milan Fashion Week in September 2025, the collection draws inspiration from sun-soaked Rome, featuring relaxed, lightweight materials and a palette of muted tones.
With a striking Summer Spring collection debut, drawing inspiration from the roots, rhythm and beat of House music. Charaf Tajer hit the Paris fashion week runway with CasaBlanca. The whole essence of CasaBlanca embodied House music, its past, present and future. From the silhouettes to the patterns, each piece carefully crafted to emulate House music. Channelling each era, genre and style. Each piece was remixed like how a Dj would remix the sets. Pairing Sports with suiting, your everyday casuals with formal wear creating a beautiful harmony of juxtapositions.
CasaBlanca’s mix of acid neons, vinyl covers, vibrant vista prints and slick textures all brought an interesting ambience of club culture. Featuring feather and crystal embellishments on chiffons, meshes and oversized tailoring. The CasaBlanca collection was nothing short of amazing.
Acne Studios debuts its Spring/Summer 2026 collection within the atmospheric College des Bernardins in Paris, where a moody cigar salon contrasts the historic venue’s vaulted architecture. This season, Creative Director Jonny Johansson questions the boundaries of menswear and womenswear, reworking classic archetypes to express a new kind of female protagonist one shaped not by the gaze of others, but by her own layered, assertive identity. The collection fuses contrasts: sharp tailoring with delicate transparency, everyday fabrics with couture craftsmanship. Transposed suit jackets and uniform shirts evoke confident androgyny, while sculptural lace constructions challenge traditional ideas of femininity. Muted poplin is washed into softness, leathers are waxed or spray painted to show imagined labour, and denim is slashed, reassembled, or layered with papery finishes, transforming into tactile, highly textural forms.
“Creativity is about seeing the world in a way you didn’t realise could be seen,”
Acne Studios
Accessories and footwear speak to individuality: oversized aviators, bold earrings with amber and turquoise, square-toe loafers with wedge heels, angular pumps, and tall cowboy boots. Denim is emphasised with big-buckled belts, while knitwear appears both sheer and substantial layered, distressed, or riddled with windowpane holes. Acne Studios’ Camero bag returns in new fringe and leather versions, joined by the Hotel bag, a structured weekender offered in a variety of treatments. With SS26, Johansson reflects on identity as fluid and expressive, presenting a collection that is as much about personal narrative as it is about clothes.
Paris South Korean designer Kiminte Kimhekim marked the ninth anniversary of his eponymous label with the unveiling of KimHekim Spring/Summer 2026 collection, titled “I Feel Love,” at the Palais de Tokyo’s Galerie Haute.
Drawing inspiration from the pulsating rhythms and free spirited sensuality of 1970s disco, the collection offered a vivid reinterpretation of nostalgia through the lens of craftsmanship, femininity, and playful elegance.
Signature Kimhekim elements including heart motifs, pearl embellishments, oversized bows, and deconstructed denim appeared throughout the collection, reborn in fluid silhouettes that shimmered with renewed energy. The show served as both a celebration of past highlights and a confident stride into a more emotionally expressive, joy infused future.
The Summer 2026 Lanvin collection by artistic director Peter Copping expands the Lanvin universe, shifting our point of view on its heritage, tradition, and essence in its fusion with his own energy and fresh outlook. A year into his tenure, Copping chooses to explore the world of Lanvin’s heritage and history. Married with Copping’s vision is, as always, the style of founder and inspiration Jeanne Lanvin.
“Gentleness, tenderness, a lightness of touch. The esprit Lanvin. Embellishments are rethought. Cabochons are veiled with chiffon, while archival Lanvin embroideries translate to illustrative lines in print to sketch a journey through the house’s history, with a new hand.”
Lanvin
The interior can become exterior, construction celebrated to echo traces of the act of creation. Lining materials are shifted to the outside, jackets deconstructed to celebrate the inherent processes of tailoring.
The reverse of dresses and tailoring are treated as points of emphasis, an echo of Jeanne Lanvin’s own design obsessions, yet also a reflection of a contemporary glancing back to draw inspiration. Accessories reiterate neo-classic house icons, those introduced in Copping’s debut.
Lanvin’s past is resignified for the present. It is primary to the invention of the future.
Torishéju’s Spring/Summer 2026 collection ‘Dürer: A Uniform of Ideas’, dismantled the very notion of uniformity, reworking school, military, and industrial silhouettes into unstable, distorted forms.
This season’s show staged uniforms not as symbols of cohesion, but as fragile interfaces with chaos; a “plague of ideas” embodied in cloth. The result was an unsettling meditation on the overstimulated modern psyche, where identity itself strains under the pressure of algorithmic repetition and cultural noise.
Albrecht Dürer’s tension between divine and earthly finds a contemporary echo here in the clash of organic and synthetic materials, tactile textures and industrial finishes.
Rather than offering resolution, Torishéju’s fashion week presented fragmentation as truth: a surreal normality in which order unravels before the audience’s eyes. The collection made a stark claim that uniforms no longer unify, but they expose the fractures of our time.
For Spring/Summer 2026, Pierre-Louis Mascia presents a collection steeped in theatrical magic and cinematic nostalgia, drawing inspiration from the 1945 French classic Les Enfants du Paradis. The garments evoke a stage where illusion and truth intertwine, channelling the delicate tension between memory and performance. Fabrics appear as if discovered in a forgotten attic soft, precious, and layered with untold stories. Silk takes centre stage in 18 original prints, each one a visual dialogue of colours, patterns, and moods. Light weaves, pleats, trompe-l’œil effects, and sheer overlays conjure a dreamlike world where elegance meets enigma.
The silhouettes move effortlessly between refined and relaxed, with soft, flowing dresses, tailored ensembles, pyjama style shirts, and airy skirts that ripple with ruffles. Jersey adds a grounded sensuality, while lightweight bombers and trenches provide dimension for transitional days. Even denim enters the stage with surprising visual tricks, playing on perception and texture. This collection reaffirms Mascia’s talent for storytelling through textiles transforming everyday dressing into a poetic act and reminding us that fashion, like theatre, is a celebration of life’s beauty, unpredictability, and emotion.
RUNWAY
With an unveiling in style at the Jardin des Tuileries in Paris, the Dior collection curated by Jonathan Anderson, yet again, left its mark on Paris Fashion Week this October. The collection explored the language of its house through a striking reinterpretation of its heritage, drawing inspiration from archival references. Featuring bows a signature code, in which was embraced in a wide variety of ways. From pinch front coats, draped cotton drill miniskirts, down to the demure lace dresses, top staple handbags and hats. The latest collection incorporated unique sculptural volumes, lean rippling capes and voluminous outlining into its pieces. Whilst dressed in cool, pastel tones with a dash of deep dark colours, giving it the bold but soft and airy feel Dior is so famous for.
The stark show space designed by Luca Guadagnino and Stefano Baisi merged the digital with the physical. The compelling imagery especially commissioned by documentary filmmaker Adam Curtis. The House’s history came alive with a flash on an inverted LED pyramid before magically imploding into a Dior shoe box. It symbolised a stored past that can be revisited like memories.
For Dior’s Spring-Summer 2026 Ready toWear Collection marking Jonathan Anderson’s first as designer Creative and Image Director of Dior Makeup, Peter Philips, introduced a beauty look rooted in fresh minimalism. With a focus on enhancing the natural features of each model, Philips crafted a radiant, translucent complexion using Dior’s skincare and makeup essentials, such as Capture Le Sérum, Dior Forever Skin Glow, and Backstage Rosy Glow Stick. The result was luminous skin, a soft flush on the cheeks, and subtle corrections that emphasized a healthy, modern glow.
Eyes were gently defined using the neutral tones of the Diorshow 5 Couleurs palette in “559 Poncho,” while brows remained naturally groomed. Lips were softly tinted with Dior Addict Lip Glow Butter in “103 Toffee” for a hydrated, effortless finish. Hands and nails followed suit, appearing polished yet understated with Dior Le Baume and Vernis in “108 Muguet.” Hairstyles were either neatly parted and left loose or tied back, perfectly complementing the clean, refined aesthetic of the collection.
Beauty images Courtesy of Parfums Christian Dior
For Spring-Summer 2026, Isabel Marant collection drew to the sun. Her was path etched into every piece fabrics, with sun bleached silks, soft jerseys, and leathers that feel worn-in by the elements. Detailed craftsmanship shines through with bark-like jewellery textures, intricate beading, and totemic embroidery that nods to travel and ritual. Movement and freedom define the silhouettes: breezy crochet, asymmetrical ruffles, and scarves wrapped effortlessly at the waist. A utility edge grounds the collection, with cargo trousers, ultra-light jackets, and slouchy bags slung casually over the shoulder.
This season’s colour palette reflects nature’s changing light from sandy neutrals and bronzed yellows to soft ecru and sun-faded blues. As dusk approaches, the tones darken: black, deep violet, and celestial prints take over, echoing the transition from day to night. For both men and women, the styling feels undone yet intentional shorts are rolled, vests left open, and fabrics draped to reveal glimpses of skin. The show closes under a starlit sky at the Palais-Royal, as Isabel Marant delivers a hand touched, earthbound collection that is both free spirited and quietly powerful.
UnderCover made a grand debuts its Summer Spring 2026 at Paris fashion Week runway. The Spring-Summer 2026 collection showcases both womenswear and menswear, with models adorned in striking details like sharp gold leather headpieces and sheer lace veils.
The runway presentation embraced a soft, otherworldly atmosphere, featuring airy silhouettes and light, delicate fabrics that gave off a surreal, almost celestial feel. The collection draws creative influence from Italian artist Robert Bosisio, whose paintings explore the space between the real and the unsettling , lending a mysterious, dreamlike quality to the designs.
Nina Ricci’s Spring/Summer 2026 collection, under the bold creative direction of Harris Reed, channels the untamed glamour of rock and roll royalty across the decades. Set against the backdrop inspired by Rock and Roll Hall of Fame, the collection pays homage to icons like Keith Richards, Anita Pallenberg, and David Bowie with a wardrobe that fuses louche silk, cascading sequins, and glittering jacquards into an expressive tapestry of rebellion and bohemian elegance. Reed’s signature flare shines through in traditional silhouettes juxtaposing weathered cotton bombers with opera-coat Edge, lingerie inspired pencil skirts in jewel toned silks, and flared tailoring layered beneath wispy shirting. Every look is a deliberate mix of high fashion and rock edge.
The collection featured a kaleidoscope of textures and prints : leopard, python, houndstooth, floralscapes. Elevating the collection’s richness. Accessories continue the vintage meets modern twist with buckled belts cinched over tuxedo trousers and lace dresses, oversized aviators with tinted lenses, and leather chokers.With each piece, Nina Ricci SS26 stands as both homage and evolution a collection born from rock history, tailored for modern day icons.
Victoria Beckham’s Spring Summer 2026 collection marks a deeply personal and nostalgic journey, drawing on the designer’s own adolescence and her reflections as a mother to a teenage daughter. Reimagining the emotional exploration of girlhood, Beckham revisits formative fashion memories with a contemporary lens. The collection captures the joyful, instinctive nature of early self-expression through clothing, showcasing delicate garments with romantic imperfections: smocked slip dresses, creased jacquard lace, and pressed organza underpinnings. Inspired by the scenes in coming of age films like : The Virgin Suicides and Romeo and Juliet. Beckham’s vision combines raw experimentation with poetic refinement.
The narrative continues through tactile, sculptural tailoring and accessories that evoke the thrill of dressing up and discovering personal style. Oversized parkas, wired jackets, and paper bag trousers reflect the appropriation of hand me downs, while structured bags including the new Plie, Dolly, and V-seam duffel echo the playful construction of the garments. Footwear and jewellery complete the collection’s nuanced language, blending masculine tailoring with feminine detail. Rendered in soft, synaesthetic hues like sand dune, aquamarine, and coral, the collection is both a tribute to the past and a celebration of youthful creativity reimagined for the modern woman.
Duran Lantink makes a bold debut at Jean Paul Gaultier with the Spring Summer 2026 ready to wear collection titled Junior a rebellious tribute to the iconic Junior Gaultier line from 1988–1994. Embracing the spirit of youthful hedonism, club culture, and radical freedom, Lantink reimagines Gaultier’s legacy with an instinctive, visceral approach he calls “Duranification”, using distortion as its signature codes. Embedding marinière stripes that become optical illusions, tattoo mesh inflates into 3D form. The result is a striking collision of Gaultier’s unmistakable DNA and Lantink’s avant-garde flair full of glittering illusions, prints, and an electrifying palette of burgundy, mustard, and sky blue.
Rooted in experimentation and intuition, the collection draws unexpected inspiration from the anarchic energy of Amsterdam’s legendary Roxy nightclub and the spoken word legacy of poet John Giorno, whose voice anchors the show’s hypnotic soundtrack. The Junior collection was unveiled in the basement of Paris’s Musée du Quai Branly a symbolic site that echoed the collection’s themes of memory, reinvention, and cultural fusion. Lantink’s debut marks not just a resurrection of Gaultier’s ready to wear line, but a new creative pulse for the house vibrant, fearless, and unapologetically free.
Jean Paul Gaultier AW26/27, PFW
Some could be a detective, a cowboy, a raver, a steampunk figure or a banker on Fifth Avenue in an exquisitely tailored coat with sloping shoulders. Others appear as smashing femme fatales, perhaps she just got out of bed. They all meet in a collection where tailoring, sportswear, elegance and disruption come together.
It’s a spirit that suits the House of Gaultier, a place where the world is perpetually turned upside down. Feminine and masculine, inside out, vintage and new, underwear as outerwear, technical and tailored all at once. The appearance of Dietrich on Lantink’s moodboard opened the door for all the other characters to join the show. Dietrich herself returns throughout the collection, appearing once again, smoking, on a dress.
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For Spring/Summer 2026, it transforms the historic Hall Eiffel at Lycée Carnot into The Locker Room, a poetic space where sport meets introspection. Under Creative Director Pelagia Kolotouros, the collection captures the raw tension between triumph and reflection, revealing beauty in the moments that exist between performance and repose.
Exploring the allure of unfinished states, the collection redefines athletic sensuality through sheer polos, mirror leather, robe-like trench coats emblazoned “Tennis for Everyone,” and fluid nylon pieces that balance transparency with structure. Toweling textures, organza reminiscent of shower curtains, and reflective leathers evoke the atmosphere of post-match intimacy.
Kolotouros revisits Lacoste’s heritage with a refined sense of ease; oversized transparent polos, relaxed tailoring in tropical wools, and reimagined tennis classics inscribed with new affirmations of inclusivity. The signature crocodile, reinterpreted through grass-court embroidery, celebrates French craftsmanship, while the returning Lenglen bag nods to vintage tennis codes.
In tones of orange, taupe, olive, and archival blue, Lacoste SS26 merges athletic grace with emotional depth; an ode to the precise moment when heritage meets modern sensuality, and victory meets vulnerability.
Lacoste FW26 ‘Washed Out Match’, PFW
Staged on the legendary Philippe Chatrier court at Roland-Garros stadium, Lacoste’s Fall-Winter 2026 show transforms the court into a famous match interrupted.
Having introduced a new relationship to outerwear in previous seasons, Pelagia Kolotouros pursues the thought through waterproofing and technical fabrication: the trench as foundation, the poncho as evolved polo, bonded tech wool as shield against the elements. Padded and voluminous pieces in transparent nylon, or with wet or reflective finishes, layer and contrast with sensual, plush velvet and the soft tailoring of the emblematic René blazer.
Shape and texture favor what Lacoste calls “tech-heritage,” a distillation of athletic and archival, performance and poetry. Fan culture favorites like weathered trophy pins, Grand Slam T-shirts, the iconic tracksuit and a digital watch with a stretch bracelet extend the collection’s vocabulary.
Chloé SS 2026 PFW
The “Entre Deux” Collection
For Spring/Summer 2026, Chloé explores a paradox at the heart of its identity: the idea of couture within a house founded on democratic freedom and ease. The collection pushes the boundaries of what defines Chloé, expanding its language while honouring Gaby Aghion’s founding philosophy.
“I started Chloé because I loved the idea of couture but found the concept a little out of date – a little artificial. A thing of beauty and quality should be seen on women in the streets.”
Gaby Aghion
Returning to what Aghion once rejected, the collection reimagines couture through Chloé’s lens: creating structure without constraint, elegance without rigidity. Inspired by the brand’s early shows at Café Flore and Brasserie Lipp, garments embrace the essence of an “entre deux” spirit; something between couture and ready-to-wear.
Instinctive draping, knotting, and wrapping lend volume and movement to simple “poor” fabrics like cotton poplin, achieving lightness through craft. Archival floral prints from the 1950s and 1960s are redrawn, while outerwear archetypes are reworked in airy cottons.
Presented in a UNESCO conference room, a postmodern space symbolizing openness and creative dialogue, the show captures the Chloé spirit: effortless, intellectual, and free.
Thom Browne’s Spring 2026 collection ventures into a surreal realm where traditional tailoring meets the outer edges of the unknown. The collection plays with the subtle destabilisation of familiar forms. Classic silhouettes are distorted just enough to feel uncanny: sport coats with shoulders twisted forward into raglan like forms evoke both American varsity wear and alien armor, while drop waist pleated skirts and shrunken cricket sweaters deconstruct prep through a space-age lens. A vivid preppy palette intensifies contrast, with repp stripes, tweeds, and sequined mesh material shimmering like signals from another galaxy.
The runway becomes a landing site for Browne to explore otherworldly parts of his collection with trousers with four legs, morphing silhouettes, and garments that defy symmetry. Pastel socks disguised as stilettos, platform spectator boots, and the debut of the clam shell-handled Teviot bag alongside the iconic Bolton. Browne offers not just clothing, but a proposal for a universal uniform a shared visual language for humans and extraterrestrials alike, suggesting that fashion can connect the familiar and the fantastic in perfect cosmic harmony.
Agnès b. SS26 PFW
50 Years of Style
Today, agnès takes us on a journey through the history of her style. What is this particular force that has carried her work with such power into the intimacy of each person, across the world, and throughout a lifetime?
For agnès, everything begins with touch: it all starts with fabric. It must be very soft, yet strong, and full of character. Her sketches are flat, technical, and precise, just like every detail of the cut. For many years, she would try the clothes on herself. If they are to be elegant, she wants them first to be comfortable; even friendly: we should be able to truly live in them, to move, raise our arms, “hug, have lunch, run…” There are almost always pockets to serve us or simply to give us poise. Each garment carries something of her humanism and her tenderness.
Her clothes are alive. They tell stories and could even be seen as characters. For agnès, who defines herself first and foremost as a stylist, she doesn’t start from scratch: she draws upon familiar wardrobes; workwear, farm clothes, uniforms at times; costumes that inhabit paintings, that move in films… They are true cultural artefacts which she makes her own. She renews a shared imagination while giving it a freshness that seems entirely natural to her. Free, she advances by “side steps”: taking a fine and precious fabric for workwear, using an undergarment knit and wearing it on top, treating a sports material in “coupé-couture” style…
It is also because agnès loves to tell herself stories. “Let’s pretend we would be…” is one of her favourite starting points. She has a rare talent for restoring nobility to a humble material, such as butter muslin, or for popularising a detail of courtly fashion, like that famous 18th-century buttoning set onto the fleece of a sweatshirt. agnès is a master of gentle revolutions, of reconciling opposites. Through her styling, she does far more than dress us: she shares, in the most intimate way, stories that bring us together, while allowing each of us to be ourselves. What could be more fitting, or more subtly political?
Kindred Spirit
For Spring 2026, Zimmermann found a kindred connection with artists of the past, inspiring a modern expression of freedom and joy.
“This season’s Spring collection, Kindred Spirit, is an ode to the collaborative artistic spirit of the 70s and chosen creative families the world over. I was inspired by a collective of iconic artists that made their mark in the 70’s in Lavender Bay, a suburb on Sydney Harbour. I liked that they pushed against the status quo—it was probably like similar creative movements in London or New York during the same era, but with a uniquely Australian take. They inspired each other to boldly express themselves… and had a lot of fun along the way! I always design with a multitude of women in mind, a diverse group who bring their distinct personalities to the garment. The collection offers freedom and joy in exuberant silhouettes, a bold interplay of colours, and psychedelic floral and soft tie-dye prints.”
Nicky Zimmermann.
Drawing on the rebellious creativity of the 1970s, the Kindred Spirit collection celebrates individuality through expressive prints, sculptural textures, and joyful craftsmanship. Psychedelic florals, warped patterns, and flared silhouettes bring vibrant energy, while organza gowns, tie-dye dresses, and braided details reflect the brand’s signature romanticism.
Balancing the artisanal artistry of its Sydney atelier with Parisian tailoring, Zimmermann’s Spring 2026 collection is a radiant tribute to community, creativity, and the boundless spirit of self-expression.
Australian fashion house Aje made its spectacular Paris Fashion Week debut, unveiling the highly anticipated 2026 Summer Runway collection, Rebel Rebel.
The milestone presentation by Co-Founders Adrian Norris and Edwina Forest marked the next chapter for Aje, bringing a distinctly Australian perspective to the global stage.
“Presenting at Paris Fashion Week marked a defining moment in Aje’s evolution and one that we are immensely proud of. It was an incredible opportunity to share our unique aesthetic on a global stage and connect with international press, buyers, tastemakers and friends of Aje. After 17 years of building Aje, showing in Paris marks a pivotal milestone for us as a brand as we continue to build our presence worldwide,”
Adrian Norris
Inspired by the avant-garde artists of the 20th Century, the Rebel Rebel collection is a daring exploration of figure and form where contemporary visions meet house foundations. A moving museum of wearable sculptures, the season reworks the Aje handwriting with hazed cascades, hand-pleated movement, and cool, sculptural silhouettes that reveal fresh feminine delicacies and unseen lines.
“We feel so honoured to have presented our brand vision at Paris Fashion Week and to showcase our craft and creativity on a global stage. Paris holds a deeply personal place in our journey, from our long-standing wholesale endeavours to my time spent living here. We could not have imagined a more fitting city to debut REBEL REBEL. It represented both a sense of homecoming and a bold step forward as we continue our global expansion”
Edwina Forest
Reflecting the natural beauty of Australia, the collection’s palette blends earth tones, dusted pastels and bold pigments. Vegan leather, broderie anglaise, sensate knits and raw raffias fuse artistry with innovation, while hand-painted prints and sun-bleached transparencies echo the expressive spirit of modern sculpture.
With Rebel Rebel, Aje dares to question, redefining elegance through rebellion; a powerful statement of creativity, identity, and evolution on fashion’s most prestigious stage.
Tranoi x Canex PFW
Tranoï × Canex lit up Paris Fashion Week with a dynamic showcase of 20 African designers, merging rich cultural heritage with bold contemporary design. Held at the Palais Brongniart, the show celebrated the diverse voices shaping Africa’s fashion future, supported by the Creative Africa Nexus (Canex). Designers presented a vibrant spectrum of styles from sculptural tailoring to flowing chiffon dresses crafted with intricate details and traditional techniques. Earthy ochres, deep indigos, and vivid saffron tones dominated the palette, while materials like handwoven raffia, silk charmeuse, and laser-cut leather brought texture and narrative to life.
The runway was a celebration of contrasts and craft: structured blazers layered with mud cloth and batik, sequins tracing organic patterns. Footwear blended tradition and innovation, from raffia-wrapped sandals to geometric leather boots. Tranoï × CANEX proved that African design is not a trend, but a transformative force in global fashion rooted in identity, rich in storytelling, and boldly shaping the future.
CFCL SS2026 PFW
Theme: Knit-ware; Concreteness
CFCL presented its SS26 runway show at La Gaîté Lyrique in the 3rd arrondissement. The show redefined clothing as tools for daily life, blending transparency, soft silhouettes, and quiet sophistication in an atmosphere reminiscent of a concert rehearsal. Live music by the chamber ensemble TLF Trio accompanied the performance, their minimalist sounds creating a calm, contemplative mood.
The collection, titled Vol 11 – Knit-ware: Concreteness, continues CFCL’s commitment to understated design rooted in everyday functionality. “We want to produce like a plant that produces a fruit and not to reproduce. We want to produce directly and not through interpretation,” wrote Jean Arp in 1944; a sentiment that deeply inspires the brand’s approach to creating concrete fashion: tangible, original, and quietly expressive.
Theme: Signature Updates
CFCL’s signature pottery series evolves into translucent, fluid dresses inspired by the acrylic sculptures of Mariko Mori and the delicate glasswork of Émile Gallé. The Overwrapped Pottery and Pottery Swell pieces play with layered transparency, mint hues, and softly glowing textures that move rhythmically with the body.
Theme: Natural & Craft
Sustainability meets craft in Dyeing Milan and Dyeing TC Lucent, created from organically grown Indian cotton and hand-dyed by artisans in Arimatsu, Aichi Prefecture. Soft tones of pink and gray evoke the light of spring, while sheer yarns filter luminosity through every thread. Each garment celebrates dyeing as an expressive process rather than pattern replication.
Theme: Graphic Expression
The collection’s sole graphic motif appears in the Terraced Dress, inspired by the constructivist textiles of Sophie Taeuber-Arp. Seamlessly knitted in recycled polyester, its dynamic stripes and neon accents convey movement and vitality in a modern architectural rhythm.
Theme: Hand Built
The Fluffy series embodies sculptural craft, where knitted tassels are threaded through pre-designed openings to create textural motifs; a process likened to clay sculpting. Metallic-wrapped yarns shimmer with motion, achieving balance through repeated fittings and precise digital refinement.
With Knit-ware: Concreteness, CFCL cultivates a new language of knitwear; one that is sustainable, architectural, and profoundly human, reaffirming clothing as both art and function in the modern world.
For SS26, SLJ London expands its nue punk philosophy with Point of Grace, a collection where rebellion is quiet, expressed through gestures that are subtle yet deeply affecting. Inspired by the image of fruit pierced on fence spears as offerings to birds, the collection explores acts that are both disruptive and generous; defiant yet tender; embodying SLJ’s enduring dualities of softness and edge, intimacy and protection.
This season marks the return of the brand’s Denim Swaddling Technique, where gemstones are bound in denim as an ode to rebellion, alongside the debut of leather cord necklaces designed for versatility and touch. The palette, anchored in deep blue, echoing the fragile starling egg, symbolizes rare beauty and quiet luck, while black channels the raw, rock-like energy at the heart of the collection.
The presentation unfolded in a blacked-out space, a single line of light slicing across sand-covered floors. The setting was stark yet poetic, mirroring the contrasts within the jewellery. Styling heightened this tension: sheer fabrics cascaded from ear cuffs into dresses, while statement pieces like the Black Metal Bandana and Silver Chainmail Vest, crafted from a hybrid link merging SLJ’s signature Kamon link with Victorian spearheads, were fastened with safety pins, a nod to punk’s irreverent core.
Seven key pieces define Point of Grace, including the Kamon Bralette, hand-built from oversized chains; the sculpted White Gold Corset, inlaid with hand-set minerals; and the Bird Tail Bralette, a silver halter capturing the motion of plumage. Together, they reinforce SLJ London’s commitment to pushing jewellery beyond adornment, into realms of expression, protection, and quiet defiance.
Valerio Mezzanotti
At the Givenchy Women’s Ready to Wear Spring/Summer 2026 show, creative director Sarah Burton’s powerful yet refined vision was matched by a minimalist beauty look crafted by makeup artist Lucia Pieroni. Focused on enhancing each model’s natural features, the makeup celebrated individuality and authenticity. The goal was to present each woman as her most confident and effortlessly cool self, while keeping the spotlight firmly on the clothing.
The look featured fresh, dewy skin with subtle sculpting to bring natural dimension and glow. Eyes were softly defined with a sheer wash of color and a light touch of black mascara, adding quiet depth without overpowering the face. Lips were given a customized tint to subtly enhance their natural tone, completing a look that felt polished, personal, and modern. The result was a seamless blend of beauty and fashion, where every detail supported the strength and simplicity of the collection.
A light layer of Prisme Libre Glow Serum Foundation was brushed onto the cheeks to even out the complexion and create a natural, barely-there finish. To add brightness under the eyes, Prisme Libre Skin-Caring Concealer was carefully blended in.
For the eyes, L’Interdit Couture Volume Mascara was applied to curled lashes, adding subtle definition, while brows were softly groomed for a natural, boyish look. A touch of Le Rouge Velvet Matte lipstick was used either on the lips or dabbed onto the cheeks for a fresh, healthy glow. The look was completed with a soft sweep of Prisme Libre 4-Color Pressed Powder to set the makeup in place.
Spanish label Cordera introduced its Summer Spring 2026 collection with an intimate presentation at COR Studio in Paris’s Le Marais district during Paris Fashion Week. Known for its refined aesthetic and commitment to craftsmanship, the brand continued to build on its reputation with a lineup rooted in minimalism, innovative structure, and quiet elegance.
The FW25 showcase offered more than just fashion, it was a multi sensory experience. Collaborating with New York based artist Laila Gohar, Cordera presented the collection alongside a culinary installation that seamlessly intertwined visual and edible art, emphasising the brand’s thoughtful and holistic approach to design. The presentation underscored Cordera’s use of high quality materials and timeless silhouettes.
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